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Table of Contents

  1. Monsieur Saint Ursul et les Unze Mille Pages
  2. Bart Eeckhout
  3. pp. 137-145
  4. DOI: https://doi.org/10.1353/wsj.2021.0036
  5. restricted access
  1. “Fact Meeting Fact—with a Background of the Ideal”: Hellenism in Stevens’s Journals
  2. Charles Altieri
  3. pp. 146-162
  4. DOI: https://doi.org/10.1353/wsj.2021.0037
  5. restricted access
  1. Real and Unreal Lives: José Rodríguez Feo’s Translation of Stevens’s “Attempt to Discover Life”
  2. Robert S. Lesman
  3. pp. 163-178
  4. DOI: https://doi.org/10.1353/wsj.2021.0038
  5. restricted access
  1. Reading in the Night of “The Rock”: Embodying Self-Referentiality in Late Stevens
  2. Apala Das
  3. pp. 179-194
  4. DOI: https://doi.org/10.1353/wsj.2021.0039
  5. restricted access
  1. A Forum on Stevens and Lyric Theory Introduction
  2. Henry Weinfield
  3. pp. 195-198
  4. DOI: https://doi.org/10.1353/wsj.2021.0040
  5. restricted access
  1. Xs and Os: Chiasmus, Apostrophe, and the Lyric Subject in Stevens
  2. David Ben-Merre
  3. pp. 199-217
  4. DOI: https://doi.org/10.1353/wsj.2021.0041
  5. restricted access
  1. “Spissant” Lyric: Stevens at the Limits of Speech and Song
  2. Zachary Tavlin
  3. pp. 218-228
  4. DOI: https://doi.org/10.1353/wsj.2021.0042
  5. restricted access
  1. What We Said of It: The Generational “We” in Stevens and Ashbery
  2. Christopher Spaide
  3. pp. 229-250
  4. DOI: https://doi.org/10.1353/wsj.2021.0021
  5. restricted access
  1. She, We, and Ramon Fernandez in “The Idea of Order at Key West”
  2. Paul H. Fry
  3. pp. 251-254
  4. DOI: https://doi.org/10.1353/wsj.2021.0022
  5. restricted access
  1. The Nothing That Is There
  2. Charles S. Carr
  3. p. 255
  4. DOI: https://doi.org/10.1353/wsj.2021.0027
  5. restricted access
  1. Stevens’s Cat
  2. William Virgil Davis
  3. p. 256
  4. DOI: https://doi.org/10.1353/wsj.2021.0028
  5. restricted access
  1. Two for Stevens
  2. Miguel González-Gerth
  3. pp. 257-258
  4. DOI: https://doi.org/10.1353/wsj.2021.0030
  5. restricted access
  1. A Pretext for Poetry
  2. Milton J. Bates
  3. p. 259
  4. DOI: https://doi.org/10.1353/wsj.2021.0025
  5. restricted access
  1. 7: 00 AM, and: The Banyan Tree
  2. David Farrah
  3. p. 260
  4. DOI: https://doi.org/10.1353/wsj.2021.0029
  5. restricted access
  1. Confession of Belle Scavoir
  2. Heather H. Thomas, Heather H. Thomas
  3. pp. 261-262
  4. DOI: https://doi.org/10.1353/wsj.2021.0033
  5. restricted access
  1. Enclosed
  2. Bibhu Padhi
  3. p. 263
  4. DOI: https://doi.org/10.1353/wsj.2021.0032
  5. restricted access
  1. The Black Hole: Singularity of Real Parody
  2. j. novalis wolfe
  3. pp. 264-265
  4. DOI: https://doi.org/10.1353/wsj.2021.0035
  5. restricted access
  1. The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century by Samuel Jay Keyser (review)
  2. Mark J. Bruhn
  3. pp. 266-269
  4. DOI: https://doi.org/10.1353/wsj.2021.0031
  5. restricted access
  1. Modernism and Still Life: Artists, Writers, Dancers by Claudia Tobin (review)
  2. Lee M. Jenkins
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/wsj.2021.0034
  5. restricted access
  1. The Music of Time: Poetry in the Twentieth Century by John Burnside (review)
  2. Roger Gilbert
  3. pp. 271-274
  4. DOI: https://doi.org/10.1353/wsj.2021.0026
  5. restricted access
  1. In Memoriam J. Hillis Miller (1928–2021)
  2. Charles Altieri, Jahan Ramazani
  3. pp. 275-279
  4. DOI: https://doi.org/10.1353/wsj.2021.0023
  5. restricted access
  1. News and Comments
  2. Bart Eeckhout, Glen MacLeod
  3. pp. 280-283
  4. DOI: https://doi.org/10.1353/wsj.2021.0024
  5. restricted access