In this Issue

Table of Contents

Retraction Notice

p. v
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Pound “re/ sound”

Andrew Williamson
pp. 1-17
DOI: https://doi.org/10.2979/jmodelite.43.4.01
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“Not anyone’s Eden”: A Critical Introduction to New Poems by George Oppen

Lukas Moe
pp. 18-44
DOI: https://doi.org/10.2979/jmodelite.43.4.02
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“Farewell to the Whole Epoch”: The Zone as the Beginning and End of the Czech Avant-garde

Zuzana Říhová
pp. 45-61
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“To Snare among the Briars”: Sensory Data and Two Early Literary Influences on In Parenthesis

Lucy Harlow
pp. 62-71
DOI: https://doi.org/10.2979/jmodelite.43.4.04
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“Yet the frame held”: Poetic Form and the Bombing of London during World War II

Laura Blomvall
pp. 72-90
DOI: https://doi.org/10.2979/jmodelite.43.4.05
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The “To-Do” List Poem: Prospective Memory and a New York School Genre

Jennifer Soong
pp. 91-107
DOI: https://doi.org/10.2979/jmodelite.43.4.06
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Conceptual Confession: Asymmetrical Emotion in Writer-Reader Relations in Trisha Low’s The Compleat Purge

Elina Siltanen
pp. 108-126
DOI: https://doi.org/10.2979/jmodelite.43.4.07
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Recurrence and Remembrance: Reading J.H. Prynne’s “Reach Up” and “Morning” from Al-Dente (2014)

Jerome J.H. Lim
pp. 127-147
DOI: https://doi.org/10.2979/jmodelite.43.4.08
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The Age of Olson

Eric Keenaghan
pp. 148-165
DOI: https://doi.org/10.2979/jmodelite.43.4.09
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Reconceiving Marianne Moore

Rachel Trousdale
pp. 166-169
DOI: https://doi.org/10.2979/jmodelite.43.4.10
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The Poetic Pendulum: Valéry and Modern American Poetry

Feng Dong
pp. 170-176
DOI: https://doi.org/10.2979/jmodelite.43.4.11
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David Jones and the Question of Poetic Coherence: New Approaches to his Later Work

Ann Marie Jakubowski, Vincent Sherry
pp. 177-184
DOI: https://doi.org/10.2979/jmodelite.43.4.12
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Theological Poetics between the Wars

Martin Lockerd
pp. 185-189
DOI: https://doi.org/10.2979/jmodelite.43.4.13
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Criticism and the Justification of Modernism

Laura Vrana
pp. 190-197
DOI: https://doi.org/10.2979/jmodelite.43.4.14
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