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Table of Contents

  1. Lines, Masses, Micropolyphony: Ligeti's Kyrie and the "Crisis of the Figure"
  2. Eric Drott
  3. pp. 4-46
  4. DOI: https://doi.org/10.1353/pnm.2011.0005
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  1. In C on Its Own Terms: A Statistical and Historical View
  2. S. Alexander Reed
  3. pp. 47-78
  4. DOI: https://doi.org/10.1353/pnm.2011.0001
  5. restricted access
  1. SIMP Operations and the Strange but Beautiful Janus-Faced PC
  2. Michael Siciliano
  3. pp. 79-126
  4. DOI: https://doi.org/10.1353/pnm.2011.0006
  5. restricted access
  1. Free Musical Improvisation and the Philosophy of Gilles Deleuze
  2. Rogério Costa
  3. pp. 127-142
  4. DOI: https://doi.org/10.1353/pnm.2011.0008
  5. restricted access
  1. Derek Bailey's Practice/Practise
  2. Dominic Lash
  3. pp. 143-171
  4. DOI: https://doi.org/10.1353/pnm.2011.0003
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  1. Surrounded by this Incredible Vortex of Musical Expression: A Conversation with Gunther Schuller
  2. Bruce Brubaker
  3. pp. 172-181
  4. DOI: https://doi.org/10.1353/pnm.2011.0004
  5. restricted access
  1. Pärt's Evolving Tintinnabuli Style
  2. Michael Chikinda
  3. pp. 182-206
  4. DOI: https://doi.org/10.1353/pnm.2011.0007
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  1. Gegenstrebige Harmonik in the Music of Hans Zender
  2. Robert Hasegawa
  3. pp. 207-234
  4. DOI: https://doi.org/10.1353/pnm.2011.0000
  5. restricted access
  1. Errata
  3. pp. 240-241
  4. DOI: https://doi.org/10.1353/pnm.2011.0002
  5. restricted access