In this Issue

Table of Contents

‘Master of the Orchester with a Sallary’: Handel at the Bank of England

Ellen T. Harris Harris
pp. 1-29
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Reckoning with the Past: Strategies of Musical Authorship in Liszt’s Thematic Catalogue (1855/1877)

Michele Calella
pp. 30-70
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Why do Orchestral and Band Musicians in Exile Matter? A Case Study from Spain

Eva Moreda Rodríguez
pp. 71-88
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Brian Ferneyhough’s ‘Transit’, the London Sinfonietta, and the Emergence of Complexity in 1977

Roddy Hawkins
pp. 89-119
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Leisure-Time Music Groups and their Localities: Exploring the Commercial, Educational, and Reciprocal Relationships of Amateur Music-Making

Stephanie E. Pitts
pp. 120-134
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Musical Culture in the World of Adam de la Halle ed. by Jennifer Saltzstein (review)

Joseph W. Mason
pp. 135-138
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A Critical Companion to Medieval Motets ed. by Jared C. Hartt (review)

Lisa Colton
pp. 138-140
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Music and Theology in the European Reformations ed. by David J. Burn et al. (review)

Erin Lambert
pp. 140-143
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Musical Authorship from Schütz to Bach by Stephen Rose (review)

Markus Rathey
pp. 143-145
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Dedicating Music: 1785–1850 by Emily H. Green (review)

Shaena B Weitz
pp. 145-147
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Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism by Raymond Knapp (review)

W. Dean Sutcliffe
pp. 148-152
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Beethoven’s Conversation Books, Volume 2: Nos 9–16 (review)

Barry Cooper
pp. 152-154
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Mémoires d’Hector Berlioz de 1803 à 1865, et ses voyages en Italie, en Allemagne, en Russie et en Angleterre: Écrits par lui-même ed. by Peter Bloom (review)

Julian Rushton
pp. 154-157
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Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord by Candace Bailey (review)

Penelope Cave
pp. 157-158
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Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack by Judah M. Cohen (review)

Rachel Adelstein
pp. 158-160
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Life as an Aesthetic Idea of Music ed. by Manos Perrakis (review)

Erik Wallrup
pp. 160-163
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Nineteenth-Century Opera and the Scientific Imagination ed. by David Trippett and Benjamin Walton (review)

Arman Schwartz
pp. 163-165
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Music and Victorian Liberalism: Composing the Liberal Subject ed. by Sarah Collins (review)

Sarah Kirby
pp. 165-168
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Widor on Organ Performance Practice and Technique by John R. Near (review)

Denis Tchorek
pp. 168-170
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German Operetta on Broadway and in the West End, 1900–1940 by Derek B. Scott (review)

Clair Rowden
pp. 170-172
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Paul Dukas: Composer and Critic by Laura Watson (review)

Laura Hamer Hamer
pp. 172-174
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The Music of James MacMillan by Phillip A. Cooke (review)

Sarah Moerman
pp. 174-176
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Hans Keller 1919–1985: A Musician in Dialogue with his Times by Alison Garnham and Susi Woodhouse (review)

Christopher Wintle
pp. 176-179
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Music as Feminine Capital in Napoleonic France: Nancy Macdonald’s Musical Upbringing

Rebecca Dowd Geoffroy-Schwinden
p. 180
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Recipients of ‘Music & Letters’ Awards

p. 181
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‘Music & Letters’ Awards

p. 184
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Authors of Articles in this Issue

pp. 184-185
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Books Received

pp. 186-187
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