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In this Issue

Table of Contents

  1. Editorial
  2. Helen Hanson, Jay Beck
  3. pp. 1-2
  4. restricted access
  1. ‘Un-sound’ Sounds: Pornosonics of Female Desire in Indian Mediascapes
  2. Darshana Sreedhar Mini
  3. pp. 3-30
  4. restricted access
  1. Immersive Point-of-Audition: Alfonso Cuarón’s Three-Dimensional Sound Design Approach
  2. René Idrovo, Sandra Pauletto
  3. pp. 31-58
  4. restricted access
  1. Reflections on Society for Cinema and Media Studies Conference, Seattle 2019
  2. Katherine Quanz, Brooke McCorkle, Eric Dienstfrey, Joan Titus, James Buhler
  3. pp. 59-82
  4. restricted access
  1. Scoring the Score: The Role of the Orchestrator in the Contemporary Film Industry by Ian Sapiro (review)
  2. Erik Heine
  3. pp. 87-91
  4. restricted access
  1. Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard by Albertine Fox (review)
  2. Douglas Knight
  3. pp. 92-98
  4. restricted access
  1. The Sound of Things to Come: An Audible History of Science Fiction Film by Trace Reddell (review)
  2. Janet K. Halfyard
  3. pp. 99-103
  4. restricted access
  1. Making Music in Selznick’s Hollywood by Nathan Platte (review)
  2. Ben Winters
  3. pp. 104-108
  4. restricted access
  1. Contributors
  3. pp. 109-110
  4. restricted access