1. Editor’s Note
  2. Kimberly M. Jew
  3. pp. ix-xv
  4. DOI: 10.1353/fro.2020.0041
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  1. Napping in Public: Feminist Practices of Care in Sleep Performance Art
  2. Danielle Drees
  3. pp. 1-28
  4. DOI: 10.1353/fro.2020.0040
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  1. Everything but the Stage: Toward a Feminist Theatrical Praxis
  2. Nikki Owusu Yeboah
  3. pp. 56-78
  4. DOI: 10.1353/fro.2020.0038
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  1. Nonreproducing Women: On the Handmaid Protests and the Failure of Coalition Politics in Performance
  2. Krista K. Miranda
  3. pp. 79-106
  4. DOI: 10.1353/fro.2020.0039
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  1. Longing for Fat Futures: Creating Fat Utopian Performatives in Burlesque
  2. Yessica Garcia Hernandez
  3. pp. 107-129
  4. DOI: 10.1353/fro.2020.0030
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  1. Performing Trans Ontology: The Body (and Body of Work) of Jaimes Mayhew
  2. Thea Fitz-James
  3. pp. 130-146
  4. DOI: 10.1353/fro.2020.0031
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  1. Scenes of Hope, Acts of Despair: Deidealizing Hybridity in Saya Woolfalk’s World of the Empathics
  2. Anna M. Moncada Storti
  3. pp. 147-177
  4. DOI: 10.1353/fro.2020.0032
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  1. Winnie in the Attic and the Joys of Feminist Theater: An Artist’s Statement
  2. Domnica Radulescu
  3. pp. 178-191
  4. DOI: 10.1353/fro.2020.0033
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  1. Disarticulated Membranes: Pregnancy, Excess, and Radical Resistance
  2. Cara Judea Alhadeff
  3. pp. 192-207
  4. DOI: 10.1353/fro.2020.0034
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  1. Age-Based Connotations, and: In The Company of Women, and: Pro-Choice, and: Re-Vision
  2. Marjorie Maddox
  3. pp. 208-211
  4. DOI: 10.1353/fro.2020.0035
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  1. Chasing Miss Jimenez: Rereading the Chicana Vendida through Colonial Affect-Culture
  2. Lorena Gauthereau
  3. pp. 212-238
  4. DOI: 10.1353/fro.2020.0036
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