+ MUSE Alert

In this Issue

Table of Contents

  1. Introduction: The Documentary Mode
  2. Jan Baetens, Éric Trudel
  3. pp. 1-9
  4. DOI: https://doi.org/10.1353/esp.2021.0021
  5. restricted access
  1. False Documents and Fragile Fictions in Contemporary French Literature: Convergences, Configurations, Conversions
  2. Alison James
  3. pp. 10-23
  4. DOI: https://doi.org/10.1353/esp.2021.0022
  5. restricted access
  1. Import-export : Réflexions sur certaines modalités contemporaines du rapport fiction/document
  2. Morgane Kieffer
  3. pp. 24-36
  4. DOI: https://doi.org/10.1353/esp.2021.0023
  5. restricted access
  1. Poetic Practice Gone Rogue: Inquiry, Document, and Making Public in France in the Age of Mediarchy
  2. Jeff Barda
  3. pp. 37-53
  4. DOI: https://doi.org/10.1353/esp.2021.0024
  5. restricted access
  1. Comment on a quitté le réel et comment on y est revenu ?
  2. Philippe Charron
  3. pp. 54-69
  4. DOI: https://doi.org/10.1353/esp.2021.0025
  5. restricted access
  1. Jean-Patrick Manchette, Anti-journalist
  2. Lucas Hollister
  3. pp. 70-83
  4. DOI: https://doi.org/10.1353/esp.2021.0026
  5. restricted access
  1. Les pratiques documentaires de Philippe Artières : Faire vivre l’archive
  2. Sam Rachebœuf
  3. pp. 84-97
  4. DOI: https://doi.org/10.1353/esp.2021.0027
  5. restricted access
  1. Memory’s Grammar, or the Silence of Archives: Hélène Cixous Goes to Osnabrück
  2. Youna Kwak, Raphaël Sigal
  3. pp. 98-110
  4. DOI: https://doi.org/10.1353/esp.2021.0012
  5. restricted access
  1. Une muséographie de la vraie vie vécue : Quand Jean-Benoît Puech expose Benjamin Jordane
  2. David Martens
  3. pp. 111-128
  4. DOI: https://doi.org/10.1353/esp.2021.0013
  5. restricted access
  1. Les retours compulsifs des artistes contemporains aux images ready made
  2. Danièle Méaux
  3. pp. 129-146
  4. DOI: https://doi.org/10.1353/esp.2021.0014
  5. restricted access
  1. Mimesis : Concept singulier-pluriel, entretien avec Jean-Luc Nancy
  2. Jean-Luc Nancy, Nidesh Lawtoo
  3. pp. 147-167
  4. DOI: https://doi.org/10.1353/esp.2021.0015
  5. restricted access
  1. Poetry, Politics, and the Body in Rimbaud: Lyrical Material by Robert St. Clair (review)
  2. Daniel A. Finch-Race
  3. p. 168
  4. DOI: https://doi.org/10.1353/esp.2021.0016
  5. restricted access
  1. Absent the Archive: Cultural Traces of a Massacre in Paris, 17 October 1961 by Lia Brozgal (review)
  2. Patrick Lyons
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/esp.2021.0017
  5. restricted access
  1. Ecocritics and Ecoskeptics: A Humanist Reading of Recent French Ecofiction by Jonathan F. Krell (review)
  2. Lucile Desblache
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/esp.2021.0018
  5. restricted access
  1. Early Modern Écologies: Beyond English Ecocriticism ed. by Pauline Goul and Phillip John Usher (review)
  2. Giulia Pacini
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/esp.2021.0019
  5. restricted access
  1. Maps and Territories: Global Positioning in the Contemporary French Novel by Joshua Armstrong (review)
  2. Kory Olson
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/esp.2021.0020
  5. restricted access