In this Issue
The Missouri Review, founded in 1978, has helped shape the contemporary literary scene by offering the finest work of today’s most important writers and by discovering the brightest new voices in fiction, poetry, and the essay. We are a quarterly publication based at the University of Missouri, and work first published in our magazine has been anthologized over 100 times in Best American Short Stories, Best American Essays, Best American Travel Writing, Best American Poetry, The O. Henry Prize Anthology, and The Pushcart Prize. Additionally, we publish special features on art, and interviews with a diverse body of contemporary writers. Our “History as Literature” series, we publish historical documents that have literary significance or effect, and the “Found Text” series features previously unpublished work by literary giants of the past, including Mark Twain, Tennessee Williams, Katherine Anne Porter, William Faulkner, Charlotte Bronte, Jack Kerouac, and Marianne Moore.
published byUniversity of Missouri
viewing issueVolume 42, Number 1, Spring 2019
Table of Contents
- [My first crush was Wild Bill Hickok, not the actual guy but the guy who portrayed him], and: [His body was barely cold when the suitors swooped in on the young widow, the ground], and: [I can't see her clearly. Can you see your mother clearly? I was concocted], and: [I can't say I loved punk when punk was contagious, CBGB nearly every night], and: [What do you think Elvis's best song was, he asks, for me, he says, it's that Hunk], and: [Then, I account it high time to get to sea as soon as I can, he says], and: [Once, I took a Greyhound north across an icy bridge, it seemed it took], and: [Takes time to get to minimalism, years lived through, eau de]
- pp. 11-19
- DOI: 10.1353/mis.2019.0001
Copyright © The Curators of the University of Missouri.