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Table of Contents

  1. Introduction: Comparative Studies in a Precarious Present
  2. Joshua Synenko
  3. pp. 153-159
  4. DOI: https://doi.org/10.1353/crc.2021.0013
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  1. De trans- à theoria : Résistance et cécité du savoir littéraire
  2. Laurence Sylvain
  3. pp. 160-179
  4. DOI: https://doi.org/10.1353/crc.2021.0014
  5. restricted access
  1. Diversity, Inclusion, and "Othering": Methodologies for Comparative Literature
  2. Sabujkoli Bandopadhyay
  3. pp. 180-192
  4. DOI: https://doi.org/10.1353/crc.2021.0015
  5. restricted access
  1. World Literature, Coloniality, and Translation: Toward the Coexistence of Diversity and Unity
  2. Pedram Lalbakhsh, Pouria Torkamaneh
  3. pp. 193-204
  4. DOI: https://doi.org/10.1353/crc.2021.0016
  5. restricted access
  1. Du cri punk dans le western de banlieue : Une étude de « Turn Those Clapping Hands into Angry Balled Fists »
  2. Louis-Thomas Leguerrier, Jeanne Mathieu-Lessard
  3. pp. 205-218
  4. DOI: https://doi.org/10.1353/crc.2021.0017
  5. restricted access
  1. The Postfeminist Cinderella Narrative in Crazy Rich Asians
  2. Kaby Wing-Sze Kung
  3. pp. 219-236
  4. DOI: https://doi.org/10.1353/crc.2021.0018
  5. restricted access
  1. "This Is Your Fourth Shore": Historical Amnesia and the Return of the Colonial Past in Antonio Tabucchi's Piazza d'Italia
  2. Sophie Desroches
  3. pp. 237-260
  4. DOI: https://doi.org/10.1353/crc.2021.0019
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  1. La (re)construction de la mémoire dans les écritures migrantes : Étude comparative de Ru et Le champ dans la mer
  2. Han Fei
  3. pp. 261-275
  4. DOI: https://doi.org/10.1353/crc.2021.0010
  5. restricted access
  1. Fatal Betrayal and Persistent Memory in Lou Ye's Summer Palace
  2. Lily Li
  3. pp. 276-295
  4. DOI: https://doi.org/10.1353/crc.2021.0011
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  1. Archiving the Future: The Uneasy Relationship between Individual Memory and Communal Artifacts in Station Eleven
  2. Lourdes Arciniega
  3. pp. 296-310
  4. DOI: https://doi.org/10.1353/crc.2021.0012
  5. restricted access