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In this Issue

Table of Contents

  1. Parable of the maps
  2. Leslie Harrison
  3. p. 9
  4. DOI: https://doi.org/10.1353/plc.2020.0120
  5. restricted access
  1. Self-portrait of the artist as a Zombie, and: The Kissing Song
  2. Bryan Byrdlong
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/plc.2020.0094
  5. restricted access
  1. Dedicated
  2. Kathy Fagan
  3. pp. 12-14
  4. DOI: https://doi.org/10.1353/plc.2020.0108
  5. restricted access
  1. National Anthem, and: Homecoming
  2. Christopher Kempf
  3. pp. 15-18
  4. DOI: https://doi.org/10.1353/plc.2020.0128
  5. restricted access
  1. Translation Folio: Poems by Marko Pogačar (Croatian)
  2. Marko Pogačar, Andrea Jurjević
  3. pp. 19-29
  4. DOI: https://doi.org/10.1353/plc.2020.0160
  5. restricted access
  1. Ukumbusho
  2. Jehanne Dubrow
  3. pp. 30-33
  4. DOI: https://doi.org/10.1353/plc.2020.0104
  5. restricted access
  1. Saying the New Grace
  2. Rosalie Moffett
  3. pp. 34-35
  4. DOI: https://doi.org/10.1353/plc.2020.0149
  5. restricted access
  1. I Was Bigfoot's Love Slave!
  2. Julia Thacker
  3. p. 36
  4. DOI: https://doi.org/10.1353/plc.2020.0069
  5. restricted access
  1. Luna Madre
  2. Rachel Inez Marshall
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/plc.2020.0145
  5. restricted access
  1. [At the end of the worm]
  2. Lillian-Yvonne Bertram
  3. pp. 39-41
  4. DOI: https://doi.org/10.1353/plc.2020.0089
  5. restricted access
  1. I Ate This When I Was a Child Winner of the G.B. Crump Prize for Experimental Fiction
  2. Becky Hagenston
  3. pp. 42-44
  4. DOI: https://doi.org/10.1353/plc.2020.0116
  5. restricted access
  1. Seagull Village
  2. Angela F. Qian
  3. pp. 45-56
  4. DOI: https://doi.org/10.1353/plc.2020.0164
  5. restricted access
  1. Guest Editor's Note
  2. E. J. Koh
  3. pp. 59-60
  4. DOI: https://doi.org/10.1353/plc.2020.0132
  5. restricted access
  1. Mythology
  2. Marci Calabretta Cancio-Bello
  3. p. 61
  4. DOI: https://doi.org/10.1353/plc.2020.0095
  5. restricted access
  1. Plague
  2. Hannah Sanghee Park
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/plc.2020.0157
  5. restricted access
  1. The New Madrigals (Gesualdo)
  2. Anna Maria Hong
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/plc.2020.0122
  5. restricted access
  1. Against Fluency
  2. Jianna Jihyun Park
  3. pp. 66-69
  4. DOI: https://doi.org/10.1353/plc.2020.0158
  5. restricted access
  1. Invention No. 12 in A-fl at major
  2. Hyejung Kook
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/plc.2020.0133
  5. restricted access
  1. Bomb of My Hometown Sings the Balm of My Hometown
  2. Stine An
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/plc.2020.0081
  5. restricted access
  1. Pitch the Baby
  2. Kim Stoker
  3. pp. 74-75
  4. DOI: https://doi.org/10.1353/plc.2020.0174
  5. restricted access
  1. Reading Vocabulary for the Naturalization Test, and: Find a Naturalization Test Word
  2. Sun Yung Shin
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/plc.2020.0169
  5. restricted access
  1. because time when words could work has passed (3/30
  2. Sueyeun Juliette Lee
  3. pp. 78-81
  4. DOI: https://doi.org/10.1353/plc.2020.0141
  5. restricted access
  1. To Whom It May Concern:
  2. Tiana Nobile
  3. p. 82
  4. DOI: https://doi.org/10.1353/plc.2020.0153
  5. restricted access
  1. Plunder
  2. Joey S. Kim
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/plc.2020.0131
  5. restricted access
  1. Comfort Women of WWII
  2. Maija Rhee Devine
  3. p. 85
  4. DOI: https://doi.org/10.1353/plc.2020.0102
  5. restricted access
  1. Man in Korean Costume
  2. Jennifer Kwon Dobbs
  3. pp. 86-87
  4. DOI: https://doi.org/10.1353/plc.2020.0103
  5. restricted access
  1. The Village
  2. Diana Park
  3. p. 88
  4. DOI: https://doi.org/10.1353/plc.2020.0156
