In this Issue

Table of Contents

Bridging Divides via Comparative Literature Créer des ponts par la littérature comparée: Introduction

Doris Hambuch
pp. 5-10
DOI: https://doi.org/10.1353/crc.2021.0000
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Destroying Veronica Mars: Gentrification, Gendered Intersectionality, and the Coming of Age of Los Angeles

Susan Ingram
pp. 11-26
DOI: https://doi.org/10.1353/crc.2021.0001
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“It’s You Plus It’s … Art”: The #Artselfie Debate From Douglas Coupland to Tolstoy

Elena Siemens
pp. 27-40
DOI: https://doi.org/10.1353/crc.2021.0002
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Bodily Citationality and Hermeneutical Sex: Text, Image, and Ritual as Tools for Queer Intimacies

Shlomo Gleibman
pp. 41-61
DOI: https://doi.org/10.1353/crc.2021.0003
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Literature as Encounter: The Downpour of Accidents

Laurence Sylvain
pp. 62-71
DOI: https://doi.org/10.1353/crc.2021.0009
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Incendies de Wajdi Mouawad : Un carrefour traumatique

Mai Hussein
pp. 72-86
DOI: https://doi.org/10.1353/crc.2021.0004
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Bridging Cultural Identities through Cantonese Opera in Canada

Jack Hang-tat Leong
pp. 87-102
DOI: https://doi.org/10.1353/crc.2021.0005
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“It Don’t Mean a Thing if It Ain’t Got That Swing”: Jazz, Para-audible Cadence, and Deep Listening in and around Cortázar’s Rayuela

Lee Dylan Campbell
pp. 103-118
DOI: https://doi.org/10.1353/crc.2021.0006
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Bridges within the Arts: Bob Dylan and Martin Scorsese

Doris Hambuch, Ioannis Galanopoulos Papavasileiou
pp. 119-133
DOI: https://doi.org/10.1353/crc.2021.0007
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Untranslatable Texts and Literary Problems: A Canadian Perspective

Joseph Pivato
pp. 134-146
DOI: https://doi.org/10.1353/crc.2021.0008
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