1. Conversion and Apocalypse: The Visual Archive of the Libro del alborayque*
  2. Seth Kimmel
  3. pp. 341-355
  4. DOI: 10.1353/rmc.2018.0032
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  1. A Possible Reference to the Jewish Sabbath in the Numbering of Chapters Six and Seven in Part II of Don Quijote
  2. Emily G. Foss
  3. pp. 357-368
  4. DOI: 10.1353/rmc.2018.0033
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  1. A Knight is Changed into a Bear: Metamorphosis and Creativity in the Roman de Perceforest
  2. Denyse Delcourt
  3. pp. 369-379
  4. DOI: 10.1353/rmc.2018.0034
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  1. Supplanting the Sword: The Crossbow and Shifting Perspectives of Masculinity in Díaz de Games El Victorial
  2. Grant Gearhart
  3. pp. 381-390
  4. DOI: 10.1353/rmc.2018.0035
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  1. Uma face menos nobre da literatra portuguesa de viagens
  2. Luís André Nepomuceno
  3. pp. 391-401
  4. DOI: 10.1353/rmc.2018.0036
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  1. Contextualizing Prostitution in Benito Pérez Galdós's La Desheredada (1881)
  2. Gabrielle Miller
  3. pp. 403-414
  4. DOI: 10.1353/rmc.2018.0037
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  1. Le sang de la mort de Louis-Ferdinand Céline
  2. Alexis L. Chauchois, Gilles Glacet
  3. pp. 415-425
  4. DOI: 10.1353/rmc.2018.0038
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  1. Christine Montalbetti's "petite communauté" in Expérience de la campagne
  2. Caroline Whiteman
  3. pp. 427-436
  4. DOI: 10.1353/rmc.2018.0039
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  1. Entre el dominio y el deseo: El papel de la mujer en Las ratas (1943) de José Bianco
  2. Andrea Meador Smith
  3. pp. 437-447
  4. DOI: 10.1353/rmc.2018.0040
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  1. Rewriting the Canon: The Picaresque Tradition in Jesús Carrasco's Intemperie
  2. John B. Margenot III
  3. pp. 449-459
  4. DOI: 10.1353/rmc.2018.0041
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  1. Mapping the Zombie: Diego Velázquez Betancourt's newfangled zombie in La noche que asolaron Tokio
  2. Carmen Serrano
  3. pp. 461-472
  4. DOI: 10.1353/rmc.2018.0042
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  1. El Tiempo suspendido de Laura Bonaparte (Julio Cortázar lee un testimonio de la represión en Argentina)
  2. Adriana González Mateos
  3. pp. 473-483
  4. DOI: 10.1353/rmc.2018.0043
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  1. Clarice Lispector's Invisible Archive of the Quotidian: A Political Monologue with Life
  2. Patricia López-Gay
  3. pp. 497-506
  4. DOI: 10.1353/rmc.2018.0045
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  1. Musical Interludes in 1960s Mexican Melodrama: Crafting a Sonic Space of Exclusion
  2. Carolyn Fornoff
  3. pp. 507-518
  4. DOI: 10.1353/rmc.2018.0046
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  1. La identidad ibérica frente a la europea: Huellas iberistas en Señas de identidad, A jangada de pedra y Sostiene Pereira
  2. Jared D. Larson
  3. pp. 519-526
  4. DOI: 10.1353/rmc.2018.0047
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