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Table of Contents

  1. Way Above Illinois
  2. George Bilgere
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/plo.2015.0171
  5. restricted access
  1. Small Before-Church Poem
  2. Graham Foust
  3. p. 3
  4. DOI: https://doi.org/10.1353/plo.2015.0179
  5. restricted access
  1. The Gang’s All Here
  2. Julian Gewirtz
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/plo.2015.0187
  5. restricted access
  1. Here I Am, Laughing with Boers
  2. Laurie Baker
  3. pp. 6-18
  4. DOI: https://doi.org/10.1353/plo.2015.0195
  5. restricted access
  1. Stutter
  2. Adam Giannelli
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/plo.2015.0151
  5. restricted access
  1. Genesis
  2. Janice N. Harrington
  3. p. 21
  4. DOI: https://doi.org/10.1353/plo.2015.0159
  5. restricted access
  1. Splendor and Twilight
  2. Richie Hofmann
  3. p. 22
  4. DOI: https://doi.org/10.1353/plo.2015.0167
  5. restricted access
  1. Blue Dye
  2. Liam Hysjulien
  3. p. 23
  4. DOI: https://doi.org/10.1353/plo.2015.0176
  5. restricted access
  1. What You Won’t Say
  2. Piyali Bhattacharya
  3. pp. 24-27
  4. DOI: https://doi.org/10.1353/plo.2015.0184
  5. restricted access
  1. Death of the Star High-School Running Back, and: Lacrimae rerum
  2. Christopher Kempf
  3. pp. 28-32
  4. DOI: https://doi.org/10.1353/plo.2015.0192
  5. restricted access
  1. A Life in the Theater, and: What Happened After It Happened
  2. Michael Klein
  3. pp. 33-35
  4. DOI: https://doi.org/10.1353/plo.2015.0200
  5. restricted access
  1. Bajadas
  2. Francisco Cantú
  3. pp. 36-49
  4. DOI: https://doi.org/10.1353/plo.2015.0156
  5. restricted access
  1. Babies and Bagpipes
  2. Jennifer L. Knox
  3. p. 50
  4. DOI: https://doi.org/10.1353/plo.2015.0164
  5. restricted access
  1. Anagram, and: At a Pool Hall
  2. Kien Lam
  3. pp. 51-54
  4. DOI: https://doi.org/10.1353/plo.2015.0173
  5. restricted access
  1. Heidi Klum
  2. Kent Leatham
  3. p. 55
  4. DOI: https://doi.org/10.1353/plo.2015.0181
  5. restricted access
  1. Helicopters & Gypsy Moths
  2. Lawrence-Minh Bùi Davis
  3. pp. 56-66
  4. DOI: https://doi.org/10.1353/plo.2015.0189
  5. restricted access
  1. Tomorrow Will Be Fine
  2. J.T. Ledbetter
  3. p. 67
  4. DOI: https://doi.org/10.1353/plo.2015.0197
  5. restricted access
  1. Something About Ecology
  2. Matthew Lippman
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/plo.2015.0153
  5. restricted access
  1. Iowa, Redux
  2. William Logan
  3. p. 70
  4. DOI: https://doi.org/10.1353/plo.2015.0161
  5. restricted access
  1. Girlfriends
  2. Joseph Millar
  3. p. 71
  4. DOI: https://doi.org/10.1353/plo.2015.0169
  5. restricted access
  1. Grave of the Conjoined Sows in Neligh, Nebraska
  2. John Mullen
  3. p. 72
  4. DOI: https://doi.org/10.1353/plo.2015.0178
  5. restricted access
  1. Ghost
  2. Meng Jin
  3. pp. 73-79
  4. DOI: https://doi.org/10.1353/plo.2015.0186
  5. restricted access
  1. Titration
  2. Megan Peak
  3. p. 80
  4. DOI: https://doi.org/10.1353/plo.2015.0194
  5. restricted access
  1. The Mirror
  2. Anzhelina Polonskaya, Andrew Wachtel
  3. p. 81
  4. DOI: https://doi.org/10.1353/plo.2015.0150
  5. restricted access
  1. The Forever Rachel
  2. Corey Quinn
  3. p. 82
  4. DOI: https://doi.org/10.1353/plo.2015.0158
  5. restricted access
  1. Self-Portrait with Prevarication
  2. Dean Rader
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/plo.2015.0166
  5. restricted access
  1. Collectors
  2. Joan Murray
  3. pp. 85-99
  4. DOI: https://doi.org/10.1353/plo.2015.0175