  5. restricted access
  1. from Separation Anxiety
  2. Janice Lee
  3. p. 89
  4. DOI: https://doi.org/10.1353/plc.2020.0140
  5. restricted access
  1. Buying Apples After Not Leaving the House for Three Days
  2. Leah Silvieus
  3. p. 90
  4. DOI: https://doi.org/10.1353/plc.2020.0172
  5. restricted access
  1. Obligatory persimmon
  2. Nicky Sa-eun Schildkraut
  3. p. 91
  4. DOI: https://doi.org/10.1353/plc.2020.0166
  5. restricted access
  1. But Your Daughter So Pretty
  2. Su Hwang
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/plc.2020.0124
  5. restricted access
  1. Alternate World in Which Koreans Can Pickle Anything, and: First Encounter
  2. Franny Choi
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/plc.2020.0099
  5. restricted access
  1. Self-Portrait as Asian American Actress
  2. Diana Keren Lee
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/plc.2020.0139
  5. restricted access
  1. Self-Portrait with Statue of a Hawk, and: Self-Portrait as Ornament
  2. Annie Kim
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/plc.2020.0129
  5. restricted access
  1. For the Asian Marvel Movie
  2. E Yeon Chang
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/plc.2020.0097
  5. restricted access
  1. Clitoral, and: G-Spot
  2. Aimee Seu
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/plc.2020.0167
  5. restricted access
  1. from Deracinations: Ten Sonograms
  2. Monica Y. Youn
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/plc.2020.0078
  5. restricted access
  1. First Gen
  2. Mary-Kim Arnold
  3. p. 110
  4. DOI: https://doi.org/10.1353/plc.2020.0083
  5. restricted access
  1. Chart the Moon
  2. Sarah Richards Graba
  3. pp. 111-115
  4. DOI: https://doi.org/10.1353/plc.2020.0112
  5. restricted access
  1. Songdo
  2. Rachel Han
  3. p. 116
  4. DOI: https://doi.org/10.1353/plc.2020.0119
  5. restricted access
  1. Field
  2. Emily Jungmin Yoon
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/plc.2020.0077
  5. restricted access
  1. Telling Time
  2. Caroline Kim
  3. p. 119
  4. DOI: https://doi.org/10.1353/plc.2020.0130
  5. restricted access
  1. Omurice
  2. Helena Chung
  3. p. 120
  4. DOI: https://doi.org/10.1353/plc.2020.0100
  5. restricted access
  1. The Family Business: Iris Cleaners
  2. Arhm Choi Wild
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/plc.2020.0075
  5. restricted access
  1. On Meeting My Biological Father
  2. Sarah Audsley
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/plc.2020.0084
  5. restricted access
  1. Gold
  2. Eugenia Leigh
  3. p. 126
  4. DOI: https://doi.org/10.1353/plc.2020.0143
  5. restricted access
  1. The Absolutist
  2. Sandra Lim
  3. p. 127
  4. DOI: https://doi.org/10.1353/plc.2020.0144
  5. restricted access
  1. Theresa, I Miss You (Plan for Algiers)
  2. Mia Kang
  3. p. 128
  4. DOI: https://doi.org/10.1353/plc.2020.0127
  5. restricted access
  1. Lullaby | Goodnight
  2. Sun Yung Shin
  3. pp. 129-132
  4. DOI: https://doi.org/10.1353/plc.2020.0170
  5. restricted access
  1. Optical Illusions of the Lower Atmosphere
  2. Natalie Vestin
  3. pp. 134-141
  4. DOI: https://doi.org/10.1353/plc.2020.0073
  5. restricted access
  1. American Sentences, and: Coup-Contrecoup
  2. Janine Joseph
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/plc.2020.0126
  5. restricted access
  1. Self-Portrait as Celestograph
  2. Emma Aylor
  3. pp. 144-145
  4. DOI: https://doi.org/10.1353/plc.2020.0085
  5. restricted access
  1. Beings Who Were Nancy in the Back Yard and in the Dream
  2. Barbara Edelman
  3. p. 146
  4. DOI: https://doi.org/10.1353/plc.2020.0106
  5. restricted access
  1. Erotic Crime Thriller
  2. James Allen Hall
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/plc.2020.0117
  5. restricted access
  1. A Man Tries to Explain God to Me
