In this Issue

Table of Contents

The Afterlives of Buffalmacco: The Decameron’s Impact on Giorgio Vasari’s Two Editions of the Vite

Franziska Meier
pp. 1-20
DOI: https://doi.org/10.1353/mln.2017.0000
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La Mirtilla: Shaping a New Role for Women

Nicla Riverso
pp. 21-46
DOI: https://doi.org/10.1353/mln.2017.0001
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Excessive Poetry: The Use of Superchio in Michelangelo’s Verses

Antonio Di Fenza
pp. 47-67
DOI: https://doi.org/10.1353/mln.2017.0002
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Wordsworth’s and Southey’s Translations of Michelangelo, 1805–6

Thomas Owens
pp. 68-75
DOI: https://doi.org/10.1353/mln.2017.0003
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Shame in Ethical Discourse: Vichian Echoes in Bernard Williams

Daniel Canaris
pp. 76-98
DOI: https://doi.org/10.1353/mln.2017.0004
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The Rise of Italian Literary Historiography in Nineteenth-Century England

Simone Rebora
pp. 99-120
DOI: https://doi.org/10.1353/mln.2017.0005
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Like an Alchemist: The Artist between D’Annunzio and Joyce

Giulia Ricca
pp. 121-134
DOI: https://doi.org/10.1353/mln.2017.0006
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Ariosto, the Great Metaphysician

Alessandro Giammei
pp. 135-162
DOI: https://doi.org/10.1353/mln.2017.0007
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A New Century of the Impossible: Giovanni Papini’s “Fantastico Interno”

Matthew Reza
pp. 163-181
DOI: https://doi.org/10.1353/mln.2017.0008
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“Che fronte di uomo di genio!”: Woman, Genius, and Modernity in Haydée’s Faustina Bon

Elena Coda
pp. 182-203
DOI: https://doi.org/10.1353/mln.2017.0009
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Snatched from the World: The Phenomenology of Captivity in Italian Ransom Kidnapping

Alessandra Montalbano
pp. 204-222
DOI: https://doi.org/10.1353/mln.2017.0010
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Ghostly Embodiments of Migration: Jarmila Očkayová’s Aesthetics of Estrangement and Transnationalism in L’essenziale è invisibile agli occhi

Renata Redford
pp. 224-243
DOI: https://doi.org/10.1353/mln.2017.0011
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The Ethical Dimension of the Decameron by Marilyn Migiel (review)

Alyssa Falcone
pp. 244-246
DOI: https://doi.org/10.1353/mln.2017.0012
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The Other Renaissance: Italian Humanism between Hegel and Heidegger by Rocco Rubini (review)

Beatrice Variolo
pp. 246-248
DOI: https://doi.org/10.1353/mln.2017.0013
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Morte a Venezia. Thomas Mann / Luchino Visconti: un confronto ed. by Francesco Bono, Luigi Cimmino, Giorgio Pangaro (review)

Lorenzo Filippo Bacchini
pp. 249-250
DOI: https://doi.org/10.1353/mln.2017.0014
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La citazione è sintomo d’amore: cantautori italiani e memoria letteraria by Francesco Ciabattoni (review)

Alberto Luca Zuliani
pp. 250-253
DOI: https://doi.org/10.1353/mln.2017.0015
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