In this Issue
- Volume 33 & Volume 34, Number 3-4, Fall/Winter 1998 / Number 1, Spring 1999
- Special Issue: The Visual Arts
- Issue
An interdisciplinary scholarly journal of international repute, Éire Ireland is the leading forum in the flourishing field of Irish Studies. Since 1966, Éire-Ireland has published a wide range of imaginative work and scholarly articles from all areas of the arts, humanities, and social sciences relating to Ireland and Irish America.
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Irish-American Cultural Instituteviewing issue
Volume 33 & Volume 34, Number 3-4, Fall/Winter 1998 / Number 1, Spring 1999Table of Contents
- Primavera
- pp. 13-14
- DOI: 10.1353/eir.1998.0002
- Who Owns Irish Art?
- pp. 15-21
- DOI: 10.1353/eir.1998.0003
- The Big House
- p. 130
- DOI: 10.1353/eir.1998.0009
- From the Poetic to the Political
- pp. 189-190
- DOI: 10.1353/eir.1998.0013
- Hair Pieces: Alice Maher’s Recent Art
- pp. 191-197
- DOI: 10.1353/eir.1998.0014
- An Interview with Alice Maher
- pp. 198-211
- DOI: 10.1353/eir.1998.0015
- Dorothy Cross: Beyond Feminism
- pp. 212-226
- DOI: 10.1353/eir.1998.0016
- Ciarán Lennon’s Hidden Scripts
- pp. 234-244
- DOI: 10.1353/eir.1998.0018
- Six Artists in Search of a Landscape
- pp. 266-285
- DOI: 10.1353/eir.1998.0021
- The Life of Jack Yeats
- pp. 302-308
- DOI: 10.1353/eir.1998.0024
- After Michelangelo
- p. 309
- DOI: 10.1353/eir.1998.0025
- Notes and Queries
- pp. 310-313
- DOI: 10.1353/eir.1998.0026
- Editors’ Introduction
- pp. 5-8
- DOI: 10.1353/eir.1998.0000
- Contributors
- pp. 315-319
- DOI: 10.1353/eir.1998.0027
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