1. Esperantic Modernism: Joyce, Universal Language, and Political Gesture
  2. Nico Israel
  3. pp. 1-21
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  1. “Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses
  2. Christopher Kempf
  3. pp. 23-43
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  1. Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish
  2. Patrick Bixby
  3. pp. 45-66
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  1. Planetary Parallax: Ulysses, the Stars, and South Africa
  2. Cóilín Parsons
  3. pp. 67-85
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  1. Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism
  2. Thomas Folland
  3. pp. 87-115
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  1. Modernism’s Anti-Advice
  2. Beth Blum
  3. pp. 117-139
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  1. Mallarmé’s Madness: Poetry, Pedagogy, and Translation
  2. Alexandra Lukes
  3. pp. 141-160
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  1. Osip and Nadezhda Mandel’shtam and Soviet Utopianism
  2. Joshua Kotin
  3. pp. 161-183
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  1. Fernand Léger’s Filmic Architecture
  2. Christopher Townsend
  3. pp. 185-191
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  1. The Ethnic Avant-Garde: Minority Cultures and World Revolution by Stephen S. Lee (review)
  2. Jill Richards
  3. pp. 193-195
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  1. Behind the Masks of Modernism: Global and Transnational Perspectives ed. by Andrew Reynolds, Bonnie Roos (review)
  2. María del Pilar Blanco
  3. pp. 195-198
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  1. Edge of Irony: Modernism in the Shadow of the Habsburg Empire by Marjorie Perloff (review)
  2. Scott W. Klein
  3. pp. 198-200
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  1. “Women Artists and Futurism.” Special Issue, International Yearbook of Futurism Studies ed. by Günter Berghaus (review)
  2. Luca Somigli
  3. pp. 200-203
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  1. Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary Chute (review)
  2. Eric Bulson
  3. pp. 203-206
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  1. Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century by Kate Eichhorn (review)
  2. Chelsea Jennings
  3. pp. 206-208
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  1. The Pathos of Distance: Affects of the Moderns by Jean-Michel Rabaté (review)
  2. Rochelle Rives
  3. pp. 208-210
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  1. History of a Shiver: The Sublime Impudence of Modernism by Jed Rasula (review)
  2. Nicholas Vazsonyi
  3. pp. 211-212
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  1. The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf by Jesse Oak Taylor (review)
  2. Michael Rubenstein
  3. pp. 213-214
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  1. Recent Books of Interest
  2. pp. 215-216
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