1. 30 Years of Leonardo Music Journal
  2. Erica Hruby
  3. p. ii
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  1. Active Imaginative Reading … and Listening
  2. David Rosenboom
  3. pp. 1-2
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  1. Musicking with Music-Generation Software in Virtutes Occultae
  2. Taylor Brook
  3. pp. 3-7
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  1. Beat Machine: Embracing the Creative Limitations and Opportunities of Low-Cost Computers
  2. Andrew R. Brown, John R. Ferguson
  3. pp. 8-13
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  1. Minding the Gap: Conceptualizing "Perceptualized" Timbre in Music Analysis
  2. Nora Engebretsen
  3. pp. 14-17
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  1. Sounding Time: Explorations in Audio Time-Lapse and Temporal Layering in Interdisciplinary Collaboration
  2. Evelyn Ficarra
  3. pp. 18-23
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  1. Deep Listening to the Amazon Rainforest through Sonic Architectures
  2. Luca Forcucci
  3. pp. 24-28
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  1. A Generative Sound Mural, The Whole Inside: Sounding the Body
  2. Olivia Louvel
  3. pp. 29-32
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  1. Stowaway City: An Immersive Audio Experience for Multiple Tracked Listeners in a Hybrid Listening Environment
  2. Michael McKnight
  3. pp. 33-37
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  1. Topology of Networks in Generalized Musical Spaces
  2. Marco Buongiorno Nardelli
  3. pp. 38-43
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  1. Study in three phases: An Adaptive Sound Installation
  2. Claudio Panariello
  3. pp. 44-49
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  1. Music Gesture and the Correspondence of Lines: Collaborative Video Mediation and Methodology
  2. Daniel Portelli
  3. pp. 50-55
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  1. Music as Epistemic Construct: From Sonic Experience to Musical Sense-Making
  2. Mark Reybrouck
  3. pp. 56-60
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  1. Exploring the Nexus of Holography and Holophony in Visual Music Composition
  2. Michael Rhoades
  3. pp. 61-67
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  1. Now I'm Digital, Where Is My Ritual? Exploring Postdigital Performance Objects as Totems for Agency and Ritual
  2. Neal Spowage
  3. pp. 68-72
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  1. The Presence of a Mysterious Black Silhouette: From a Print to a New Form of Usage of Guitar Multiphonics
  2. Rita Torres
  3. pp. 73-78
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  1. A Conflux of Musical Logics: Memory, History and the Improvisative Music of SLANT
  2. Dave Wilson
  3. pp. 79-83
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  1. Sound as Evidence: Paradigms of Aesthetic Approximation in an age of Geopolitical Crisis
  2. Morten Søndergaard
  3. p. 84
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  1. The Hearing Test: Evidence of a Vegetal Entity
  2. Laura Beloff
  3. pp. 85-89
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  1. Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines
  2. Marie Højlund, Morten Riis
  3. pp. 90-94
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  1. Interspecies Bodies and Watery Sonospheres: Listening in the Lab, the Archives and the Field
  2. Janna Holmstedt
  3. pp. 95-98
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  1. Tactical Soundwalking in the City: A Feminist Turn from Eye to Ear
  2. Stephanie Loveless
  3. pp. 99-103
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  1. Microbial Sensing: Constructing Perception through Technological Layers
  2. Louise Mackenzie
  3. pp. 104-108
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  1. Sociosonic Interventions: Distributed Authorship in Socially Engaged Sound Practices
  2. Tullis Rennie
  3. pp. 109-113
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  1. Listening Geopolitics and the Anthropocene Contact Zones of the Bali and Georgia Straits
  2. Freya Zinovieff, Gabriela Aceves Sepúlveda
  3. pp. 114-118
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  1. LMJ30 Audio Tracklist
  2. Andy Meyerson
  3. p. 119
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  1. Sonic Commentary: Who The Hell Do You Think You Are?
  2. Andy Meyerson
  3. p. 120
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  1. Notes on LMJ30 audio tracks
  2. Andy Meyerson
  3. pp. 121-124
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  1. 2020 Author Index: Leonardo Volume 53 and Leonardo Music Journal Volume 30
  2. pp. 125-130
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  1. The Network
  2. Gilbertto Prado, Jorge La Ferla, Mariano Ramis
  3. pp. 131-132
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