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In this Issue

Table of Contents

  1. “Now someone’s talking”: Unpunctuation and the Deadpan Poem
  2. Calista McRae
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/mod.2018.0000
  5. restricted access
  1. Stratigraphy of Andromeda: Giorgio de Chirico, Alberto Savinio, Origins, and Originality
  2. Alessandro Giammei
  3. pp. 21-43
  4. DOI: https://doi.org/10.1353/mod.2018.0001
  5. restricted access
  1. The City Shining on a Hill, or by a Lake: (Re)Thinking Modern Americanness, (Re)Writing the American Lynch Narrative, and Ida B. Wells
  2. Cyraina Johnson-Roullier
  3. pp. 45-72
  4. DOI: https://doi.org/10.1353/mod.2018.0002
  5. open access
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  1. Oscar Wilde’s Hair: Phobic Reactions and Novel Self-Fashioning at the Turn of the Century
  2. Nikhil Gupta
  3. pp. 73-91
  4. DOI: https://doi.org/10.1353/mod.2018.0003
  5. restricted access
  1. An Edwardian Turn of Mind: Psychological Realism and Modernist Metaphysics in May Sinclair’s The Divine Fire
  2. Charlotte Jones
  3. pp. 93-114
  4. DOI: https://doi.org/10.1353/mod.2018.0004
  5. restricted access
  1. Between Intoxication and Narcosis: Nietzsche’s Pharmacology of Modernity
  2. Jason Ciaccio
  3. pp. 115-133
  4. DOI: https://doi.org/10.1353/mod.2018.0005
  5. restricted access
  1. Towards an Ecopoetics of Food: Plants, Agricultural Politics, and Colonized Landscapes in Lorine Niedecker’s Condensery
  2. Michelle Niemann
  3. pp. 135-160
  4. DOI: https://doi.org/10.1353/mod.2018.0006
  5. restricted access
  1. What the Veriscope Saw: Stephen Crane, the Prizefight Film, and Unreliable Spectatorship
  2. Yair Solan
  3. pp. 161-184
  4. DOI: https://doi.org/10.1353/mod.2018.0007
  5. restricted access
  1. From Secular Temples to Information Warehouses
  2. Nick Thurston
  3. pp. 185-191
  4. DOI: https://doi.org/10.1353/mod.2018.0008
  5. restricted access
  1. Japan’s Queer Modernity
  2. Jos Lavery
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/mod.2018.0009
  5. restricted access
  1. Flat Protagonists: A Theory of Novel Character by Marta Figlerowicz (review)
  2. Nan Z. Da
  3. pp. 197-199
  4. DOI: https://doi.org/10.1353/mod.2018.0010
  5. restricted access
  1. Paraliterary: The Making of Bad Readers in Postwar America by Merve Emre (review)
  2. Gayle Rogers
  3. pp. 199-202
  4. DOI: https://doi.org/10.1353/mod.2018.0011
  5. restricted access
  1. The Ideas, Identity and Art of Daniel Spoerri: Contingencies and Encounters of an ‘Artistic Animator’ by Leda Cempellin (review)
  2. Roger Rothman
  3. pp. 202-204
  4. DOI: https://doi.org/10.1353/mod.2018.0012
  5. restricted access
  1. The Chatter of the Visible: Montage and Narrative in Weimar Germany by Patrizia C. McBride (review)
  2. Thomas O. Haakenson
  3. pp. 204-206
  4. DOI: https://doi.org/10.1353/mod.2018.0013
  5. restricted access
  1. Wittgenstein and Modernism ed. by Michael LeMahieu, Karen Zumhagen-Yekplé (review)
  2. Johanna Winant
  3. pp. 207-209
  4. DOI: https://doi.org/10.1353/mod.2018.0014
  5. restricted access
  1. Transhumanism: Evolutionary Futurism and the Human Technologies of Utopia by Andrew Pilsch (review)
  2. Matthew Hannah
  3. pp. 209-212
  4. DOI: https://doi.org/10.1353/mod.2018.0015
  5. restricted access
  1. Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature by Maren Tova Linett (review)
  2. Tammy Berberi
  3. pp. 212-214
  4. DOI: https://doi.org/10.1353/mod.2018.0016
  5. restricted access