+ MUSE Alert

In this Issue

Table of Contents

  1. On Westphalian Woodworms and Rhenish Missionaries: The Soest Conductus Fragments and their Afterlife
  2. Eva M. Maschke
  3. pp. 189-237
  4. restricted access
  1. Theatrical Marginalia: Pierre Baillot and the Prototype of the Modern Performer
  2. Fabio Morabito
  3. pp. 270-299
  4. restricted access
  1. 'Onward to the End of the Nineteenth Century': Edward Prime-Stevenson's Queer Musicological Nostalgia
  2. Kristin M. Franseen
  3. pp. 300-319
  4. restricted access
  1. Revisiting Debussy's Relationships with Otherness: Difference, Vibrations, and the Occult
  2. Jann Pasler
  3. pp. 321-342
  4. restricted access
  1. Voicing Ideology: Modernism and the Middlebrow in Britten's Operas
  2. Philip Rupprecht
  3. pp. 343-366
  4. restricted access
  1. In the Footsteps of Mozart's Clarinettist: Anton Stadler and his Basset Clarinet by Pamela L. Poulin (review)
  2. Colin Lawson
  3. pp. 367-369
  4. restricted access
  1. Documents of Irish Music History in the Long Nineteenth Century ed. by Kerry Houston, Maria McHale, and Michael Murphy (review)
  2. Anja Bunzel
  3. pp. 369-372
  4. restricted access
  1. The Cambridge Companion to Operetta ed. by Anastasia Belina and Derek B. Scott (review)
  2. James Brooks Kuykendall
  3. pp. 372-374
  4. restricted access
  1. Hearing the Crimean War: Wartime Sound and the Unmaking of Sense ed. by Gavin Williams (review)
  2. Annelies Andries
  3. pp. 374-376
  4. restricted access
  1. Lateness and Modernism: Untimely Ideas about Music, Literature and Politics in Interwar Britain by Sarah Collins (review)
  2. Byron Adams
  3. pp. 376-378
  4. restricted access
  1. Peggy Glanville-Hicks: Composer and Critic by Suzanne Robinson (review)
  2. Kristin M. Franseen
  3. pp. 378-380
  4. restricted access
  1. El hombre del rincón: José Subirá y la historia cultural e intelectual de la musicología en España by María Cáceres-Piñuel (review)
  2. Teresa Cascudo
  3. pp. 380-381
  4. restricted access
  1. Alfred Schnittke's Concerto Grosso No. 1 by Peter J. Schmelz (review)
  2. Ivana Medić
  3. pp. 381-383
  4. restricted access
  1. Rethinking Reich ed. by Sumanth Gopinath and Pwyll ap Siôn (review)
  2. Ross Cole
  3. pp. 383-385
  4. restricted access
  1. Composing Capital: Classical Music in the Neoliberal Era by Marianna Ritchey (review)
  2. Benjamin Wolf
  3. pp. 386-388
  4. restricted access
  1. 'Music & Letters' Awards
  2. p. 391
  3. restricted access
  1. Authors of Articles in this Issue
  2. pp. 391-392
  3. restricted access
  1. Books Received
  2. pp. 393-395
  3. restricted access