In this Issue

Table of Contents

Color Plate Supplement

DOI: https://doi.org/10.1353/eir.1998.0028
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Getting the Picture: On Dermot Seymour’s Painting the Russians Will Water Their Horses on the Shores of Lough Neagh1

Seamus Heaney
pp. 9-12
DOI: https://doi.org/10.1353/eir.1998.0001
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Primavera

Nuala Ní Dhomhnaill, Caoimhín Mac Giolla Léith
pp. 13-14
DOI: https://doi.org/10.1353/eir.1998.0002
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Who Owns Irish Art?

Fintan Cullen
pp. 15-21
DOI: https://doi.org/10.1353/eir.1998.0003
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Irish Visual Culture: A Policy Review

Anne Kelly
pp. 22-37
DOI: https://doi.org/10.1353/eir.1998.0004
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The Irish Collection in the National Gallery of Ireland

Síghle Bhreathnach-Lynch
pp. 38-49
DOI: https://doi.org/10.1353/eir.1998.0005
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A New Light on the Sheela-na-gig

Barbara Freitag
pp. 50-69
DOI: https://doi.org/10.1353/eir.1998.0006
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The Four Erins: Feminine Images of Ireland, 1780–1900*

L. Perry Curtis Jr.
pp. 70-102
DOI: https://doi.org/10.1353/eir.1998.0007
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Visualizing the Liberator: Self-Fashioning, Dramaturgy, and the Construction of Daniel O’Connell1

Gary Owens
pp. 103-130
DOI: https://doi.org/10.1353/eir.1998.0008
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The Big House

Vona Groarke
p. 130
DOI: https://doi.org/10.1353/eir.1998.0009
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Lines of Resistance: The O’Kelly Brothers in the Sudan

Niamh O’Sullivan
pp. 131-156
DOI: https://doi.org/10.1353/eir.1998.0010
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Mary Farl Powers (1948–1992) American Person, Irish Artist

Katherine Anne Powers
pp. 157-172
DOI: https://doi.org/10.1353/eir.1998.0011
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Gaol/Gaol: Re-Viewing Silence in Kilmainham Gaol

Kathleen O’Brien
pp. 173-188
DOI: https://doi.org/10.1353/eir.1998.0012
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From the Poetic to the Political

Declan McGonagle
pp. 189-190
DOI: https://doi.org/10.1353/eir.1998.0013
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Hair Pieces: Alice Maher’s Recent Art

Adele Dalsimer, Vera Kreilkamp
pp. 191-197
DOI: https://doi.org/10.1353/eir.1998.0014
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An Interview with Alice Maher

Alston Conley
pp. 198-211
DOI: https://doi.org/10.1353/eir.1998.0015
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Dorothy Cross: Beyond Feminism

Robin Lydenberg
pp. 212-226
DOI: https://doi.org/10.1353/eir.1998.0016
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Sensing the Sculpture of Kathy Prendergast: A Portrait of the Female Life Cycle

Sheila Dickinson
pp. 227-233
DOI: https://doi.org/10.1353/eir.1998.0017
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Ciarán Lennon’s Hidden Scripts

Katherine Harding Nahum
pp. 234-244
DOI: https://doi.org/10.1353/eir.1998.0018
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All in the Mind?: Photographing the Border

Bill Rolston
pp. 245-254
DOI: https://doi.org/10.1353/eir.1998.0019
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Insiders and Frontiers: Paul Seawright’s Images of “The Troubles”

Alvin Jackson
pp. 255-265
DOI: https://doi.org/10.1353/eir.1998.0020
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Six Artists in Search of a Landscape

Caoimhín Mac Giolla Léith
pp. 266-285
DOI: https://doi.org/10.1353/eir.1998.0021
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Vitruviana, and: Felim Egan: A Catalogue Note

Seamus Heaney
pp. 286-287
DOI: https://doi.org/10.1353/eir.1998.0022
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“When Time Began to Rant and Rage”: Figurative Painting from Twentieth-Century Ireland: A Review Essay

Robert Tracy
pp. 288-301
DOI: https://doi.org/10.1353/eir.1998.0023
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The Life of Jack Yeats

Bruce Arnold
pp. 302-308
DOI: https://doi.org/10.1353/eir.1998.0024
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After Michelangelo

Derek Mahon
p. 309
DOI: https://doi.org/10.1353/eir.1998.0025
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Notes and Queries

Barbara Dawson
pp. 310-313
DOI: https://doi.org/10.1353/eir.1998.0026
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Editors’ Introduction

The Editors, Vera Kreilkamp
pp. 5-8
DOI: https://doi.org/10.1353/eir.1998.0000
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Contributors

pp. 315-319
DOI: https://doi.org/10.1353/eir.1998.0027
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