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In this Issue

Table of Contents

  1. Racing toward History: Utopia and Progress in John Guare’s A Free Man of Color
  2. Joanna Mansbridge
  3. pp. 413-436
  4. restricted access
  1. “A Theatre of the Head”: Material Culture, Severed Heads, and the Late Drama of W.B. Yeats
  2. Paige Reynolds
  3. pp. 437-460
  4. restricted access
  1. Watching A Raisin in the Sun and Seeing Red
  2. Aaron C. Thomas
  3. pp. 461-481
  4. restricted access
  1. “True Heart”: Reimagining Transnational Subjects through Sentimentality in Velina Hasu Houston’s Plays
  2. Eunha Na
  3. pp. 482-501
  4. restricted access
  1. How (Not) to Write Broadcast Plays: Pinter and the BBC
  2. Jacob Stulberg
  3. pp. 502-523
  4. restricted access
  1. Art, Vision, and the Nineteenth-Century Stage: Acts of Seeing by Amy Holzapfel (review)
  2. Matthew Buckley
  3. pp. 524-526
  4. restricted access
  1. Tennessee Williams: Mad Pilgrimage of the Flesh by John Lahr (review)
  2. Brian Parker
  3. pp. 526-529
  4. restricted access
  1. Simming: Participatory Performance and the Making of Meaning by Scott Magelssen (review)
  2. Carran Waterfield
  3. pp. 529-531
  4. restricted access
  1. Bernstein Meets Broadway: Collaborative Art in a Time of War by Carol J. Oja (review)
  2. Bradley Rogers
  3. pp. 531-534
  4. restricted access
  1. Performing Asian Transnationalisms: Theatre, Identity and the Geographies of Performance by Amanda Rogers (review)
  2. Sean Metzger
  3. pp. 534-536
  4. restricted access
  1. Staging the Slums, Slumming the Stage: Class, Poverty, Ethnicity, and Sexuality in American Theatre, 1890-1916 by J. Chris Westgate (review)
  2. Brenda Murphy
  3. pp. 538-541
  4. restricted access
  1. Blue-Collar Broadway: The Craft and Industry of American Theatre by Timothy R. White (review)
  2. Jonathan Chambers
  3. pp. 541-543
  4. restricted access
  1. Index to Volume 58, 2015
  2. pp. 544-547
  3. restricted access