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Table of Contents

Translation Folio

  1. Translation Folio
  2. Alain Mabanckou, Nancy Naomi Carlson
  3. pp. 17-23
  4. DOI: https://doi.org/10.1353/plc.2020.0200
  5. restricted access

Folio: Reanimating Ancestors

  1. Reanimating Ancestors Guest Editor Note
  2. Claire Meuschke
  3. pp. 61-62
  4. DOI: https://doi.org/10.1353/plc.2020.0180
  5. restricted access
  1. Triptych in Black and Blue
  2. Tatiana Johnson-Boria
  3. p. 63
  4. DOI: https://doi.org/10.1353/plc.2020.0184
  5. restricted access
  1. It Would Be Easier to Stop Talking to Your Ghost
  2. Stella Li
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/plc.2020.0196
  5. restricted access
  1. from GIRLS THAT NEVER DIE, and: Roll Call
  2. Safia Elhillo
  3. pp. 66-70
  4. DOI: https://doi.org/10.1353/plc.2020.0221
  5. restricted access
  1. Illuminated Manuscripts, Part I
  2. Vanessa Angélica Villarreal
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/plc.2020.0201
  5. restricted access
  1. Autonomous Song, and: The Flying Motorist Artist, and: Red She Broke the Cup, and: Sings the Wishing Well (The Ghost Well-Cared For)
  2. Hoa Nguyen
  3. pp. 73-77
  4. DOI: https://doi.org/10.1353/plc.2020.0183
  5. restricted access
  1. excerpt from Given in the Folding
  2. Farid Matuk
  3. pp. 78-84
  4. DOI: https://doi.org/10.1353/plc.2020.0218
  5. restricted access
  1. from When the World Stopped Touching
  2. Luisa Muradyan, Julia Kolchinsky Dasbach
  3. pp. 85-90
  4. DOI: https://doi.org/10.1353/plc.2020.0202
  5. restricted access
  1. [from] The Hour of the Rat (We arrive), [from] The Hour of the Rat (a rainbow), [from] The Hour of the Rat (The persimmon)
  2. Brandon Shimoda
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/plc.2020.0204
  5. restricted access
  1. Ambient Mom
  2. Kimberly Alidio
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/plc.2020.0226
  5. restricted access
  1. from Banana [ ]: A History of the Americas
  2. Paul Hlava Ceballos
  3. pp. 98-105
  4. DOI: https://doi.org/10.1353/plc.2020.0224
  5. restricted access
  1. People Who Work Here Don’t Work Here
  2. Gabriel Dozal
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/plc.2020.0179
  5. restricted access
  1. from A Weaving
  2. Laynie Browne
  3. pp. 109-112
  4. DOI: https://doi.org/10.1353/plc.2020.0182
  5. restricted access