  2. Emma Bolden
  3. p. 149
  4. DOI: https://doi.org/10.1353/plc.2020.0092
  5. restricted access
  1. Poem Written After the Supreme Court Confirmation Vote
  2. Catherine Pierce
  3. p. 150
  4. DOI: https://doi.org/10.1353/plc.2020.0159
  5. restricted access
  1. Unsent Text Messages to Desire in a Gas Mask
  2. Cynthia Dewi Oka
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/plc.2020.0154
  5. restricted access
  1. Flutter Point
  2. Alyssa C. Greene
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/plc.2020.0114
  5. restricted access
  1. Wind Bitches
  2. Mary Kuryla
  3. pp. 157-165
  4. DOI: https://doi.org/10.1353/plc.2020.0115
  5. restricted access
  1. Abecedarian Portent, and: Shimmies
  2. Tian-Ai
  3. pp. 166-169
  4. DOI: https://doi.org/10.1353/plc.2020.0070
  5. restricted access
  1. Blue Whale, and: Okapi, and: Wood Bison
  2. Kristi Maxwell
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/plc.2020.0147
  5. restricted access
  1. Devil's Tongue
  2. Charlie Clark
  3. p. 173
  4. DOI: https://doi.org/10.1353/plc.2020.0101
  5. restricted access
  1. Ode to the Robobee
  2. Rebecca Morgan Frank
  3. pp. 174-180
  4. DOI: https://doi.org/10.1353/plc.2020.0110
  5. restricted access
  1. The Luck of the Draw
  2. Heikki Huotari
  3. p. 181
  4. DOI: https://doi.org/10.1353/plc.2020.0123
  5. restricted access
  1. Quixotic
  2. Jenna Le
  3. p. 182
  4. DOI: https://doi.org/10.1353/plc.2020.0138
  5. restricted access
  1. Mrs. Glendower's Kitten
  2. Michael Lavers
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/plc.2020.0137
  5. restricted access
  1. Travelogue from a Drowned City
  2. Ted Lardner
  3. pp. 185-192
  4. DOI: https://doi.org/10.1353/plc.2020.0135
  5. restricted access
  1. stasis // or the epic of uzzah
  2. O-Jeremiah Agbaakin
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/plc.2020.0080
  5. restricted access
  1. The Movement of Crowds (Architecture 45)
  2. John Gallaher
  3. p. 196
  4. DOI: https://doi.org/10.1353/plc.2020.0111
  5. restricted access
  1. Trauma Note
  2. Sara Mumolo
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/plc.2020.0150
  5. restricted access
  1. Procedures
  2. Gabrielle Frahm-Claffey
  3. p. 199
  4. DOI: https://doi.org/10.1353/plc.2020.0109
  5. restricted access
  1. Dear Crow
  2. Samyak Shertok
  3. p. 200
  4. DOI: https://doi.org/10.1353/plc.2020.0168
  5. restricted access
  1. of the green grasses
  2. ire'ne lara silva
  3. pp. 201-213
  4. DOI: https://doi.org/10.1353/plc.2020.0171
  5. restricted access
  1. Lightbox
  2. Jennifer K. Sweeney
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/plc.2020.0175
  5. restricted access
  1. My Father Disappears into Flowers
  2. Jan Beatty
  3. p. 217
  4. DOI: https://doi.org/10.1353/plc.2020.0087
  5. restricted access
  1. Ghost Clouds
  2. Doug Ramspeck
  3. p. 218
  4. DOI: https://doi.org/10.1353/plc.2020.0165
  5. restricted access
  1. Savage Pageant: A Genealogy
  2. Jessica Q. Stark
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/plc.2020.0173
  5. restricted access
  1. Homily After Uncovering the Scrapped Blueprints of Early Designs of Man
  2. Colin Pope
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/plc.2020.0161
  5. restricted access
  1. The Jumping Festival
  2. Joseph Han
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/plc.2020.0118
  5. restricted access
  1. Red Tide
  2. Robin Kozak
  3. p. 226
  4. DOI: https://doi.org/10.1353/plc.2020.0134
  5. restricted access
  1. For the Opossum, My Sympathy
  2. John McCarthy
  3. pp. 227-228
  4. DOI: https://doi.org/10.1353/plc.2020.0148
  5. restricted access
  1. AA Abecedarian
  2. Melissa Fite Johnson
  3. p. 229
  4. DOI: https://doi.org/10.1353/plc.2020.0125
  5. restricted access
  1. Ode to Bossy Bottoms
  2. Eric Tran
  3. p. 230
  4. DOI: https://doi.org/10.1353/plc.2020.0071
