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In this Issue

Table of Contents

Fiction

  1. Life After People
  2. Angela Kelly
  3. pp. 10-28
  4. DOI: https://doi.org/10.1353/mis.2019.0015
  5. restricted access
  1. Soft
  2. Kim Henderson
  3. pp. 64-82
  4. DOI: https://doi.org/10.1353/mis.2019.0019
  5. restricted access
  1. Fields of Empire
  2. Joan Silber
  3. pp. 132-163
  4. DOI: https://doi.org/10.1353/mis.2019.0024
  5. restricted access

Essays

  1. Snow
  2. Kermit Frazier
  3. pp. 48-63
  4. DOI: https://doi.org/10.1353/mis.2019.0018
  5. restricted access
  1. Serpentine
  2. Ember Johnson
  3. pp. 164-176
  4. DOI: https://doi.org/10.1353/mis.2019.0025
  5. restricted access

Poetry

  1. Swale, and: Ghost Forest, and: "I Have Written Myself into a Tropical Glow", and: Scurvy, and: You Like to Think the Whales Are Listening
  2. Allison Hutchcraft
  3. pp. 29-38
  4. DOI: https://doi.org/10.1353/mis.2019.0016
  5. restricted access
  1. Heartland, and: Hey Y'all Watch This, and: Self-Portrait as a Series of Bluffs, and: Praise Song for the Redneck Riviera
  2. Chris Hayes
  3. pp. 83-92
  4. DOI: https://doi.org/10.1353/mis.2019.0020
  5. restricted access
  1. High School, and: Ode to My Skinny Legs, and: The Woman in the Wall, and: Unspoken, and: The Italian Garden
  2. David Kirby
  3. pp. 107-116
  4. DOI: https://doi.org/10.1353/mis.2019.0022
  5. restricted access

Other Features

  1. Americana
  2. Speer Morgan
  3. pp. 5-9
  4. DOI: https://doi.org/10.1353/mis.2019.0014
  5. restricted access
  1. Charles Dickens's Reading Copies
  2. Carolyn Vega
  3. pp. 39-47
  4. DOI: https://doi.org/10.1353/mis.2019.0017
  5. restricted access
  1. Visual Burlesque: Ralph Barton and Puck Magazine
  2. Kristine Somerville
  3. pp. 93-106
  4. DOI: https://doi.org/10.1353/mis.2019.0021
  5. restricted access
  1. A Conversation With Janet Burroway
  2. Jocelyn Cullity
  3. pp. 117-131
  4. DOI: https://doi.org/10.1353/mis.2019.0023
  5. restricted access
  1. Gathering Places: The Stories of Six Women and the Worlds They Created
  2. Kristine Somerville
  3. pp. 177-186
  4. DOI: https://doi.org/10.1353/mis.2019.0026
  5. restricted access
  1. Swale
  2. Allison Hutchcraft
  3. pp. 29-31
  4. DOI: https://doi.org/10.1353/mis.2019.0031
  5. restricted access
  1. Ghost Forest
  2. Allison Hutchcraft
  3. pp. 32-34
  4. DOI: https://doi.org/10.1353/mis.2019.0032
  5. restricted access
  1. "I Have Written Myself into a Tropical Glow"
  2. Allison Hutchcraft
  3. p. 35
  4. DOI: https://doi.org/10.1353/mis.2019.0033
  5. restricted access
  1. Scurvy
  2. Allison Hutchcraft
  3. p. 36
  4. DOI: https://doi.org/10.1353/mis.2019.0034
  5. restricted access
  1. You Like to Think the Whales Are Listening
  2. Allison Hutchcraft
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/mis.2019.0035
  5. restricted access
  1. Heartland
  2. Chris Hayes
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/mis.2019.0027
  5. restricted access
  1. Hey Y'all Watch This
  2. Chris Hayes
  3. p. 85
  4. DOI: https://doi.org/10.1353/mis.2019.0028
  5. restricted access
  1. Self-Portrait as a Series of Bluffs
  2. Chris Hayes
  3. pp. 86-89
  4. DOI: https://doi.org/10.1353/mis.2019.0029
  5. restricted access
  1. Praise Song for the Redneck Riviera
  2. Chris Hayes
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/mis.2019.0030
  5. restricted access
  1. High School
  2. David Kirby
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/mis.2019.0036
  5. restricted access
  1. Ode to My Skinny Legs
  2. David Kirby
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/mis.2019.0037
  5. restricted access
  1. The Woman in the Wall
  2. David Kirby
  3. p. 112
  4. DOI: https://doi.org/10.1353/mis.2019.0038
  5. restricted access
  1. Unspoken
  2. David Kirby
  3. p. 113
  4. DOI: https://doi.org/10.1353/mis.2019.0039
  5. restricted access
  1. The Italian Garden
  2. David Kirby
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/mis.2019.0040
  5. restricted access