1. Structure of Class Feeling/Feeling of Class Structure: Laura Wade's Posh and Katherine Soper's Wish List
  2. Elaine Aston
  3. pp. 127-148
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  1. The Banality of Addiction: Arthur Miller and Complicity
  2. Grant Gosizk
  3. pp. 171-191
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  1. The Long Crisis of Irish Realism: A Phenomenological Reading
  2. Chris Morash, Shaun Richards
  3. pp. 192-212
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  1. Tennessee Williams's Becoming-Clown
  2. Sophie Maruéjouls-Koch
  3. pp. 213-236
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  1. Theatre, Globalization and the Cold War ed. by Christopher B. Balme and Berenika Szymanski-Düll (review)
  2. Margarita Kompelmakher
  3. pp. 237-239
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  1. Performance Art in Eastern Europe since 1960 by Amy Bryzgel (review)
  2. Aleksandra Jovićević
  3. pp. 239-241
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  1. Shakespeare's Women and the Fin de Siècle by Sophie Duncan (review)
  2. Susan Bennett
  3. pp. 242-244
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  1. Black Performance on the Outskirts of the Left: A History of the Impossible by Malik Gaines (review)
  2. La Donna L. Forsgren
  3. pp. 244-246
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  1. The Sixties, Center Stage: Mainstream and Popular Performances in a Turbulent Decade ed. by James M. Harding and Cindy Rosenthal (review)
  2. Hillary Miller
  3. pp. 246-249
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  1. Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Eleftheria Ioannidou (review)
  2. Steve Wilmer
  3. pp. 249-251
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  1. Verse Drama in England, 1900–2015: Art, Modernity and the National Stage by Irene Morra (review)
  2. Sarah Berry
  3. pp. 251-254
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  1. Performing China on the London Stage: Chinese Opera and Global Power, 1759–2008 by Ashley Thorpe (review)
  2. Dongshin Chang
  3. pp. 254-256
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