Wallace Stevens Journal

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Monsieur Saint Ursul et les Unze Mille Pages

Bart Eeckhout

pp. 137-145

DOI: https://doi.org/10.1353/wsj.2021.0036

“Fact Meeting Fact—with a Background of the Ideal”: Hellenism in Stevens’s Journals

Charles Altieri

pp. 146-162

DOI: https://doi.org/10.1353/wsj.2021.0037

Real and Unreal Lives: José Rodríguez Feo’s Translation of Stevens’s “Attempt to Discover Life”

Robert S. Lesman

pp. 163-178

DOI: https://doi.org/10.1353/wsj.2021.0038

Reading in the Night of “The Rock”: Embodying Self-Referentiality in Late Stevens

Apala Das

pp. 179-194

DOI: https://doi.org/10.1353/wsj.2021.0039

A Forum on Stevens and Lyric Theory Introduction

Henry Weinfield

pp. 195-198

DOI: https://doi.org/10.1353/wsj.2021.0040

Xs and Os: Chiasmus, Apostrophe, and the Lyric Subject in Stevens

David Ben-Merre

pp. 199-217

DOI: https://doi.org/10.1353/wsj.2021.0041

“Spissant” Lyric: Stevens at the Limits of Speech and Song

Zachary Tavlin

pp. 218-228

DOI: https://doi.org/10.1353/wsj.2021.0042

What We Said of It: The Generational “We” in Stevens and Ashbery

Christopher Spaide

pp. 229-250

DOI: https://doi.org/10.1353/wsj.2021.0021

She, We, and Ramon Fernandez in “The Idea of Order at Key West”

Paul H. Fry

pp. 251-254

DOI: https://doi.org/10.1353/wsj.2021.0022

The Nothing That Is There

Charles S. Carr

p. 255

DOI: https://doi.org/10.1353/wsj.2021.0027

Stevens’s Cat

William Virgil Davis

p. 256

DOI: https://doi.org/10.1353/wsj.2021.0028

Two for Stevens

Miguel González-Gerth

pp. 257-258

DOI: https://doi.org/10.1353/wsj.2021.0030

A Pretext for Poetry

Milton J. Bates

p. 259

DOI: https://doi.org/10.1353/wsj.2021.0025

7: 00 AM, and: The Banyan Tree

David Farrah

p. 260

DOI: https://doi.org/10.1353/wsj.2021.0029

Confession of Belle Scavoir

Heather H. Thomas, Heather H. Thomas

pp. 261-262

DOI: https://doi.org/10.1353/wsj.2021.0033

Enclosed

Bibhu Padhi

p. 263

DOI: https://doi.org/10.1353/wsj.2021.0032

The Black Hole: Singularity of Real Parody

j. novalis wolfe

pp. 264-265

DOI: https://doi.org/10.1353/wsj.2021.0035

The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century by Samuel Jay Keyser (review)

Mark J. Bruhn

pp. 266-269

DOI: https://doi.org/10.1353/wsj.2021.0031

Modernism and Still Life: Artists, Writers, Dancers by Claudia Tobin (review)

Lee M. Jenkins

pp. 269-271

DOI: https://doi.org/10.1353/wsj.2021.0034

The Music of Time: Poetry in the Twentieth Century by John Burnside (review)

Roger Gilbert

pp. 271-274

DOI: https://doi.org/10.1353/wsj.2021.0026

In Memoriam J. Hillis Miller (1928–2021)

Charles Altieri, Jahan Ramazani

pp. 275-279

DOI: https://doi.org/10.1353/wsj.2021.0023

News and Comments

Bart Eeckhout, Glen MacLeod

pp. 280-283

DOI: https://doi.org/10.1353/wsj.2021.0024

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Additional Information
ISSN	2160-0570
Print ISSN	0148-7132
Launched on MUSE	2021-11-06
Open Access	No

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