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Table of Contents

  1. Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript
  2. Gary Sampsell
  3. pp. 1-35
  4. DOI: https://doi.org/10.1353/bach.2017.0004
  5. restricted access
  1. "Bekennen Will Ich Seinen Namen": Authenticity, Purpose and Context for the Aria BWV 200. Observations on Johann Sebastian Bach's Reception of Works by Gottfried Heinrich Stölzel
  2. Peter Wollny, James Brokaw
  3. pp. 36-75
  4. DOI: https://doi.org/10.1353/bach.2017.0007
  5. restricted access
  1. Reading Bach's Notation: A Guide to the Temporal Structure of the 1733 MlSSA
  2. Don O. Franklin
  3. pp. 76-92
  4. DOI: https://doi.org/10.1353/bach.2017.0001
  5. restricted access
  1. Bach Cantatas: in Print and Recordings
  2. Robin A. Leaver
  3. pp. 93-114
  4. DOI: https://doi.org/10.1353/bach.2017.0002
  5. restricted access
  1. A History of Western Choral Music by Chester L. Alwes (review)
  2. Melvin P. Unger
  3. pp. 115-125
  4. DOI: https://doi.org/10.1353/bach.2017.0006
  5. restricted access
  1. Johann Sebastian Bach's Christmas Oratorio: Music, Theology, Culture by Markus Rathey (review)
  2. Mark A. Peters
  3. pp. 126-130
  4. DOI: https://doi.org/10.1353/bach.2017.0003
  5. restricted access
  1. Publications Received
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/bach.2017.0008
  5. restricted access
  1. The Authors
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/bach.2017.0000
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