In this Issue

Table of Contents

Errata for 7.1

p. 2
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Hip-hop Cinema

pp. 3-4
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Selma: The Historical Record and the American Imaginary

pp. 5-6
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Filming the Fall: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema

pp. 7-8
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Beyoncé: Media and Cultural Icon

pp. 9-10
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Nelson Pereira dos Santos on Who Is Beta?: and Such Other Dauntingly Brazilian Maladies

Michael T. Martin
pp. 11-36
DOI: https://doi.org/10.2979/blackcamera.7.2.01
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“To Be Actually Honest”: An Interview with Reginald Hudlin, Writer, Producer, Director, and Executive

Joi Carr
pp. 45-61
DOI: https://doi.org/10.2979/blackcamera.7.2.03
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Django Unchained: A Black-Centered Superhero and Unchained Audiences

Carli Coetzee
pp. 62-72
DOI: https://doi.org/10.2979/blackcamera.7.2.04
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Breaking the Chains of Science: The Rhetoric of Empirical Racism in Django Unchained

David G. Holmes
pp. 73-78
DOI: https://doi.org/10.2979/blackcamera.7.2.05
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Is Quentin Tarantino Calvin Candie?: The Essence of Exploitation in Django Unchained

Andrew Harrington
pp. 79-87
DOI: https://doi.org/10.2979/blackcamera.7.2.06
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Film’s Political Economy and Django Unchained

Roslyn Satchel
pp. 88-93
DOI: https://doi.org/10.2979/blackcamera.7.2.88
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African Media Studies and Marginality at the Center

Moradewun Adejunmobi
pp. 125-139
DOI: https://doi.org/10.2979/blackcamera.7.2.09
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African Screen Media Studies: Immediacy, Modernization, and Informal Forms

Matthew H. Brown
pp. 140-158
DOI: https://doi.org/10.2979/blackcamera.7.2.10
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On the Matter of Fiction: An Approach to the Marginalization of African Film Studies in the Global Academy

Lindiwe Dovey
pp. 159-173
DOI: https://doi.org/10.2979/blackcamera.7.2.159
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Studying Media “from” the South: African Media Studies and Global Perspectives

Alessandro Jedlowski
pp. 174-193
DOI: https://doi.org/10.2979/blackcamera.7.2.12
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An Evolution in Nollywood, Nigeria’s New Wave: A Conversation with Chris Eneaji

Carmen McCain
pp. 194-216
DOI: https://doi.org/10.2979/blackcamera.7.2.194
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Teaching African Women in Cinema: Part Two

Beti Ellerson
pp. 217-233
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Cannes 2015: Where Is Africa?

Olivier Barlet, Nzingha Kendall, Julie Le Hégarat
pp. 234-239
DOI: https://doi.org/10.2979/blackcamera.7.2.15
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Meurtre à Pacot / Murder in Pacot by Raoul Peck (review)

Toni Pressley-Sanon
pp. 240-242
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Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era by Ellen C. Scott (review)

Delphine Letort
pp. 243-245
DOI: https://doi.org/10.2979/blackcamera.7.2.17
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Archival Spotlight

Dorothy Berry
pp. 246-249
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Archival News

pp. 250-254
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Professional Notes and Research Sources

pp. 255-256
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Editor’s Notes

pp. 1-2
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Introduction: Django Unchained—Disrupting Classical Hollywood Historical Realism?

Joi Carr
pp. 37-44
DOI: https://doi.org/10.2979/blackcamera.7.2.02
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Introduction: Teaching African Media in the Global Academy

Noah Tsika
pp. 94-124
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