Project MUSE - Black Camera-Volume 8, Number 1, Fall 2016 (New Series)

Beyoncé: Media and Cultural Icon

pp. 3-4

Filming the Fall: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema

pp. 5-6

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Selma: The Historical Record and the American Imaginary

pp. 7-8

Spike Lee’s Documentaries: The Creative Art of Making Nonfiction

Delphine Letort

pp. 9-26

DOI: https://doi.org/10.2979/blackcamera.8.1.03

Addressing the “Negro Problem”: Rethinking the Coon and the Mammy in King of the Zombies and Revenge of the Zombies 1

Toni Pressley-Sanon

pp. 27-54

DOI: https://doi.org/10.2979/blackcamera.8.1.04

Every Nigger Is a Star: Reimagining Blackness from Post–Civil Rights America to the Postindependence Caribbean

Erica Moiah James

pp. 55-83

DOI: https://doi.org/10.2979/blackcamera.8.1.05

Benoît Ramampy (1947–1996): A Life Dedicated to Cinema

Karine Blanchon, Yalie Saweda Kamara

pp. 84-94

DOI: https://doi.org/10.2979/blackcamera.8.1.06

On Practicing an Independent African American Cinema: An Interview with Kevin Willmott

De Witt Douglas Kilgore

pp. 95-123

DOI: https://doi.org/10.2979/blackcamera.8.1.07

“Black is . . .” and That’s the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture 1

Keith M. Harris

pp. 128-130

DOI: https://doi.org/10.2979/blackcamera.8.1.09

Building the Black (Universal) Archive and the Architecture of Black Cinema

Lauren McLeod Cramer

pp. 131-145

DOI: https://doi.org/10.2979/blackcamera.8.1.10

Conscious Quiet as a Mode of Black Visual Culture

Lokeilani Kaimana

pp. 146-154

DOI: https://doi.org/10.2979/blackcamera.8.1.11

B.A.D. (Black Abstraction Dreaming): A Conversation with Kevin Jerome Everson

Michael Boyce Gillespie

pp. 155-168

DOI: https://doi.org/10.2979/blackcamera.8.1.0155

In a (Not So) Silent Way: Listening Past Black Visuality in Symbiopsychotaxiplasm

Charles “Chip” P. Linscott

pp. 169-190

DOI: https://doi.org/10.2979/blackcamera.8.1.13

Blackness and the Image of Motility: A Suspenseful Critique

Alessandra Raengo

pp. 191-206

DOI: https://doi.org/10.2979/blackcamera.8.1.14

“Coming to Terms with the Past Will Allow One to Continue”: Interview with Leyla Bouzid about As I Open My Eyes

Olivier Barlet, Beti Ellerson

pp. 207-212

DOI: https://doi.org/10.2979/blackcamera.8.1.15

“I Am Not Interested in Denouncing Polygamy: My Film Goes beyond That”: Interview with Angèle Diabang about So Long a Letter

Olivier Barlet, Beti Ellerson

pp. 213-217

DOI: https://doi.org/10.2979/blackcamera.8.1.16

“It Is Up to Us to Work on Our Own Complexes”: An Interview with Alice Diop

Olivier Barlet, Beti Ellerson

pp. 218-222

DOI: https://doi.org/10.2979/blackcamera.8.1.17

African Women and the Documentary: Storytelling, Visualizing History, from the Personal to the Political 1

Beti Ellerson

pp. 223-239

DOI: https://doi.org/10.2979/blackcamera.8.1.18

Facing Blackness: Media and Minstrelsy in Spike Lee’s Bamboozled by Ashley Clark (review)

Christopher Lloyd

pp. 240-242

DOI: https://doi.org/10.2979/blackcamera.8.1.19

Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity by Allyson Nadia Field (review)

Julie Lavelle

pp. 242-244

DOI: https://doi.org/10.2979/blackcamera.8.1.20

Ten Arab Filmmakers: Political Dissent and Social Critique ed. by Josef Gugler (review)

Sheila Petty

pp. 244-247

Black Magic Woman and Narrative Film: Race, Sex, and Afro-Religiosity by Montré Aza Missouri (review)

Maria Abegunde

pp. 247-249

DOI: https://doi.org/10.2979/blackcamera.8.1.22

South Africa’s Renegade Reels: The Making and Public Lives of Black-Centered Films by Litheko Modisane (review)

Jordache A. Ellapen

pp. 250-252

Richard E. Norman and Race Filmmaking: Reprocessing and Digitization

Dorothy Berry, Megan MacDonald

pp. 253-256

DOI: https://doi.org/10.2979/blackcamera.8.1.24

Archival News

pp. 257-258

Recent and Upcoming Publications on Black Film

pp. 259-260

Editor’s Notes

pp. 1-2

Introduction

Keith M. Harris

pp. 124-127

ISSN	1947-4237
Print ISSN	1536-3155
Launched on MUSE	2016-11-03
Open Access	No

Black Camera

In this Issue

Volume 8, Number 1, Fall 2016 (New Series)

published by

viewing issue

Table of Contents

Beyoncé: Media and Cultural Icon

Filming the Fall: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema

Selma: The Historical Record and the American Imaginary

Spike Lee’s Documentaries: The Creative Art of Making Nonfiction

Addressing the “Negro Problem”: Rethinking the Coon and the Mammy in King of the Zombies and Revenge of the Zombies 1

Every Nigger Is a Star: Reimagining Blackness from Post–Civil Rights America to the Postindependence Caribbean

Benoît Ramampy (1947–1996): A Life Dedicated to Cinema

On Practicing an Independent African American Cinema: An Interview with Kevin Willmott

“Black is . . .” and That’s the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture 1

Building the Black (Universal) Archive and the Architecture of Black Cinema

Conscious Quiet as a Mode of Black Visual Culture

B.A.D. (Black Abstraction Dreaming): A Conversation with Kevin Jerome Everson

In a (Not So) Silent Way: Listening Past Black Visuality in Symbiopsychotaxiplasm

Blackness and the Image of Motility: A Suspenseful Critique

“Coming to Terms with the Past Will Allow One to Continue”: Interview with Leyla Bouzid about As I Open My Eyes

“I Am Not Interested in Denouncing Polygamy: My Film Goes beyond That”: Interview with Angèle Diabang about So Long a Letter

“It Is Up to Us to Work on Our Own Complexes”: An Interview with Alice Diop

African Women and the Documentary: Storytelling, Visualizing History, from the Personal to the Political 1

Facing Blackness: Media and Minstrelsy in Spike Lee’s Bamboozled by Ashley Clark (review)

Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity by Allyson Nadia Field (review)

Ten Arab Filmmakers: Political Dissent and Social Critique ed. by Josef Gugler (review)

Black Magic Woman and Narrative Film: Race, Sex, and Afro-Religiosity by Montré Aza Missouri (review)

South Africa’s Renegade Reels: The Making and Public Lives of Black-Centered Films by Litheko Modisane (review)

Richard E. Norman and Race Filmmaking: Reprocessing and Digitization

Archival News

Recent and Upcoming Publications on Black Film

Editor’s Notes

Introduction

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Copyright

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