In this Issue

Table of Contents

Articles

The Physics of the Mola: W/riting Indigenous Resurgence on the Contemporary Stage

Jill Carter
pp. 1-25
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Realizing Personality in The Importance of Being Earnest

Sarah Balkin
pp. 26-48
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Performing Catastrophe: Erwin Piscator’s Documentary Theatre

Minou Arjomand
pp. 49-74
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Dramatizing Biographers: Michael Meyer’s A Meeting in Rome and Robert Ferguson’s Dr. Ibsen’s Ghosts

Ellen Rees
pp. 75-94
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The Future and the Commodity: Walter Benjamin and Eric Overmyer’s On the Verge

Keith Appler
pp. 95-114
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Reviews

Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter (review)

Jennifer Larson
pp. 115-117
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Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania by Diana Looser (review)

Margaret Werry
pp. 117-119
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The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo (review)

Siyuan Liu
pp. 120-122
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Echo’s Voice: The Theatres of Sarraute, Duras, Cixous and Renaude by Mary Noonan (review)

Judith G. Miller
pp. 122-125
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The Soviet Theater: A Documentary History ed. by Laurence Senelick, Sergei Ostrovsky (review)

Ania Aizman
pp. 125-127
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Theatre and Evolution from Ibsen to Beckett by Kirsten Shepherd-Barr (review)

Mike Vanden Heuvel
pp. 128-130
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Visions and Revisions: Performance, Memory, Trauma ed. by Bryoni Trezise, Caroline Wake (review)

Patrick Duggan
pp. 130-133
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