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Table of Contents

  1. Conversion and Apocalypse: The Visual Archive of the Libro del alborayque*
  2. Seth Kimmel
  3. pp. 341-355
  4. DOI: https://doi.org/10.1353/rmc.2018.0032
  5. restricted access
  1. A Possible Reference to the Jewish Sabbath in the Numbering of Chapters Six and Seven in Part II of Don Quijote
  2. Emily G. Foss
  3. pp. 357-368
  4. DOI: https://doi.org/10.1353/rmc.2018.0033
  5. restricted access
  1. A Knight is Changed into a Bear: Metamorphosis and Creativity in the Roman de Perceforest
  2. Denyse Delcourt
  3. pp. 369-379
  4. DOI: https://doi.org/10.1353/rmc.2018.0034
  5. restricted access
  1. Supplanting the Sword: The Crossbow and Shifting Perspectives of Masculinity in Díaz de Games El Victorial
  2. Grant Gearhart
  3. pp. 381-390
  4. DOI: https://doi.org/10.1353/rmc.2018.0035
  5. restricted access
  1. Uma face menos nobre da literatra portuguesa de viagens
  2. Luís André Nepomuceno
  3. pp. 391-401
  4. DOI: https://doi.org/10.1353/rmc.2018.0036
  5. restricted access
  1. Contextualizing Prostitution in Benito Pérez Galdós's La Desheredada (1881)
  2. Gabrielle Miller
  3. pp. 403-414
  4. DOI: https://doi.org/10.1353/rmc.2018.0037
  5. restricted access
  1. Le sang de la mort de Louis-Ferdinand Céline
  2. Alexis L. Chauchois, Gilles Glacet
  3. pp. 415-425
  4. DOI: https://doi.org/10.1353/rmc.2018.0038
  5. restricted access
  1. Christine Montalbetti's "petite communauté" in Expérience de la campagne
  2. Caroline Whiteman
  3. pp. 427-436
  4. DOI: https://doi.org/10.1353/rmc.2018.0039
  5. restricted access
  1. Entre el dominio y el deseo: El papel de la mujer en Las ratas (1943) de José Bianco
  2. Andrea Meador Smith
  3. pp. 437-447
  4. DOI: https://doi.org/10.1353/rmc.2018.0040
  5. restricted access
  1. Rewriting the Canon: The Picaresque Tradition in Jesús Carrasco's Intemperie
  2. John B. Margenot III
  3. pp. 449-459
  4. DOI: https://doi.org/10.1353/rmc.2018.0041
  5. restricted access
  1. Mapping the Zombie: Diego Velázquez Betancourt's newfangled zombie in La noche que asolaron Tokio
  2. Carmen Serrano
  3. pp. 461-472
  4. DOI: https://doi.org/10.1353/rmc.2018.0042
  5. restricted access
  1. El Tiempo suspendido de Laura Bonaparte (Julio Cortázar lee un testimonio de la represión en Argentina)
  2. Adriana González Mateos
  3. pp. 473-483
  4. DOI: https://doi.org/10.1353/rmc.2018.0043
  5. restricted access
  1. De acumulación a transacción: Una lectura de la guerra contra las drogas a partir de Coleccionistas de polvos raros, de Pilar Quintana
  2. Aroldo Nery
  3. pp. 485-495
  4. DOI: https://doi.org/10.1353/rmc.2018.0044
  5. restricted access
  1. Clarice Lispector's Invisible Archive of the Quotidian: A Political Monologue with Life
  2. Patricia López-Gay
  3. pp. 497-506
  4. DOI: https://doi.org/10.1353/rmc.2018.0045
  5. restricted access
  1. Musical Interludes in 1960s Mexican Melodrama: Crafting a Sonic Space of Exclusion
  2. Carolyn Fornoff
  3. pp. 507-518
  4. DOI: https://doi.org/10.1353/rmc.2018.0046
  5. restricted access
  1. La identidad ibérica frente a la europea: Huellas iberistas en Señas de identidad, A jangada de pedra y Sostiene Pereira
  2. Jared D. Larson
  3. pp. 519-526
  4. DOI: https://doi.org/10.1353/rmc.2018.0047
  5. restricted access