1. Poetics, Genre, and Style in Stevens's Letters
  2. Bart Eeckhout, Lisa Goldfarb
  3. pp. 1-6
  4. DOI: 10.1353/wsj.2021.0000
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  1. Epistolary Stevens
  2. Juliette Utard
  3. pp. 7-30
  4. DOI: 10.1353/wsj.2021.0001
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  1. Reading and Listening to Stevens's Letters: "The delicatest ear of the mind"
  2. Lisa Goldfarb
  3. pp. 31-43
  4. DOI: 10.1353/wsj.2021.0002
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  1. Stevens's Letters and the Sense of Place
  2. Bonnie Costello
  3. pp. 44-56
  4. DOI: 10.1353/wsj.2021.0003
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  1. Stevens's Late Letters as Addresses to Posterity
  2. Charles Altieri
  3. pp. 57-66
  4. DOI: 10.1353/wsj.2021.0004
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  1. "Aesthetics, Poetry, Art, or Blondes": Why Stevens's Letters Don't Theorize Rhythm
  2. Natalie Gerber
  3. pp. 67-85
  4. DOI: 10.1353/wsj.2021.0005
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  1. The Submerged Adagia: Stevens's Aphoristic Writing in The Contemplated Spouse and Secretaries of the Moon
  2. Bart Eeckhout
  3. pp. 86-106
  4. DOI: 10.1353/wsj.2021.0006
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  1. Portfolio: An Untitled Poem and Three Family Photographs
  2. Wallace Stevens
  3. pp. 107-110
  4. DOI: 10.1353/wsj.2021.0007
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  1. The Palm Tree, and: Mono Lake, California
  2. Armen Davoudian
  3. p. 111
  4. DOI: 10.1353/wsj.2021.0008
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  1. Parentheses
  2. Lloyd Jacobs
  3. p. 112
  4. DOI: 10.1353/wsj.2021.0009
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  1. All Points Considered Including Frost on a Mulberry
  2. Michelle Beyers
  3. pp. 113-114
  4. DOI: 10.1353/wsj.2021.0010
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  1. Interstate 84
  2. John Tessitore
  3. pp. 115-116
  4. DOI: 10.1353/wsj.2021.0011
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  1. Amor & Psyche
  2. Karen Petersen
  3. p. 117
  4. DOI: 10.1353/wsj.2021.0012
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  1. An Ordinary Day in New Haven
  2. David Cappella
  3. p. 118
  4. DOI: 10.1353/wsj.2021.0013
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  1. The Pale Wall Became the Mind Itself
  2. Robert Keeler
  3. p. 119
  4. DOI: 10.1353/wsj.2021.0014
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  1. Poem Beginning with a Sentence from Stevens, and: Poem Ending with a Sentence from Stevens
  2. William Virgil Davis
  3. p. 120
  4. DOI: 10.1353/wsj.2021.0015
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  1. John Banville and His Precursors ed. by Pietra Palazzolo, Michael Springer, and Stephen Butler (review)
  2. Lee M. Jenkins
  3. pp. 121-123
  4. DOI: 10.1353/wsj.2021.0016
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  1. Forms of Poetic Attention by Lucy Alford (review)
  2. Zachary Finch
  3. pp. 123-125
  4. DOI: 10.1353/wsj.2021.0017
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  1. The Poetic Imperative: A Speculative Aesthetics by Johanna Skibsrud (review)
  2. Charles Altieri
  3. pp. 125-130
  4. DOI: 10.1353/wsj.2021.0018
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  1. Ezra Pound, Italy, and The Cantos by Massimo Bacigalupo (review)
  2. Michael Kindellan
  3. pp. 130-132
  4. DOI: 10.1353/wsj.2021.0019
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  1. Current Bibliography
  2. Natalie Gerber, Lisa Goldfarb
  3. pp. 133-135
  4. DOI: 10.1353/wsj.2021.0020
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