1. The Duplicity of the Word in Lynd Ward's Vertigo (1937)
  2. Grant F. Scott
  3. pp. 19-44
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  1. Wistful Lies and Civil Virtues: Randall Jarrell on World War II Propaganda
  2. Florian Gargaillo
  3. pp. 45-63
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  1. Dialectic of Desire and the Populist Subject in All the King's Men
  2. Jiang Yunqin
  3. pp. 64-79
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  1. Steve Benson's "Views of Communist China": Experimental Form and the Orientalist Trace
  2. Rebecca Couch Steffy
  3. pp. 80-97
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  1. "I Have Nothing to Say"—John Cage, Biopower, and the Demilitarization of Language
  2. Raymond Blake Stricklin
  3. pp. 98-115
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  1. Unstate: Disarticulating State Knowledge and Joan Didion's Democracy
  2. Seth McKelvey
  3. pp. 116-131
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  1. Beckett's Legal Scuffles and the Interpretation of the Plays
  2. Alexander Hartley
  3. pp. 132-149
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  1. Disrupting the Homoerotic Appeal of State Power in Caryl Churchill's Drunk Enough to Say I Love You?
  2. Tracy A. Stephens
  3. pp. 150-162
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  1. Border Temporalities, Climate Mobility, and Shakespeare in John Lanchester's The Wall
  2. Kirsten Sandrock
  3. pp. 163-180
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  1. When Artists Respond: Charles Andrews's Writing Against War
  2. Elizabeth Scheer
  3. pp. 181-184
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  1. Aesthetics and Politics Again?
  2. Daniel Rosenberg Nutters
  3. pp. 185-189
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  1. Encountering Anew the Ghosts of Modernism
  2. Sean Weidman
  3. pp. 190-194
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