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In this Issue

Table of Contents

  1. Errata for 7.1
  3. p. 2
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  1. Hip-hop Cinema
  3. pp. 3-4
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  1. Selma: The Historical Record and the American Imaginary
  3. pp. 5-6
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  1. Filming the Fall: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema
  3. pp. 7-8
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  1. Beyoncé: Media and Cultural Icon
  3. pp. 9-10
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  1. Nelson Pereira dos Santos on Who Is Beta?: and Such Other Dauntingly Brazilian Maladies
  2. Michael T. Martin
  3. pp. 11-36
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.01
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  1. “To Be Actually Honest”: An Interview with Reginald Hudlin, Writer, Producer, Director, and Executive
  2. Joi Carr
  3. pp. 45-61
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.03
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  1. Django Unchained: A Black-Centered Superhero and Unchained Audiences
  2. Carli Coetzee
  3. pp. 62-72
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.04
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  1. Breaking the Chains of Science: The Rhetoric of Empirical Racism in Django Unchained
  2. David G. Holmes
  3. pp. 73-78
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.05
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  1. Is Quentin Tarantino Calvin Candie?: The Essence of Exploitation in Django Unchained
  2. Andrew Harrington
  3. pp. 79-87
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.06
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  1. Film’s Political Economy and Django Unchained
  2. Roslyn Satchel
  3. pp. 88-93
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.88
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  1. African Media Studies and Marginality at the Center
  2. Moradewun Adejunmobi
  3. pp. 125-139
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.09
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  1. African Screen Media Studies: Immediacy, Modernization, and Informal Forms
  2. Matthew H. Brown
  3. pp. 140-158
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.10
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  1. On the Matter of Fiction: An Approach to the Marginalization of African Film Studies in the Global Academy
  2. Lindiwe Dovey
  3. pp. 159-173
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.159
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  1. Studying Media “from” the South: African Media Studies and Global Perspectives
  2. Alessandro Jedlowski
  3. pp. 174-193
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.12
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  1. An Evolution in Nollywood, Nigeria’s New Wave: A Conversation with Chris Eneaji
  2. Carmen McCain
  3. pp. 194-216
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.194
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  1. Teaching African Women in Cinema: Part Two
  2. Beti Ellerson
  3. pp. 217-233
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  1. Cannes 2015: Where Is Africa?
  2. Olivier Barlet, Nzingha Kendall, Julie Le Hégarat
  3. pp. 234-239
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.15
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  1. Meurtre à Pacot / Murder in Pacot by Raoul Peck (review)
  2. Toni Pressley-Sanon
  3. pp. 240-242
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  1. Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era by Ellen C. Scott (review)
  2. Delphine Letort
  3. pp. 243-245
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.17
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  1. Archival Spotlight
  2. Dorothy Berry
  3. pp. 246-249
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  1. Archival News
  3. pp. 250-254
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  1. Professional Notes and Research Sources
  3. pp. 255-256
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  1. Editor’s Notes
  3. pp. 1-2
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  1. Introduction: Django Unchained—Disrupting Classical Hollywood Historical Realism?
  2. Joi Carr
  3. pp. 37-44
  4. DOI: https://doi.org/10.2979/blackcamera.7.2.02
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  1. Introduction: Teaching African Media in the Global Academy
  2. Noah Tsika
  3. pp. 94-124
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