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In this Issue

Table of Contents

  1. Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly influences postural control and subjective aesthetic appreciation
  2. Lindsey M Ward, Aurélien Morize, Marine Vernet, Chrystalina Antoniades, Zoï Kapoula
  3. pp. 1-15
  4. restricted access
  1. Humanizing Digital Culture with Wisdom VR
  2. Diana Ayton-Shenker
  3. p. 2
  4. restricted access
  1. Art's Work in the Age of Biotechnology: Shaping Our Genetic Futures
  2. Hannah Star Rogers
  3. pp. 5-17
  4. restricted access
  1. In the Circle of Sense and Nonsense: Through a Mathematical Model of Meaning
  2. Mark Burgin, William Seaman
  3. pp. 18-23
  4. restricted access
  1. Constructing an Artworld Influencer Network by Mining Social Media
  2. Amalia Foka
  3. pp. 24-29
  4. restricted access
  1. Composing and performing Complex Systems: From the Quantum to the Cosmological
  2. Joann Kuchera-Morin
  3. pp. 30-33
  4. restricted access
  1. Art, Science and Anthropology: Co-Creating Knowledge and Building Peace in Colombia
  2. Alejandro Valencia-Tobon
  3. pp. 34-38
  4. restricted access
  1. Color Plates
  3. pp. 39-42
  4. restricted access
  1. A Computational Study of Empty Space Ratios in Chinese Landscape Painting, 618–2011
  2. Guoyan Wang, Jiafei Shen, Mengmeng Yue, Yena Ma, Shuyang Wu
  3. pp. 43-47
  4. restricted access
  1. Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation
  2. Lindsey M. Ward, Aurélien Morize, Marine Vernet, Chrystalina Antoniades, Zoï Kapoula
  3. pp. 48-50
  4. restricted access
  1. Representing Hierarchies of Visual Regard in eye-tracking Analysis
  2. Eugene Han
  3. pp. 51-56
  4. restricted access
  1. A Machine Learning Application Based on Giorgio Morandi Still-Life Paintings to Assist Artists in the Choice of 3D Compositions
  2. Guido Salimbeni, Frederic Fol Leymarie, William Latham
  3. pp. 57-61
  4. restricted access
  1. Chat-Hi: Exploring Indian National Identity Through Machine-Generated Text
  2. Jean-Thomas Martelli, Salil Parekh
  3. pp. 62-63
  4. restricted access
  1. Digital Oceans and Algorithmic Castaways
  2. Liliana Farber
  3. pp. 64-65
  4. restricted access
  1. LASER—An Introduction
  2. Tami I. Spector
  3. p. 66
  4. restricted access
  1. Aesthetics of Turntable Art
  2. Jimmy Eadie
  3. pp. 72-76
  4. restricted access
  1. Games, Music and Ludus Melothedicus
  2. Jerónimo Rajchenberg Ceceña
  3. pp. 77-81
  4. restricted access
  1. Karel Nel and COSMOS: A Far-Reaching Artist-in-Residence Collaboration
  2. Barbara Amelia King, Peter Martinez
  3. pp. 82-86
  4. restricted access
  1. Abstracts from the Spectra 2018 Symposium Part 8 : Submolecular
  2. Andrea Rassell, Chris Henschke, Paul Thomas
  3. pp. 87-89
  4. restricted access
  1. Abstracts from the Spectra 2018 Symposium Part 9: Empathy
  2. Paul Corballis, Deborah Lawler-Dormer, Gary P. Anderson, David Sequeira, Maria Bellesis, Sue Thornton, Daniel Hoyer, Jon Cattapan, Toby Gifford, Alex Lambert, Jon McCormack
  3. pp. 90-92
  4. restricted access
  1. Animating Truth: Documentary and Visual Culture in the 21st Century by Nea Ehrlich (review)
  2. Charles Forceville
  3. pp. 93-96
  4. restricted access
  1. Edgar Wind and Modern Art: In Defence of Marginal Anarchy by Ben Thomas (review)
  2. Edith Doove
  3. pp. 96-97
  4. restricted access
  1. Archive, Photography and the Language of Administration by Jane Birkin (review)
  2. Ana Peraica
  3. p. 97
  4. restricted access
  1. Time, Media, and Visuality in Post-Revolutionary France ed. by Iris Moon and Richard Taws (review)
  2. Jan Baetens
  3. pp. 98-99
  4. restricted access
  1. Photography Off the Scale: Technologies and Theories of the Mass Image ed. by Tomáš Dvořák and Jussi Parikka (review)
  2. Ana Peraica
  3. p. 99
  4. restricted access
  1. The Blue Hour of Peder Severin Krøyer (review)
  2. Giovanna L. Costantini
  3. pp. 100-101
  4. restricted access
  1. Sound Arts Now ed. by Cathy Lane and Angus Carlyle (review)
  2. John F. Barber
  3. pp. 101-102
  4. restricted access
  1. Lead in Modern and Contemporary Art ed. by Sharon Hecker and Silvia Bottinelli (review)
  2. Brian Reffin Smith
  3. pp. 102-104
  4. restricted access
  1. Des étoiles nouvelles: Quand la littérature découvre le monde by William Marx (review)
  2. Jan Baetens
  3. pp. 104-105
  4. restricted access
  1. Magritte and the Philosophers by Sémir Badir (review)
  2. Jan Baetens
  3. pp. 105-106
  4. restricted access
  1. Leonardo Reviews Online
  3. p. 106
  4. restricted access
  1. The Emergence of Interactive Music: The Vision and Presence of Joel Chadabe
  2. Marc Battier
  3. pp. 107-111
  4. restricted access
  1. The Network
  3. pp. 112-113
  4. restricted access
  1. Liverpool Laser Talks: A Community "Studio-Laboratory"?
  2. Mark Roughley, Caroline Wilkinson
  3. pp. 67-71
  4. restricted access