In this Issue

Table of Contents

Lines, Masses, Micropolyphony: Ligeti's Kyrie and the "Crisis of the Figure"

Eric Drott
pp. 4-46
DOI: https://doi.org/10.1353/pnm.2011.0005
restricted access

In C on Its Own Terms: A Statistical and Historical View

S. Alexander Reed
pp. 47-78
DOI: https://doi.org/10.1353/pnm.2011.0001
restricted access

SIMP Operations and the Strange but Beautiful Janus-Faced PC

Michael Siciliano
pp. 79-126
DOI: https://doi.org/10.1353/pnm.2011.0006
restricted access

Free Musical Improvisation and the Philosophy of Gilles Deleuze

Rogério Costa
pp. 127-142
DOI: https://doi.org/10.1353/pnm.2011.0008
restricted access

Derek Bailey's Practice/Practise

Dominic Lash
pp. 143-171
DOI: https://doi.org/10.1353/pnm.2011.0003
restricted access

Surrounded by this Incredible Vortex of Musical Expression: A Conversation with Gunther Schuller

Bruce Brubaker
pp. 172-181
DOI: https://doi.org/10.1353/pnm.2011.0004
restricted access

Pärt's Evolving Tintinnabuli Style

Michael Chikinda
pp. 182-206
DOI: https://doi.org/10.1353/pnm.2011.0007
restricted access

Gegenstrebige Harmonik in the Music of Hans Zender

Robert Hasegawa
pp. 207-234
DOI: https://doi.org/10.1353/pnm.2011.0000
restricted access

Errata

pp. 240-241
DOI: https://doi.org/10.1353/pnm.2011.0002
restricted access