In this Issue

Table of Contents

Alhambra Mosaics

John Rahn
DOI: https://doi.org/10.1353/pnm.2011.0014
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A Brief Guide to the Tiling Articles

John Rahn
pp. 6-7
DOI: https://doi.org/10.1353/pnm.2011.0013
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Tiling in My Music

Tom Johnson
pp. 9-21
DOI: https://doi.org/10.1353/pnm.2011.0010
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Three Uses of Vuza Canons

Fabien Lvy
pp. 23-31
DOI: https://doi.org/10.1353/pnm.2011.0017
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Constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a "Mathemusical" Problem

Moreno Andreatta
pp. 33-64
DOI: https://doi.org/10.1353/pnm.2011.0012
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Modeling and Implementing Tiling Rhythmic Canons in the OpenMusic Visual Programming Language

Carlos Agon, Moreno Andreatta
pp. 66-91
DOI: https://doi.org/10.1353/pnm.2011.0009
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Structures, Algorithms, and Algebraic Tools for Rhythmic Canons

Emmanuel Amiot
pp. 93-142
DOI: https://doi.org/10.1353/pnm.2011.0018
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Perfect Rhythmic Tilings

Jean-Paul Davalan
pp. 144-197
DOI: https://doi.org/10.1353/pnm.2011.0015
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Hugues Dufourt's "Manifesto of the Music of our Times": Narratives Without History in L'Afrique and L'Asie d'après Tiepolo

Jann Pasler
pp. 198-231
DOI: https://doi.org/10.1353/pnm.2011.0019
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Composing for an Ancient Instrument That Has Lost Its "Tradition": Lou Harrison's Set for Four Haisho and Percussion

Toshie Kakinuma
pp. 232-263
DOI: https://doi.org/10.1353/pnm.2011.0011
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ERRATA

pp. 270-272
DOI: https://doi.org/10.1353/pnm.2011.0016
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