1. Alhambra Mosaics
  2. John Rahn
  3. DOI: 10.1353/pnm.2011.0014
  4. restricted access contents
  1. A Brief Guide to the Tiling Articles
  2. John Rahn
  3. pp. 6-7
  4. DOI: 10.1353/pnm.2011.0013
  5. restricted access contents
  1. Tiling in My Music
  2. Tom Johnson
  3. pp. 9-21
  4. DOI: 10.1353/pnm.2011.0010
  5. restricted access contents
  1. Three Uses of Vuza Canons
  2. Fabien Lvy
  3. pp. 23-31
  4. DOI: 10.1353/pnm.2011.0017
  5. restricted access contents
  1. Constructing and Formalizing Tiling Rhythmic Canons: A Historical Survey of a "Mathemusical" Problem
  2. Moreno Andreatta
  3. pp. 33-64
  4. DOI: 10.1353/pnm.2011.0012
  5. restricted access contents
  1. Modeling and Implementing Tiling Rhythmic Canons in the OpenMusic Visual Programming Language
  2. Carlos Agon, Moreno Andreatta
  3. pp. 66-91
  4. DOI: 10.1353/pnm.2011.0009
  5. restricted access contents
  1. Structures, Algorithms, and Algebraic Tools for Rhythmic Canons
  2. Emmanuel Amiot
  3. pp. 93-142
  4. DOI: 10.1353/pnm.2011.0018
  5. restricted access contents
  1. Perfect Rhythmic Tilings
  2. Jean-Paul Davalan
  3. pp. 144-197
  4. DOI: 10.1353/pnm.2011.0015
  5. restricted access contents
  1. Composing for an Ancient Instrument That Has Lost Its "Tradition": Lou Harrison's Set for Four Haisho and Percussion
  2. Toshie Kakinuma
  3. pp. 232-263
  4. DOI: 10.1353/pnm.2011.0011
  5. restricted access contents
  1. ERRATA
  2. pp. 270-272
  3. DOI: 10.1353/pnm.2011.0016
  4. restricted access contents