  5. restricted access
  1. In Review:
  2. YL Xue
  3. p. 231
  4. DOI: https://doi.org/10.1353/plc.2020.0076
  5. restricted access
  1. Election
  2. Mark Neely
  3. pp. 232-233
  4. DOI: https://doi.org/10.1353/plc.2020.0151
  5. restricted access
  1. Forgive Me
  2. Whitney Lee
  3. pp. 234-239
  4. DOI: https://doi.org/10.1353/plc.2020.0142
  5. restricted access
  1. Lament for the Living
  2. Sarah Matthes
  3. p. 240
  4. DOI: https://doi.org/10.1353/plc.2020.0146
  5. restricted access
  1. Love Poem from Demolition Gorge
  2. Ted Lardner
  3. p. 241
  4. DOI: https://doi.org/10.1353/plc.2020.0136
  5. restricted access
  1. Beneath September
  2. Gretchen Steele Pratt
  3. pp. 242-244
  4. DOI: https://doi.org/10.1353/plc.2020.0162
  5. restricted access
  1. Unfathomables
  2. Anthony Borruso
  3. pp. 245-246
  4. DOI: https://doi.org/10.1353/plc.2020.0093
  5. restricted access
  1. It Was a Compliment, Jeez
  2. Nicole Higgins
  3. p. 247
  4. DOI: https://doi.org/10.1353/plc.2020.0121
  5. restricted access
  1. Hole
  2. Madeleine Owen-Dunow
  3. p. 248
  4. DOI: https://doi.org/10.1353/plc.2020.0155
  5. restricted access
  1. Sylvia's
  2. Colleen Baran
  3. p. 249
  4. DOI: https://doi.org/10.1353/plc.2020.0086
  5. restricted access
  1. A Gun in the First Act, or How a Story Changes
  2. Jeff Whitney
  3. pp. 250-253
  4. DOI: https://doi.org/10.1353/plc.2020.0074
  5. restricted access
  1. Meditation at Eighty
  2. Steve Nickman
  3. p. 254
  4. DOI: https://doi.org/10.1353/plc.2020.0152
  5. restricted access
  1. I Among Enemy Am Enemy: A Review of Monica Sok's A Nail the Evening Hangs On
  2. Natalie Eilbert
  3. pp. 257-262
  4. DOI: https://doi.org/10.1353/plc.2020.0107
  5. restricted access
  1. The Anatomy of Jennifer Sperry Steinorth's A Wake with Nine Shades:
  2. Lauren K. Carlson
  3. pp. 263-267
  4. DOI: https://doi.org/10.1353/plc.2020.0096
  5. restricted access
  1. A Review of Vanessa Angélica Villarreal's Beast Meridian
  2. Joy Priest
  3. pp. 268-270
  4. DOI: https://doi.org/10.1353/plc.2020.0163
  5. restricted access
  1. Delicious Boundary: Sex and Contradiction in Sarah Sgro's If the Future Is a Fetish
  2. Ellie Black
  3. pp. 271-272
  4. DOI: https://doi.org/10.1353/plc.2020.0090
  5. restricted access
  1. From One Former Possession of the Spanish Empire to Another: A Review of Michelle Peñaloza's Former Possessions of the Spanish Empire
  2. Mario Ariza
  3. p. 273
  4. DOI: https://doi.org/10.1353/plc.2020.0082
  5. restricted access
  1. Perpetual Motion Machine: Refugee Experience in Zeyn Joukhadar's Fantasy Adventure, The Map of Salt and Stars
  2. Noah Bogdonoff
  3. pp. 274-275
  4. DOI: https://doi.org/10.1353/plc.2020.0091
  5. restricted access
  1. Soft Self: Mapping the Distance Between Global Trauma and the Personal Divine in Aria Aber's Hard Damage
  2. Aileen Keown Vaux
  3. pp. 276-277
  4. DOI: https://doi.org/10.1353/plc.2020.0072
  5. restricted access
  1. The Unsympathetic Characters of Elfriede Jelinek's The Piano Teacher
  2. Rita Chang-Eppig
  3. pp. 278-279
  4. DOI: https://doi.org/10.1353/plc.2020.0098
  5. restricted access
  1. A Review of Mary South's You Will Never Be Forgotten
  2. Vince Granata
  3. pp. 280-281
  4. DOI: https://doi.org/10.1353/plc.2020.0113
  5. restricted access
  1. Into the Past, Into the Present--Historical Poetry as Warning: A Review of Julie Swarstad Johnson's Pennsylvania Furnace
  2. Alyse Bensel
  3. pp. 282-284
  4. DOI: https://doi.org/10.1353/plc.2020.0088
  5. restricted access
  1. The Homes We Live In: A Review of The Daughter's Almanac by Katharine Whitcomb
  2. Seanse Lynch Ducken
  3. pp. 285-287
  4. DOI: https://doi.org/10.1353/plc.2020.0105
  5. restricted access
  1. Contributors' Notes
  3. pp. 288-303
  4. DOI: https://doi.org/10.1353/plc.2020.0079
  5. restricted access