1. Introduction
  2. Geoff Brown, Laraine Porter
  3. pp. 87-92
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  1. When Britannia Ruled the Sound Waves: Britain's Transition to Sound in Its European Context
  2. Geoff Brown
  3. pp. 93-119
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  1. The Transition from the Silent into the Sound Era in German Cinema: The Innovative Use of Sound in Pabst's Westfront 1918
  2. Maike Helmers
  3. pp. 121-139
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  1. 'Have You a Happy Voice?': Women's Voices and the Talkie Revolution in Britain 1929–1932
  2. Laraine Porter
  3. pp. 141-169
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  1. Tantalising Fragments: Scotland's Voice in the Early Talkies in Britain and Jenny Gilbertson's The Rugged Island: A Shetland Lyric (1934)
  2. Sarah Neely
  3. pp. 171-195
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  1. The Silent Film Shortage: The Cinematograph Exhibitors' Association and the Coming of Sound, 1928–1929
  2. Nyasha Sibanda
  3. pp. 197-216
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  1. Empowering Cinema Operators in the USA and UK, 1927–1933
  2. John Izod
  3. pp. 217-240
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  1. Responses of The Film Industry and Audiences to The Introduction of Sound Cinema in Turkey (1929–1933)
  2. Özge Özyılmaz
  3. pp. 241-257
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  1. Variable Areas: The Transition to Sound and the Birth of the Robot Voice
  2. Bryony Dixon
  3. pp. 259-267
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  1. Contributors to Issue 12:2
  2. pp. 269-270
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  1. Index to Volume 12
  2. p. 271
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