1. Editor’s Note
  2. Kimberly M. Jew
  3. pp. ix-xiii
  4. DOI: 10.1353/fro.2021.0000
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  1. Interview with Charly Evon Simpson
  2. Trey McEuen, Charly Evon Simpson
  3. pp. 1-6
  4. DOI: 10.1353/fro.2021.0001
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  1. Interview with Harris Smith
  2. Nadia Sine, Harris Smith
  3. pp. 7-12
  4. DOI: 10.1353/fro.2021.0002
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  1. Interview with Nikki Yeboah
  2. Kalista Vordos, Nikki Yeboah
  3. pp. 13-18
  4. DOI: 10.1353/fro.2021.0003
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  1. Interview with Martine Kei Green-Rogers
  2. Stacey Haslam, Martine Kei Green-Rogers
  3. pp. 19-26
  4. DOI: 10.1353/fro.2021.0004
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  1. “Blood at the Root”: Cultural Abjection and Thwarted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké
  2. K. Allison Hammer
  3. pp. 27-57
  4. DOI: 10.1353/fro.2021.0005
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  1. Sensing History’s Hold: Touch and Black Queer Representation after Moynihan
  2. Darius Bost
  3. pp. 92-108
  4. DOI: 10.1353/fro.2021.0007
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  1. Play (Loudly): The Racialized Erotics of Blacksound in Spike Lee’s Do the Right Thing
  2. Gabriel A. Peoples
  3. pp. 109-140
  4. DOI: 10.1353/fro.2021.0008
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  1. Posin’ a Threat: Countering the Colonial Project from Jay-Z’s “Moonlight” to the US Senate
  2. Leticia Ridley
  3. pp. 141-160
  4. DOI: 10.1353/fro.2021.0009
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  1. Flyin’ High in Flyin’ West: Representing Nineteenth-Century African American Women in Performance
  2. Kristyl D. Tift
  3. pp. 161-177
  4. DOI: 10.1353/fro.2021.0010
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  1. “Here We Are”: Ogoni Women’s Nonviolent Resistance
  2. Domale Dube Keys
  3. pp. 178-203
  4. DOI: 10.1353/fro.2021.0011
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  1. From Hawaiʻi to Okinawa: Confronting Militarization, Healing Trauma, Strengthening Solidarity
  2. Kim Compoc, Joy Lehuanani Enomoto, Kasha Hoʻokili Ho
  3. pp. 204-224
  4. DOI: 10.1353/fro.2021.0012
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