1. Retraction Notice
  2. p. v
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  1. Pound “re/ sound”
  2. Andrew Williamson
  3. pp. 1-17
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  1. “Not anyone’s Eden”: A Critical Introduction to New Poems by George Oppen
  2. Lukas Moe
  3. pp. 18-44
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  1. “Farewell to the Whole Epoch”: The Zone as the Beginning and End of the Czech Avant-garde
  2. Zuzana Říhová
  3. pp. 45-61
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  1. “To Snare among the Briars”: Sensory Data and Two Early Literary Influences on In Parenthesis
  2. Lucy Harlow
  3. pp. 62-71
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  1. “Yet the frame held”: Poetic Form and the Bombing of London during World War II
  2. Laura Blomvall
  3. pp. 72-90
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  1. The “To-Do” List Poem: Prospective Memory and a New York School Genre
  2. Jennifer Soong
  3. pp. 91-107
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  1. Conceptual Confession: Asymmetrical Emotion in Writer-Reader Relations in Trisha Low’s The Compleat Purge
  2. Elina Siltanen
  3. pp. 108-126
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  1. Recurrence and Remembrance: Reading J.H. Prynne’s “Reach Up” and “Morning” from Al-Dente (2014)
  2. Jerome J.H. Lim
  3. pp. 127-147
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  1. The Age of Olson
  2. Eric Keenaghan
  3. pp. 148-165
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  1. Reconceiving Marianne Moore
  2. Rachel Trousdale
  3. pp. 166-169
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  1. The Poetic Pendulum: Valéry and Modern American Poetry
  2. Feng Dong
  3. pp. 170-176
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  1. David Jones and the Question of Poetic Coherence: New Approaches to his Later Work
  2. Ann Marie Jakubowski, Vincent Sherry
  3. pp. 177-184
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  1. Theological Poetics between the Wars
  2. Martin Lockerd
  3. pp. 185-189
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  1. Criticism and the Justification of Modernism
  2. Laura Vrana
  3. pp. 190-197
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