Poetry

  1. Those Errant, Those Drifting
  2. Emelie Griffin
  3. p. 7
  4. DOI: https://doi.org/10.1353/plc.2020.0214
  5. restricted access
  1. Spoken like a true, and: anodyne
  2. Courtney Faye Taylor
  3. pp. 8-11
  4. DOI: https://doi.org/10.1353/plc.2020.0187
  5. restricted access
  1. Forgiven
  2. Blas Falconer
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/plc.2020.0189
  5. restricted access
  1. The Execution of Goemon
  2. Michael Schmeltzer
  3. pp. 14-16
  4. DOI: https://doi.org/10.1353/plc.2020.0209
  5. restricted access
  1. Taking Touches from a Toy
  2. Zach Linge
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/plc.2020.0197
  5. restricted access
  1. Go for Your Guns
  2. Douglas Manuel
  3. p. 37
  4. DOI: https://doi.org/10.1353/plc.2020.0194
  5. restricted access
  1. Aguadilla, PR
  2. Paige Quiñones
  3. p. 124
  4. DOI: https://doi.org/10.1353/plc.2020.0222
  5. restricted access
  1. The Lost Language 3
  2. Bruce Bond
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/plc.2020.0215
  5. restricted access
  1. Souls Must Exist
  2. David Caplan
  3. p. 127
  4. DOI: https://doi.org/10.1353/plc.2020.0199
  5. restricted access
  1. Novenas to Mothers Returned
  2. Patricia No
  3. pp. 128-132
  4. DOI: https://doi.org/10.1353/plc.2020.0211
  5. restricted access
  1. Desert Triptych, and: Lifestyle Factors
  2. Sophia Stid
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/plc.2020.0190
  5. restricted access
  1. He presses into your fingers a box of matches
  2. Jeffrey Levine
  3. p. 153
  4. DOI: https://doi.org/10.1353/plc.2020.0198
  5. restricted access
  1. Self-Portrait as Unexploded Ordnance
  2. Melissa Oliveira
  3. pp. 154-155
  4. DOI: https://doi.org/10.1353/plc.2020.0213
  5. restricted access
  1. Comic Interlude, and: Resurrections
  2. Elizabeth Sylvia
  3. pp. 166-168
  4. DOI: https://doi.org/10.1353/plc.2020.0191
  5. restricted access
  1. Black Docent
  2. Derrick Austin
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/plc.2020.0210
  5. restricted access
  1. Manduca
  2. Victoria Hudson
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/plc.2020.0203
  5. restricted access
  1. September Children/Faith Production
  2. Sean Cho Ayres
  3. p. 174
  4. DOI: https://doi.org/10.1353/plc.2020.0195
  5. restricted access
  1. Requiem of Sundown Mothers
  2. Geula Geurts
  3. p. 175
  4. DOI: https://doi.org/10.1353/plc.2020.0177
  5. restricted access
  1. Two Brothers
  2. Hee-June Choi
  3. p. 176
  4. DOI: https://doi.org/10.1353/plc.2020.0208
  5. restricted access
  1. It Was the Year of the Dog
  2. Maya Pindyck
  3. p. 196
  4. DOI: https://doi.org/10.1353/plc.2020.0192
  5. restricted access
  1. The Scar Will Look Like a Face
  2. Jennifer Lynn Krohn
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/plc.2020.0185
  5. restricted access
  1. On a Field in the Present
  2. David M. de León
  3. p. 199
  4. DOI: https://doi.org/10.1353/plc.2020.0219
  5. restricted access
  1. Bat
  2. Mag Gabbert
  3. pp. 208-209
  4. DOI: https://doi.org/10.1353/plc.2020.0206
  5. restricted access
  1. Errant Eagle
  2. W.J. Herbert
  3. pp. 210-211
  4. DOI: https://doi.org/10.1353/plc.2020.0193
  5. restricted access
  1. Have You Heard That Birds Memorize Their Parents’ Songs in Sleep?
  2. Jess Turner
  3. p. 212
  4. DOI: https://doi.org/10.1353/plc.2020.0207
  5. restricted access

Fiction

  1. Harm Joy
  2. Leena Soman Navani
  3. pp. 24-34
  4. DOI: https://doi.org/10.1353/plc.2020.0176
  5. restricted access
  1. Summer of Bombs
  2. Bergita Bugarija
  3. pp. 41-58
  4. DOI: https://doi.org/10.1353/plc.2020.0220
  5. restricted access
  1. Children of the Nareepol Tree
  2. Ploi Pirapokin
  3. pp. 113-123
  4. DOI: https://doi.org/10.1353/plc.2020.0205
  5. restricted access
  1. The Avian Hourglass
  2. Lindsey Drager
  3. pp. 140-148
  4. DOI: https://doi.org/10.1353/plc.2020.0212
  5. restricted access
  1. Dangerous Weather
  2. Natalie Teal McAllister
  3. pp. 156-165
  4. DOI: https://doi.org/10.1353/plc.2020.0186
  5. restricted access
  1. Money Chickens
  2. Ghassan Zeineddine
  3. pp. 177-189
  4. DOI: https://doi.org/10.1353/plc.2020.0225
  5. restricted access
  1. Dust Thou Art
  2. Melanie Pierce
  3. pp. 203-207
  4. DOI: https://doi.org/10.1353/plc.2020.0217
  5. restricted access

Creative Nonfiction

  1. I Will Never Erase You
  2. Virginia Lee Wood
  3. pp. 38-40
  4. DOI: https://doi.org/10.1353/plc.2020.0178
  5. restricted access
  1. Of Thumbs A Predictive Text Essay
  2. Brigid Ronan
  3. pp. 133-139
  4. DOI: https://doi.org/10.1353/plc.2020.0223
  5. restricted access
  1. Cat Man’s Caravan
  2. Sean Turner McLeod
  3. pp. 190-195
  4. DOI: https://doi.org/10.1353/plc.2020.0181
  5. restricted access
  1. Hair Receivers
  2. Alison Condie Jaenicke
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/plc.2020.0216
  5. restricted access

Contributors

  1. Contributors’ Notes
  3. pp. 214-221
  4. DOI: https://doi.org/10.1353/plc.2020.0188
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