1. Introduction: Migration and Multilingualism
  2. Yana Meerzon, Katharina Pewny, Tessa Vannieuwenhuyze
  3. pp. 257-270
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  1. Multilingual Expression and Postnational Frames in 100% Brussels and Isabella's Room
  2. Janine Hauthal
  3. pp. 271-300
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  1. Strange Homelands: Encountering the Migrant on the Contemporary Greek Stage
  2. Marissia Fragkou
  3. pp. 301-327
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  1. Multilingualism and Postmigrant Theatre in Germany
  2. Azadeh Sharifi
  3. pp. 328-351
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  1. Performing Heteroglossia: The Translating Theatre Project in London
  2. Margherita Laera
  3. pp. 380-410
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  1. The Racial Unconsciousness of the Parisian Public Theatre: Borders and Demotions in Francophone Contemporary Drama
  2. Selim Rauer
  3. pp. 411-435
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  1. (Re)Constructing Polish Others: Theatre in Search of Diversities
  2. Małgorzata Sugiera
  3. pp. 436-458
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  1. The Case for Terence Rattigan, Playwright by John A. Bertolini (review)
  2. Dan Rebellato
  3. pp. 459-461
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  1. Performing Unification: History and Nation in German Theater after 1989 by Matt Cornish (review)
  2. Michael Wood
  3. pp. 461-463
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  1. Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005–2015 by Sarah French (review)
  2. Catherine Silverstone
  3. pp. 463-465
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  1. Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas by Lisa Jackson-Schebetta (review)
  2. Angela Marino
  3. pp. 466-468
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  1. Susan Glaspell's Poetics and Politics of Rebellion by Emeline Jouve (review)
  2. Cheryl Black
  3. pp. 468-471
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  1. A History of Modern Drama, Volume II: 1960–2000 by David Krasner (review)
  2. Michael Y. Bennett
  3. pp. 471-473
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  1. Hideous Characters and Beautiful Pagans: Performing Jew ish Identity on the Antebellum American Stage by Heather S. Nathans (review)
  2. Alisa Solomon
  3. pp. 473-475
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  1. Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora by Hershini Bhana Young (review)
  2. Jeremy Matthew Glick
  3. pp. 475-477
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