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In this Issue

Table of Contents

  1. Editorial
  2. Christina Fuhrmann
  3. p. 1
  4. DOI: https://doi.org/10.1353/bach.2018.0004
  5. restricted access
  1. Leonhardt’s Role in the Invention of Historically Informed Performance
  2. John Butt
  3. pp. 9-12
  4. DOI: https://doi.org/10.1353/bach.2018.0001
  5. restricted access
  1. Imagination on Fire: A Remembrance of Gustav Leonhardt
  2. Jeannette Sorrell
  3. pp. 13-20
  4. DOI: https://doi.org/10.1353/bach.2018.0009
  5. restricted access
  1. Reminiscences of Three Performers and an Instrument Maker
  2. Peter Wolf
  3. pp. 21-43
  4. DOI: https://doi.org/10.1353/bach.2018.0012
  5. restricted access
  1. Gustav Leonhardt as a Teacher
  2. Ton Koopman
  3. pp. 44-47
  4. DOI: https://doi.org/10.1353/bach.2018.0005
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  1. On the Protestant Roots of Gustav Leonhardt’s Performance Style
  2. Jed Wentz
  3. pp. 48-92
  4. DOI: https://doi.org/10.1353/bach.2018.0011
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  1. Georg Böhm’s Keyboard Music: Questions of Authorship and Connections with the Music of J. S. Bach
  2. Pieter Dirksen
  3. pp. 93-115
  4. DOI: https://doi.org/10.1353/bach.2018.0007
  5. restricted access
  1. J. S. Bach’s Chorale-Based Pedagogy: Origins and Continuity
  2. Robin A. Leaver, Derek Remeš
  3. pp. 116-150
  4. DOI: https://doi.org/10.1353/bach.2018.0006
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  1. The Routledge Research Companion to Johann Sebastian Bach ed. by Robin A. Leaver (review)
  2. Bettina Varwig
  3. pp. 151-157
  4. DOI: https://doi.org/10.1353/bach.2018.0010
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  1. Bach’s Major Vocal Works: Music, Drama, Liturgy by Markus Rathey (review)
  2. Alannah Rebekah Franklin
  3. pp. 158-163
  4. DOI: https://doi.org/10.1353/bach.2018.0003
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  1. Beyond Bach: Music and Everyday Life in the Eighteenth Century by Andrew Talle (review)
  2. Barbara M. Reul
  3. pp. 164-169
  4. DOI: https://doi.org/10.1353/bach.2018.0008
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  1. Contributors to this Volume
  2. pp. 170-173
  3. DOI: https://doi.org/10.1353/bach.2018.0002
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