Project MUSE - Frontiers: A Journal of Women Studies-Volume 41, Number 3, 2020

Editor’s Note

Kimberly M. Jew

pp. ix-xv

DOI: https://doi.org/10.1353/fro.2020.0041

Napping in Public: Feminist Practices of Care in Sleep Performance Art

Danielle Drees

pp. 1-28

DOI: https://doi.org/10.1353/fro.2020.0040

“It’s for Now, While We’re Together”: Diana Oh’s Queer Feminist of Color Bridgework at the Ancram Opera House

Jessica Nydia Pabón-Colón

pp. 29-55

DOI: https://doi.org/10.1353/fro.2020.0037

View “It’s for Now, While We’re Together”: Diana Oh’s Queer Feminist of Color Bridgework at the Ancram Opera House
Download “It’s for Now, While We’re Together”: Diana Oh’s Queer Feminist of Color Bridgework at the Ancram Opera House
Save “It’s for Now, While We’re Together”: Diana Oh’s Queer Feminist of Color Bridgework at the Ancram Opera House

Everything but the Stage: Toward a Feminist Theatrical Praxis

Nikki Owusu Yeboah

pp. 56-78

DOI: https://doi.org/10.1353/fro.2020.0038

Nonreproducing Women: On the Handmaid Protests and the Failure of Coalition Politics in Performance

Krista K. Miranda

pp. 79-106

DOI: https://doi.org/10.1353/fro.2020.0039

Longing for Fat Futures: Creating Fat Utopian Performatives in Burlesque

Yessica Garcia Hernandez

pp. 107-129

DOI: https://doi.org/10.1353/fro.2020.0030

Performing Trans Ontology: The Body (and Body of Work) of Jaimes Mayhew

Thea Fitz-James

pp. 130-146

DOI: https://doi.org/10.1353/fro.2020.0031

Scenes of Hope, Acts of Despair: Deidealizing Hybridity in Saya Woolfalk’s World of the Empathics

Anna M. Moncada Storti

pp. 147-177

DOI: https://doi.org/10.1353/fro.2020.0032

Winnie in the Attic and the Joys of Feminist Theater: An Artist’s Statement

Domnica Radulescu

pp. 178-191

DOI: https://doi.org/10.1353/fro.2020.0033

Disarticulated Membranes: Pregnancy, Excess, and Radical Resistance

Cara Judea Alhadeff

pp. 192-207

DOI: https://doi.org/10.1353/fro.2020.0034

Age-Based Connotations, and: In The Company of Women, and: Pro-Choice, and: Re-Vision

Marjorie Maddox

pp. 208-211

DOI: https://doi.org/10.1353/fro.2020.0035

Chasing Miss Jimenez: Rereading the Chicana Vendida through Colonial Affect-Culture

Lorena Gauthereau

pp. 212-238

DOI: https://doi.org/10.1353/fro.2020.0036

ISSN	1536-0334
Print ISSN	0160-9009
Launched on MUSE	2021-02-05
Open Access	No

Frontiers: A Journal of Women Studies

In this Issue

Volume 41, Number 3, 2020

published by

viewing issue

Table of Contents

Editor’s Note

Napping in Public: Feminist Practices of Care in Sleep Performance Art

“It’s for Now, While We’re Together”: Diana Oh’s Queer Feminist of Color Bridgework at the Ancram Opera House

Everything but the Stage: Toward a Feminist Theatrical Praxis

Nonreproducing Women: On the Handmaid Protests and the Failure of Coalition Politics in Performance

Longing for Fat Futures: Creating Fat Utopian Performatives in Burlesque

Performing Trans Ontology: The Body (and Body of Work) of Jaimes Mayhew

Scenes of Hope, Acts of Despair: Deidealizing Hybridity in Saya Woolfalk’s World of the Empathics

Winnie in the Attic and the Joys of Feminist Theater: An Artist’s Statement

Disarticulated Membranes: Pregnancy, Excess, and Radical Resistance

Age-Based Connotations, and: In The Company of Women, and: Pro-Choice, and: Re-Vision

Chasing Miss Jimenez: Rereading the Chicana Vendida through Colonial Affect-Culture

Previous Issue

Next Issue

Copyright

Additional Issue Materials

Project MUSE Mission