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Table of Contents

  1. Editor's Notes
  2. pp. vii-x
  3. DOI: https://doi.org/10.1353/rvt.2018.0027
  4. restricted access
  1. Place of the Red Willows
  2. Iver Arnegard
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/rvt.2018.0015
  5. restricted access
  1. The Local
  2. Greg Bottoms
  3. pp. 7-13
  4. DOI: https://doi.org/10.1353/rvt.2018.0016
  5. restricted access
  1. Earthquakes and Angels
  2. Sydney Lea
  3. pp. 15-24
  4. DOI: https://doi.org/10.1353/rvt.2018.0022
  5. restricted access
  1. Los Perdidos
  2. Beth Alvarado
  3. pp. 25-40
  4. DOI: https://doi.org/10.1353/rvt.2018.0014
  5. restricted access
  1. The Heart Holder
  2. Ash Whitman
  3. pp. 41-61
  4. DOI: https://doi.org/10.1353/rvt.2018.0025
  5. restricted access
  1. November Light
  2. Ryan Brod
  3. pp. 63-75
  4. DOI: https://doi.org/10.1353/rvt.2018.0017
  5. restricted access
  1. On Enchanted Rock
  2. Vivé Griffith
  3. pp. 77-81
  4. DOI: https://doi.org/10.1353/rvt.2018.0020
  5. restricted access
  1. Breathtaking
  2. Holly Willis
  3. pp. 83-88
  4. DOI: https://doi.org/10.1353/rvt.2018.0026
  5. restricted access
  1. Arctolatry
  2. Jake Maynard
  3. pp. 89-101
  4. DOI: https://doi.org/10.1353/rvt.2018.0023
  5. restricted access
  1. High Pockets
  2. Earl Fendelman
  3. pp. 103-113
  4. DOI: https://doi.org/10.1353/rvt.2018.0019
  5. restricted access
  1. The Best Bar in the World
  2. Seth Sawyers
  3. pp. 115-119
  4. DOI: https://doi.org/10.1353/rvt.2018.0024
  5. restricted access
  1. An Egg!
  2. Richard Hoffman
  3. pp. 121-133
  4. DOI: https://doi.org/10.1353/rvt.2018.0021
  5. restricted access
  1. Contributors' Notes
  2. pp. 135-138
  3. DOI: https://doi.org/10.1353/rvt.2018.0018
  4. restricted access