1. Editors' Introduction: Sōseki Great and Small
  2. Reiko Abe Auestad, Alan Tansman, J. Keith Vincent
  3. pp. 1-11
  4. DOI: 10.1353/roj.2017.0000
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  1. What Sort of a Stone Was Sōseki? How to Become Who You Are Not
  2. Tawada Yōko, J. Keith Vincent
  3. pp. 12-23
  4. DOI: 10.1353/roj.2017.0001
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  1. Kokoro and the Economic Imagination
  2. Brian Hurley
  3. pp. 24-44
  4. DOI: 10.1353/roj.2017.0002
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  1. The Affect that Disorients Kokoro
  2. Reiko Abe Auestad
  3. pp. 45-60
  4. DOI: 10.1353/roj.2017.0003
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  1. Kokoro in the High School Textbook
  2. Ken K. Ito
  3. pp. 61-78
  4. DOI: 10.1353/roj.2017.0004
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  1. Doubled Visions of Desire: Fujimura Misao, Kusamakura, and Homosocial Nostalgia
  2. Robert Tuck
  3. pp. 79-91
  4. DOI: 10.1353/roj.2017.0005
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  1. Penning the Mad Man in the Attic: Queerness, Women Writers, and Race in Sōseki's Sanshirō
  2. Sayumi Takahashi Harb
  3. pp. 92-108
  4. DOI: 10.1353/roj.2017.0006
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  1. Beach Boys in Manchuria: An Examination of Sōseki's Here and There in Manchuria and Korea, 1909
  2. Angela Yiu
  3. pp. 109-125
  4. DOI: 10.1353/roj.2017.0007
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  1. "Why Was He…Well, Killed?" Natsume Sōseki, Empire, and the Open Secrets of Anticolonial Violence
  2. Andre Haag
  3. pp. 136-152
  4. DOI: 10.1353/roj.2017.0009
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  1. "Impressions of Korea and Manchuria" (1909)
  2. Natsume Sōseki, Andre Haag
  3. pp. 153-158
  4. DOI: 10.1353/roj.2017.0010
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  1. Judging a Book by Its Cover: Natsume Sōseki, Book Design, and the Value of Art
  2. Pedro Thiago Ramos Bassoe
  3. pp. 159-174
  4. DOI: 10.1353/roj.2017.0011
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  1. Death and Poetry: From Shiki to Sōseki (1992)
  2. Karatani Kōjin, Robert Tuck
  3. pp. 175-206
  4. DOI: 10.1353/roj.2017.0012
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  1. From Postcolonial (2001)
  2. Komori Yōichi, Andre Haag, Robert Tierney
  3. pp. 207-229
  4. DOI: 10.1353/roj.2017.0013
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  1. Camellias and Vampires: Reading the Spermatic Economy in Natsume Sōseki's And Then (2008)
  2. Miyazaki Kasumi, Kristin Sivak
  3. pp. 230-244
  4. DOI: 10.1353/roj.2017.0014
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  1. Matsuzawa Yutaka's The Whole Works, 1961–1971
  2. pp. 245-256
  3. DOI: 10.1353/roj.2017.0015
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  1. Introduction
  2. Reiko Tomii
  3. pp. 254-256
  4. DOI: 10.1353/roj.2017.0025
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  1. The Whole Works, 1961–71
  2. Matsuzawa Yutaka, Reiko Tomii
  3. pp. 257-284
  4. DOI: 10.1353/roj.2017.0016
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  1. Design in Japan: Contemporary Perspectives on Design Practice
  2. Ignacio Adriasola
  3. pp. 285-288
  4. DOI: 10.1353/roj.2017.0018
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  1. Interview with Sugiura Kōhei (2013)
  2. Sugiura Kōhei, Mycah Braxton
  3. pp. 289-293
  4. DOI: 10.1353/roj.2017.0019
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  1. The Smart Design Award: The Always Convenient × Always Prepared Series (2012)
  2. Mycah Braxton
  3. pp. 305-309
  4. DOI: 10.1353/roj.2017.0021
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  1. The Essence of Social Design (2013)
  2. Kakei Yūsuke, Elsa Chanez
  3. pp. 310-319
  4. DOI: 10.1353/roj.2017.0022
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  1. Butterfly (1889)
  2. Yamada Bimyō, Nicholas Albertson
  3. pp. 320-333
  4. DOI: 10.1353/roj.2017.0023
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  1. On the Contributors
  2. pp. 334-339
  3. DOI: 10.1353/roj.2017.0024
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