In this Issue
The Review of Japanese Culture and Society is devoted to the scholarly examination of Japanese art, literature, and society. Published annually in English, it provides a venue for the encounter of diverse perspectives on various aspects of Japanese culture and society. Each issue addresses a particular theme and seeks to provide a broad perspective by combining the work of Japanese scholars and critics with that of non-Japanese writers. Dedicated to the translation of works written originally in Japanese, each issue also includes an original translation of a Japanese short story.
Sponsors: Center for Japanese Studies at the University of Hawai‘i at Mānoa and the East Asian Studies Center and the Shinso Ito Center for Japanese Religions and Culture at the University of Southern California
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University of Hawai'i Pressviewing issue
Volume 30, 2018Table of Contents
Section 1: Biocritical Essay and Bibliography
Section Editor: Alisa Freedman
Section 2: Selected Essays (Reprints of English Scholarship)
Section Editors: Julia Bullock and Linda Flores
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View Feminine Failure and the Modern Hero: Mad Women in Sylvia Plath's The Bell Jar and Joan Didion's Play It As It Lays
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Feminine Failure and the Modern Hero: Mad Women in Sylvia Plath's The Bell Jar and Joan Didion's Play It As It Lays
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Section 3: Selected Essays (New Translations)
Section Editors: Julia Bullock and Linda Flores
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View The Desolate Self and Its Circular Search for The Absolute Other: Transgression and Dream in the Work of Takahashi Takako
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The Desolate Self and Its Circular Search for The Absolute Other: Transgression and Dream in the Work of Takahashi Takako
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Section 4: Poetry
Section Editor: Jordan A. Y. Smith
Art in Focus
Section Editor: Reiko Tomii
Contributors
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| ISSN | 2329-9770 |
|---|---|
| Print ISSN | 0913-4700 |
| Launched on MUSE | 2021-02-16 |
| Open Access | No |
