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Table of Contents

  1. "Wozzeck's Worst Hours": Alban Berg's Presentation Copy of Wozzeck to Eduard Steuermann
  2. Mark Evan Bonds
  3. pp. 527-534
  4. DOI: https://doi.org/10.1353/not.2020.0044
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  1. On Book Collectors and the Circulation of Medieval (Host) Manuscripts: The Copenhagen and Berlin Organum Fragments Revisited
  2. Eva M. Maschke
  3. pp. 535-576
  4. DOI: https://doi.org/10.1353/not.2020.0045
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  1. Notes For Notes
  2. Jonathan Manton, Matthew Vest, Ray Heigemeir, Paula Hickner, Deborah Campana
  3. pp. 577-580
  4. DOI: https://doi.org/10.1353/not.2020.0046
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  1. The Sonatas of Henry Purcell: Rhetoric and Reversal by Alon Schab (review)
  2. Joel Roberts
  3. pp. 581-583
  4. DOI: https://doi.org/10.1353/not.2020.0039
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  1. Beauty and Innovation in la machine chinoise: Falla, Debussy, Ravel, Roussel by Richard E. Mueller (review)
  2. Peter Shirts
  3. pp. 583-585
  4. DOI: https://doi.org/10.1353/not.2020.0034
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  1. The Road Not Taken: A Documented Biography of Randall Thompson by Carl B. Schmidt and Elizabeth K. Schmidt (review)
  2. Brian Cockburn
  3. pp. 585-588
  4. DOI: https://doi.org/10.1353/not.2020.0040
  5. restricted access
  1. Beethoven's Conversation Books. Volume 1: Nos. 1 to 8 (February 1818 to March 1820) ed. by Theodore Albrecht, and: Beethoven's Conversation Books. Volume 2: Nos. 9 to 16 (March 1820 to September 1820) ed. by Theodore Albrecht (review)
  2. Marten Noorduin
  3. pp. 588-590
  4. DOI: https://doi.org/10.1353/not.2020.0050
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  1. The Notebooks of Alexander Skryabin by Simon Nicholls and Michael Pushkin (review)
  2. Nikita Braguinski
  3. pp. 590-592
  4. DOI: https://doi.org/10.1353/not.2020.0037
  5. restricted access
  1. Process and Form: Selected Writings on Music by Gottfried Michael Koenig (review)
  2. Valentina Bertolani
  3. pp. 592-595
  4. DOI: https://doi.org/10.1353/not.2020.0058
  5. restricted access
  1. Musical Aesthetics: An Introduction to Concepts, Theories, and Functions by Jonathan L. Friedmann (review)
  2. Lodewijk Muns
  3. pp. 595-597
  4. DOI: https://doi.org/10.1353/not.2020.0053
  5. restricted access
  1. Music as Creative Practice by Nicholas Cook (review)
  2. Sinan Carter Savaskan
  3. pp. 597-601
  4. DOI: https://doi.org/10.1353/not.2020.0052
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  1. Is It Still Good to Ya? Fifty Years of Rock Criticism, 1967–2017 by Robert Christgau (review)
  2. Shelley L. Rogers
  3. pp. 601-603
  4. DOI: https://doi.org/10.1353/not.2020.0051
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  1. The Contemporary Piano: A Performer and Composer's Guide to Techniques and Resources by Alan Shockley (review)
  2. Carol Lubkowski
  3. pp. 603-606
  4. DOI: https://doi.org/10.1353/not.2020.0041
  5. restricted access
  1. Performing Propaganda: Musical Life and Culture in Paris during the First World War by Rachel Moore (review)
  2. Julianne Lindberg
  3. pp. 606-609
  4. DOI: https://doi.org/10.1353/not.2020.0033
  5. restricted access
  1. Music Criticism in France, 1918–1939: Authority, Advocacy, Legacy ed. Barbara L. Kelly and Christopher Moore (review)
  2. Alexander Carpenter
  3. pp. 609-611
  4. DOI: https://doi.org/10.1353/not.2020.0057
  5. restricted access
  1. The Production and Reading of Music Sources: Mise-en-page in Manuscripts and Printed Books Containing Polyphonic Music, 1480–1530 ed. by Thomas Schmidt and Christian Thomas Leitmeir (review)
  2. Jennifer Thomas
  3. pp. 612-615
  4. DOI: https://doi.org/10.1353/not.2020.0032
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  1. Johann Adolph Scheibe: A Catalogue of His Works by Peter Hauge (review)
  2. Jennifer A. Ward
  3. pp. 615-619
  4. DOI: https://doi.org/10.1353/not.2020.0055
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  1. J. P. E. Hartmann: Thematic-Bibliographic Catalogue of His Works by Inger Sørensen (review)
  2. David A. Day
  3. pp. 619-620
  4. DOI: https://doi.org/10.1353/not.2020.0043
  5. restricted access
  1. Gabriel Fauré: Catalogue des œuvres by Jean-Michel Nectoux (review)
  2. Anna Pensaert
  3. pp. 620-622
  4. DOI: https://doi.org/10.1353/not.2020.0036
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 623-628
  4. DOI: https://doi.org/10.1353/not.2020.0038
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  1. Ballettmusiken: Les Aventures champêtres; Les Blanchisseuses; Les Matelots; La Halte des Calmouckes; Le Tuteur dupé ou L'Amant statue; Achille in Sciro by Christoph Willibald Gluck (review)
  2. Rebecca Harris-Warrick
  3. pp. 629-634
  4. DOI: https://doi.org/10.1353/not.2020.0054
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  1. Shuffle Along by Noble Sissle and Eubie Blake (review)
  2. Thomas Bauman
  3. pp. 634-639
  4. DOI: https://doi.org/10.1353/not.2020.0042
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  1. Sinfonietta für Orchester by Leoš Janáček, and: Taras Bulba: Rhapsodie für Orchester by Leoš Janáček, and: Zápisník zmizelého = The Diary of One Who Disappeared = Tagebuch eines Verschollenen by Leoš Janáček (review)
  2. Nigel Simeone
  3. pp. 639-644
  4. DOI: https://doi.org/10.1353/not.2020.0056
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 645-648
  4. DOI: https://doi.org/10.1353/not.2020.0035
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  1. Index to Advertisers
  3. p. 650
  4. DOI: https://doi.org/10.1353/not.2020.0047
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  1. Cumulative Index to Advertisers Volume 76
  3. p. 667
  4. DOI: https://doi.org/10.1353/not.2020.0048
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  1. Index to Volume 76: September 2019 through June 2020
  2. Martin D. Jenkins
  3. pp. 668-675
  4. DOI: https://doi.org/10.1353/not.2020.0049
  5. restricted access