In this Issue

Table of Contents

Introduction: Comparative Studies in a Precarious Present

Joshua Synenko
pp. 153-159
DOI: https://doi.org/10.1353/crc.2021.0013
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De trans- à theoria : Résistance et cécité du savoir littéraire

Laurence Sylvain
pp. 160-179
DOI: https://doi.org/10.1353/crc.2021.0014
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Diversity, Inclusion, and "Othering": Methodologies for Comparative Literature

Sabujkoli Bandopadhyay
pp. 180-192
DOI: https://doi.org/10.1353/crc.2021.0015
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World Literature, Coloniality, and Translation: Toward the Coexistence of Diversity and Unity

Pedram Lalbakhsh, Pouria Torkamaneh
pp. 193-204
DOI: https://doi.org/10.1353/crc.2021.0016
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Du cri punk dans le western de banlieue : Une étude de « Turn Those Clapping Hands into Angry Balled Fists »

Louis-Thomas Leguerrier, Jeanne Mathieu-Lessard
pp. 205-218
DOI: https://doi.org/10.1353/crc.2021.0017
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The Postfeminist Cinderella Narrative in Crazy Rich Asians

Kaby Wing-Sze Kung
pp. 219-236
DOI: https://doi.org/10.1353/crc.2021.0018
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"This Is Your Fourth Shore": Historical Amnesia and the Return of the Colonial Past in Antonio Tabucchi's Piazza d'Italia

Sophie Desroches
pp. 237-260
DOI: https://doi.org/10.1353/crc.2021.0019
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La (re)construction de la mémoire dans les écritures migrantes : Étude comparative de Ru et Le champ dans la mer

Han Fei
pp. 261-275
DOI: https://doi.org/10.1353/crc.2021.0010
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Fatal Betrayal and Persistent Memory in Lou Ye's Summer Palace

Lily Li
pp. 276-295
DOI: https://doi.org/10.1353/crc.2021.0011
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Archiving the Future: The Uneasy Relationship between Individual Memory and Communal Artifacts in Station Eleven

Lourdes Arciniega
pp. 296-310
DOI: https://doi.org/10.1353/crc.2021.0012
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