restricted access   Volume 25, Number 2, April 2018

Table of Contents

Modern Art in Late Colonial Korea: A Research Experiment

pp. 215-243
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Literary, But Not Too Literary; Joyous, But Not Jazzy: Triad Magazine, Antipodean Modernity and the Middlebrow

pp. 245-267
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Surrealism in the Hallucinatory City

pp. 269-302
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The California Occult: Nathanael West, Theodor Adorno, and the Representation of Mass Cultural Desire

pp. 303-326
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Labor-Movement Modernism: Proletarian Collectives between Kuhle Wampe and Working-Class Performance Culture

pp. 327-348
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Money, Painting, and the Generic Abidance of Elizabeth Bishop’s “Poem”

pp. 349-367
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“Always Present”: T. S. Eliot and Re-cantation

pp. 369-387
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Herbert Read’s Egoist Roots

pp. 389-405
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Review Essay

Writing the Real: Modernism in Korean Literature

pp. 407-414
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Book Reviews

“Futurism in Latin America.” Special Issue, International Yearbook of Futurism Studies by Mariana Aguirre, Rosa Sarabia, Renée M. Silverman, and Ricardo Vasconcelos (review)

pp. 415-418
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The Mobility of Modernism: Art and Criticism in 1920s Latin America by Harper Montgomery (review)

pp. 419-421
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Gender and the Rhetoric of Modernity in Spanish America, 1850–1910 by Lee Skinner (review)

pp. 421-423
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Blasphemous Modernism: The 20th-Century Word Made Flesh by Steve Pinkerton (review)

pp. 423-425
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The Contemporaneity of Modernism: Literature, Media, Culture ed. by Michael D’Arcy and Mathias Nilges (review)

pp. 425-427
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Modernist Afterlives in Irish Literature and Culture ed. by Paige Reynolds (review)

pp. 427-430
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Poet-Critics and the Administration of Culture by Evan Kindley (review)

pp. 430-431
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Power Lines: Electricity in American Life and Letters, 1882–1952 by Jennifer L. Lieberman (review)

pp. 432-434
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The Parisian Avant-Garde in the Age of Cinema, 1900–1923 by Jennifer Wild (review)

pp. 434-436
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