In this Issue

Table of Contents

Documenting Historical Printed Music in RISM: New Opportunities for the Digital Age

Jennifer A. Ward
pp. 9-32
DOI: https://doi.org/10.1353/not.2020.0059
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The Grawemeyer Collection at the University of Louisville: Descriptive Statistics of the Award's Nominees and the Collection's Contents (1985–2020)

Matthew Ertz
pp. 33-55
DOI: https://doi.org/10.1353/not.2020.0060
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The Paston Manuscripts as Sources of Byrd'S Music

Francis Knights
pp. 56-84
DOI: https://doi.org/10.1353/not.2020.0061
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Notes for Notes

pp. 85-88
DOI: https://doi.org/10.1353/not.2020.0062
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Resonances of Chindon-ya: Sounding Space and Sociality in Contemporary Japan by Marié Abe (review)

Julia Topper
pp. 89-91
DOI: https://doi.org/10.1353/not.2020.0063
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Making Music American: 1917 and the Transformation of Culture by E. Douglas Bomberger (review)

Katherine L. Turner
pp. 92-94
DOI: https://doi.org/10.1353/not.2020.0064
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Tropical Riffs: Latin America and the Politics of Jazz by Jason Borge (review)

Carlos E. Peña
pp. 94-96
DOI: https://doi.org/10.1353/not.2020.0065
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Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack by Judah M. Cohen (review)

Danielle Padley
pp. 97-99
DOI: https://doi.org/10.1353/not.2020.0066
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Voices of Identities: Vocal Music and De/con/struction of Communities in the Former Habsburg Areas ed. by Daniel Ender and Christoph Flamm (review)

Georg Burgstaller
pp. 100-101
DOI: https://doi.org/10.1353/not.2020.0067
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Composing History: National Identities and the English Masque Revival, 1860–1920 by Deborah Heckert (review)

Christopher Little
pp. 102-104
DOI: https://doi.org/10.1353/not.2020.0068
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Punk Crisis: The Global Punk Rock Revolution by Raymond A. Patton (review)

Shabnam Goli
pp. 104-107
DOI: https://doi.org/10.1353/not.2020.0069
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Fantasies of Improvisation by Dana Gooley (review)

Erinn E. Knyt
pp. 107-110
DOI: https://doi.org/10.1353/not.2020.0070
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Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture by Nicole Grimes (review)

Sara McClure
pp. 110-112
DOI: https://doi.org/10.1353/not.2020.0071
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A Critical Companion to Medieval Motets ed. by Jared C. Hartt (review)

Justin Lavacek
pp. 112-115
DOI: https://doi.org/10.1353/not.2020.0072
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Broadway to Main Street: How Show Tunes Enchanted America by Laurence Maslon (review)

Lara E. Housez
pp. 115-117
DOI: https://doi.org/10.1353/not.2020.0073
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Intimacy, Performance, and the Lied in the Early Nineteenth Century by Jennifer Ronyak (review)

Loretta Terrigno
pp. 117-120
DOI: https://doi.org/10.1353/not.2020.0074
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Rebellious Ferment: A Dublin Musical Memoir and Diary by Brian Boydell (review)

Philip Graydon
pp. 120-123
DOI: https://doi.org/10.1353/not.2020.0075
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Literary Britten: Words and Music in Benjamin Britten's Vocal Works ed. by Kate Kennedy (review)

Kevin Salfen
pp. 123-126
DOI: https://doi.org/10.1353/not.2020.0076
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Debussy's Resonance ed. by François de Médicis and Steven Huebner (review)

Peter Shirts
pp. 126-128
DOI: https://doi.org/10.1353/not.2020.0077
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Guillaume Du Fay: The Life and Works by Alejandro Enrique Plan-chart (review)

Rachel McNellis
pp. 128-130
DOI: https://doi.org/10.1353/not.2020.0078
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Lutosławski's Worlds ed. by Lisa Jakelski and Nicholas Reyland (review)

Daniel Elphick
pp. 131-133
DOI: https://doi.org/10.1353/not.2020.0079
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Le modèle et l'invention: Messiaen et la technique de l'emprunt by Yves Balmer, Thomas Lacôte, and Christopher Brent Murray (review)

Colin Roust
pp. 134-136
DOI: https://doi.org/10.1353/not.2020.0080
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Claudio Monteverdi: The Combat of Tancred and Clorinda; Between Mannerism and the Baroque by Pavel Sýkora (review)

Gregory Camp
pp. 136-138
DOI: https://doi.org/10.1353/not.2020.0081
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Crooked River City: The Musical Life of Nashville's William Pursell by Terry Wait Klefsted (review)

Christopher M. Reali
pp. 138-141
DOI: https://doi.org/10.1353/not.2020.0082
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A Theory of Virtual Agency for Western Art Music by Robert S. Hatten (review)

Ian Gerg
pp. 141-143
DOI: https://doi.org/10.1353/not.2020.0083
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Con tutta forza: Bernd Alois Zimmermann; Ein persönliches Portrait; Dokumente, Briefe, Fotos, Zeitzeugen by Bettina Zimmermann (review)

Emily Richmond Pollock
pp. 143-146
DOI: https://doi.org/10.1353/not.2020.0084
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Books Recently Published

James Procell, Matt Ertz
pp. 147-151
DOI: https://doi.org/10.1353/not.2020.0085
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New Periodicals

Lindsay Hansen Brown
pp. 152-156
DOI: https://doi.org/10.1353/not.2020.0086
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Carl Philipp Emanuel Bach. Keyboard Concertos from Manuscript Sources VII ed. by Mark W. Knoll, and: Carl Philipp Emanuel Bach ed. by Jason B. Grant and Elias N. Kulukundis (review)

Simon P. Keefe
pp. 157-159
DOI: https://doi.org/10.1353/not.2020.0087
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Manuel De Sumaya ed. by Drew Edward Davies (review)

Mark Brill
pp. 159-163
DOI: https://doi.org/10.1353/not.2020.0088
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Die Clavier-Büchlein für Anna Magdalena Bach = The Notebooks for Anna Magdalena Bach 1722 & 1725 by Johann Sebastian Bach (review)

David Ledbetter
pp. 163-166
DOI: https://doi.org/10.1353/not.2020.0089
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Music Received

Kathleen A. Abromeit
pp. 167-170
DOI: https://doi.org/10.1353/not.2020.0090
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Index to Advertisers

p. 171
DOI: https://doi.org/10.1353/not.2020.0091
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