Éire-Ireland

In this Issue

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Editors’ Introduction

The Editors, Vera Kreilkamp

pp. 5-8

DOI: https://doi.org/10.1353/eir.1998.0000

Articles

Getting the Picture: On Dermot Seymour’s Painting the Russians Will Water Their Horses on the Shores of Lough Neagh1

Seamus Heaney

pp. 9-12

DOI: https://doi.org/10.1353/eir.1998.0001

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Primavera

Nuala Ní Dhomhnaill, Caoimhín Mac Giolla Léith

pp. 13-14

DOI: https://doi.org/10.1353/eir.1998.0002

Who Owns Irish Art?

Fintan Cullen

pp. 15-21

DOI: https://doi.org/10.1353/eir.1998.0003

Irish Visual Culture: A Policy Review

Anne Kelly

pp. 22-37

DOI: https://doi.org/10.1353/eir.1998.0004

The Irish Collection in the National Gallery of Ireland

Síghle Bhreathnach-Lynch

pp. 38-49

DOI: https://doi.org/10.1353/eir.1998.0005

A New Light on the Sheela-na-gig

Barbara Freitag

pp. 50-69

DOI: https://doi.org/10.1353/eir.1998.0006

The Four Erins: Feminine Images of Ireland, 1780–1900 *

L. Perry Curtis Jr.

pp. 70-102

DOI: https://doi.org/10.1353/eir.1998.0007

Visualizing the Liberator: Self-Fashioning, Dramaturgy, and the Construction of Daniel O’Connell 1

Gary Owens

pp. 103-130

DOI: https://doi.org/10.1353/eir.1998.0008

The Big House

Vona Groarke

p. 130

DOI: https://doi.org/10.1353/eir.1998.0009

Lines of Resistance: The O’Kelly Brothers in the Sudan

Niamh O’Sullivan

pp. 131-156

DOI: https://doi.org/10.1353/eir.1998.0010

Mary Farl Powers (1948–1992) American Person, Irish Artist

Katherine Anne Powers

pp. 157-172

DOI: https://doi.org/10.1353/eir.1998.0011

Gaol/Gaol: Re-Viewing Silence in Kilmainham Gaol

Kathleen O’Brien

pp. 173-188

DOI: https://doi.org/10.1353/eir.1998.0012

From the Poetic to the Political

Declan McGonagle

pp. 189-190

DOI: https://doi.org/10.1353/eir.1998.0013

Front Cover

Hair Pieces: Alice Maher’s Recent Art

Adele Dalsimer, Vera Kreilkamp

pp. 191-197

DOI: https://doi.org/10.1353/eir.1998.0014

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An Interview with Alice Maher

Alston Conley

pp. 198-211

DOI: https://doi.org/10.1353/eir.1998.0015

Back Cover

Dorothy Cross: Beyond Feminism

Robin Lydenberg

pp. 212-226

DOI: https://doi.org/10.1353/eir.1998.0016

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Sensing the Sculpture of Kathy Prendergast: A Portrait of the Female Life Cycle

Sheila Dickinson

pp. 227-233

DOI: https://doi.org/10.1353/eir.1998.0017

Ciarán Lennon’s Hidden Scripts

Katherine Harding Nahum

pp. 234-244

DOI: https://doi.org/10.1353/eir.1998.0018

All in the Mind?: Photographing the Border

Bill Rolston

pp. 245-254

DOI: https://doi.org/10.1353/eir.1998.0019

Insiders and Frontiers: Paul Seawright’s Images of “The Troubles”

Alvin Jackson

pp. 255-265

DOI: https://doi.org/10.1353/eir.1998.0020

Six Artists in Search of a Landscape

Caoimhín Mac Giolla Léith

pp. 266-285

DOI: https://doi.org/10.1353/eir.1998.0021

Vitruviana, and: Felim Egan: A Catalogue Note

Seamus Heaney

pp. 286-287

DOI: https://doi.org/10.1353/eir.1998.0022

Reviews and Commentary

“When Time Began to Rant and Rage”: Figurative Painting from Twentieth-Century Ireland: A Review Essay

Robert Tracy

pp. 288-301

DOI: https://doi.org/10.1353/eir.1998.0023

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The Life of Jack Yeats

Bruce Arnold

pp. 302-308

DOI: https://doi.org/10.1353/eir.1998.0024

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