  5. restricted access
  1. Wild Though the Sea
  2. Jacques Rancourt
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/plo.2015.0183
  5. restricted access
  1. Untitled
  2. Cat Richardson
  3. p. 102
  4. DOI: https://doi.org/10.1353/plo.2015.0191
  5. restricted access
  1. So Long
  2. Stephanie Rogers
  3. pp. 103-104
  4. DOI: https://doi.org/10.1353/plo.2015.0199
  5. restricted access
  1. I Love You
  2. Tomaž Šalamun, Michael Thomas Taren
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/plo.2015.0155
  5. restricted access
  1. Imagining Roses
  2. Lisa Julin Sharon
  3. pp. 107-120
  4. DOI: https://doi.org/10.1353/plo.2015.0163
  5. restricted access
  1. Teacup This
  2. Natalie Shapero
  3. p. 121
  4. DOI: https://doi.org/10.1353/plo.2015.0172
  5. restricted access
  1. Pilot Whale
  2. Julie Sheehan
  3. p. 122
  4. DOI: https://doi.org/10.1353/plo.2015.0180
  5. restricted access
  1. Lake Eden
  2. Sandra Simonds
  3. p. 123
  4. DOI: https://doi.org/10.1353/plo.2015.0188
  5. restricted access
  1. The Wristwatch
  2. Austin Smith
  3. p. 124
  4. DOI: https://doi.org/10.1353/plo.2015.0196
  5. restricted access
  1. The Disturbance
  2. Ryan Ruff Smith
  3. pp. 125-136
  4. DOI: https://doi.org/10.1353/plo.2015.0152
  5. restricted access
  1. Walking City to City
  2. M.G. Stephens
  3. p. 137
  4. DOI: https://doi.org/10.1353/plo.2015.0160
  5. restricted access
  1. Small Streets
  2. Tim Suermondt
  3. p. 138
  4. DOI: https://doi.org/10.1353/plo.2015.0168
  5. restricted access
  1. That Golden Hour
  2. Mark Turpin
  3. p. 139
  4. DOI: https://doi.org/10.1353/plo.2015.0177
  5. restricted access
  1. Restitution
  2. Jerry Whitus
  3. pp. 140-149
  4. DOI: https://doi.org/10.1353/plo.2015.0185
  5. restricted access
  1. A Full Moon of Capital Assets
  2. Marc Vincenz
  3. p. 150
  4. DOI: https://doi.org/10.1353/plo.2015.0193
  5. restricted access
  1. Mermaid Parade
  2. Monica Wendel
  3. p. 151
  4. DOI: https://doi.org/10.1353/plo.2015.0201
  5. restricted access
  1. History of the Horsemen
  2. Jason Whitmarsh
  3. p. 152
  4. DOI: https://doi.org/10.1353/plo.2015.0157
  5. restricted access
  1. Always One More Way
  2. Alison Wisdom
  3. pp. 153-163
  4. DOI: https://doi.org/10.1353/plo.2015.0165
  5. restricted access
  1. Homeplace
  2. Emily Strasser
  3. pp. 164-177
  4. DOI: https://doi.org/10.1353/plo.2015.0174
  5. restricted access
  1. Safety of Numbers
  2. Lucy Tan
  3. pp. 178-188
  4. DOI: https://doi.org/10.1353/plo.2015.0182
  5. restricted access
  1. An Ordinary Misfortune
  2. Emily Jungmin Yoon
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/plo.2015.0190
  5. restricted access
  1. Felisberto: A Look2 Essay on Felisberto Hernández
  2. Lisa Fetchko
  3. pp. 193-202
  4. DOI: https://doi.org/10.1353/plo.2015.0198
  5. restricted access
  1. Ana’s Face
  2. Felisberto Hernández, Lisa Fetchko, Lucas Ríos Giordano
  3. pp. 203-208
  4. DOI: https://doi.org/10.1353/plo.2015.0154
  5. restricted access
  1. Editors’ Shelf: Book Recommendations from Our Advisory Editors
  3. pp. 213-214
  4. DOI: https://doi.org/10.1353/plo.2015.0170
  5. restricted access
  1. Editors’ Corner: New Works by Our Advisory Editors
  3. p. 214
  4. DOI: https://doi.org/10.1353/plo.2015.0202
  5. restricted access
  1. Postscripts: Zacharis Award
  3. pp. 209-212
  4. DOI: https://doi.org/10.1353/plo.2015.0162
  5. restricted access
  1. Contributors’ Notes: Winter 2015-2016
  3. pp. 214-220
  4. DOI: https://doi.org/10.1353/plo.2015.0203
  5. restricted access