In this Issue

Table of Contents

Woolf’s Secular Imaginary

David Sherman
pp. 711-731
DOI: https://doi.org/10.1353/mod.2016.0071
restricted access

Moving Pictures: Magic Lanterns, Portable Projection, and Urban Advertising in the Nineteenth Century

Ellery E. Foutch
pp. 733-769
DOI: https://doi.org/10.1353/mod.2016.0072
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Conrad’s Neuroplasticity

Nidesh Lawtoo
pp. 771-788
DOI: https://doi.org/10.1353/mod.2016.0073
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Harlem in Furs: Race and Fashion in the Photography of Gordon Parks

Jesús Costantino
pp. 789-811
DOI: https://doi.org/10.1353/mod.2016.0074
open access

Unfinished Transitions: The Dialectics of Rural Modernization in Latin American Fiction

Ericka Beckman
pp. 813-832
DOI: https://doi.org/10.1353/mod.2016.0075
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Sur l’Eau, or How to Read Adorno: Guy de Maupassant and the Negative Dialectic of Utopia

Damien Marwood
pp. 833-854
DOI: https://doi.org/10.1353/mod.2016.0076
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“Cosmopolitan Sympathies”: Poetry of the First Global War

Jahan Ramazani
pp. 855-874
DOI: https://doi.org/10.1353/mod.2016.0077
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The Modern Synthesis: Genetics and Dystopia in the Huxley Circle

Jay Clayton
pp. 875-896
DOI: https://doi.org/10.1353/mod.2016.0078
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Review Essay

Seeing Complexity and Hearing Laughter in the Harlem Renaissance

Adam McKible
pp. 897-904
DOI: https://doi.org/10.1353/mod.2016.0079
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Gallery Review

Lee Miller: A Woman’s War by Hilary Roberts (review)

Beryl Pong
pp. 905-910
DOI: https://doi.org/10.1353/mod.2016.0080
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Book Reviews

Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes by Gabriele Brandstetter (review)

Michelle Clayton
pp. 911-913
DOI: https://doi.org/10.1353/mod.2016.0081
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America Dancing: From the Cakewalk to the Moonwalk by Megan Pugh (review)

Carrie J. Preston
pp. 913-916
DOI: https://doi.org/10.1353/mod.2016.0082
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Dreams of Modernity: Psychoanalysis, Literature, Cinema by Laura Marcus (review)

Jacqueline Shin
pp. 916-918
DOI: https://doi.org/10.1353/mod.2016.0083
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The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis (review)

Janina Wellmann
pp. 918-920
DOI: https://doi.org/10.1353/mod.2016.0084
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Joyce’s Ghosts: Ireland, Modernism, and Memory by Luke Gibbons (review)

Andrew Gibson
pp. 920-922
DOI: https://doi.org/10.1353/mod.2016.0085
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Making History New: Modernism and Historical Narrative by Seamus O’Malley (review)

Adam Meehan
pp. 922-924
DOI: https://doi.org/10.1353/mod.2016.0086
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Excursions into Modernism: Women Writers, Travel, and the Body by Joyce E. Kelley (review)

Stacy Burton
pp. 924-926
DOI: https://doi.org/10.1353/mod.2016.0087
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Sexology and Translation: Cultural and Scientific Encounters Across the Modern World ed. by Heike Bauer (review)

Jennifer Tyburczy
pp. 927-929
DOI: https://doi.org/10.1353/mod.2016.0088
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Shadows of Trauma: Memory and the Politics of Postwar Identity by Aleida Assmann (review)

Susanne S. Cammack
pp. 929-931
DOI: https://doi.org/10.1353/mod.2016.0089
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