1. Active Imaginative Reading . . . and Listening
  2. David Rosenboom
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  1. Musicking with Music-Generation Software in Virtutes Occultae
  2. Taylor Brook
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  1. Beat Machine: Embracing the Creative Limitations and Opportunities of Low-Cost Computers
  2. Andrew R. Brown, John R. Ferguson
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  1. Minding the Gap: Conceptualizing “Perceptualized” Timbre in Music Analysis
  2. Nora Engebretsen
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  1. Sounding Time: Explorations in Audio Time-Lapse and Temporal Layering in Interdisciplinary Collaboration
  2. Evelyn Ficarra
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  1. Deep Listening to the Amazon Rainforest through Sonic Architectures
  2. Luca Forucci
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  1. A Generative Sound Mural, The Whole Inside: Sounding the Body
  2. Olivia Louvel
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  1. Stowaway City: An Immersive Audio Experience for Multiple Tracked Listeners in a Hybrid Listening Environment
  2. Michael McKnight
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  1. Topology of Networks in Generalized Musical Spaces
  2. Marco Buongiorno Nardelli
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  1. Study in three phases: An Adaptive Sound Installation
  2. Claudio Panariello
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  1. Music Gesture and the Correspondence of Lines: Collaborative Video Mediation and Methodology
  2. Daniel Portelli
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  1. Music as Epistemic Construct: From Sonic Experience to Musical Sense-Making
  2. Mark Reybrouck
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  1. Exploring the Nexus of Holography and Holophony in Visual Music Composition
  2. Michael Rhoades
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  1. Now I’m Digital, Where Is My Ritual?: Exploring Postdigital Performance Objects as Totems for Agency and Ritual
  2. Neal Spowage
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  1. The Presence of a Mysterious Black Silhouette: From a Print to a New Form of Usage of Guitar Multiphonics
  2. Rita Torres
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  1. A Conflux of Musical Logics: Memory, History and the Improvisative Music of SLANT
  2. Dave Wilson
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  1. Sound as Evidence: Paradigms of Aesthetic Approximation in an Age of Geopolitical Crisis
  2. Morten Søndergaard
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  1. The Hearing Test: Evidence of a Vegetal Entity
  2. Laura Beloff
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  1. Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines
  2. Marie Højlund, Morten Riis
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  1. Interspecies Bodies and Watery Sonospheres: Listening in the Lab, the Archives and the Field
  2. Janna Holmstedt
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  1. Tactical Soundwalking in the City: A Feminist Turn from Eye to Ear
  2. Stephanie Loveless
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  1. Microbial Sensing: Constructing Perception through Technological Layers
  2. Louise Mackenzie
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  1. Sociosonic Interventions: Distributed Authorship in Socially Engaged Sound Practices
  2. Tullis Rennie
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  1. Listening Geopolitics and the Anthropocene Contact Zones of the Bali and Georgia Straits
  2. Freya Zinovieff, Gabriela Aceves Sepúlveda
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  1. Sonic Commentary: Who the Hell Do You Think You Are?
  2. Andy Meyerson
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  1. Sonic Commentary: Who the Hell Do You Think You Are?
  2. Andy Meyerson
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  1. Sonic Commentary: Who the Hell Do You Think You Are?
  2. Andy Meyerson
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