1. Diurnal
  2. Elizabeth Arnold
  3. pp. 1-2
  4. DOI: 10.1353/plo.2016.0069
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  1. Stolen Horses
  2. L. S. Asekoff
  3. p. 3
  4. DOI: 10.1353/plo.2016.0083
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  1. Stalled in Traffic
  2. Peter Balakian
  3. p. 4
  4. DOI: 10.1353/plo.2016.0006
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  1. Giant Snowballs
  2. Ari Banias
  3. p. 5
  4. DOI: 10.1353/plo.2016.0020
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  1. Plagued by Coleridge
  2. Charles Bardes
  3. pp. 6-7
  4. DOI: 10.1353/plo.2016.0034
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  1. Lyric and Narrative Time at Café Loup
  2. Catherine Barnett
  3. p. 8
  4. DOI: 10.1353/plo.2016.0048
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  1. Store for Children in Which:
  2. Michael Burkard
  3. p. 9
  4. DOI: 10.1353/plo.2016.0063
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  1. Dry Season at the End of the Empire
  2. Gabrielle Calvorcessi
  3. p. 10
  4. DOI: 10.1353/plo.2016.0077
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  1. The Middlegame
  2. Katherine Damm
  3. pp. 11-20
  4. DOI: 10.1353/plo.2016.0000
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  1. For My Teacher on His Ninetieth Birthday
  2. Peter Campion
  3. pp. 21-22
  4. DOI: 10.1353/plo.2016.0014
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  1. To Wait and Not Yearn for the Waiting to End
  2. Michael Chitwood
  3. p. 23
  4. DOI: 10.1353/plo.2016.0028
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  1. Task Lighting
  2. Andrea Cohen
  3. p. 24
  4. DOI: 10.1353/plo.2016.0042
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  1. A Wild Tom Turkey
  2. Michael Collier
  3. p. 25
  4. DOI: 10.1353/plo.2016.0057
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  1. How It Was
  2. C. L. Dallat
  3. p. 26
  4. DOI: 10.1353/plo.2016.0072
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  1. Babushkas
  2. Susan Davis
  3. p. 27
  4. DOI: 10.1353/plo.2016.0086
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  1. Shooting Dogs
  2. Matthew Dickman
  3. pp. 28-29
  4. DOI: 10.1353/plo.2016.0009
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  1. Butterflies
  2. Michael Dickman
  3. p. 30
  4. DOI: 10.1353/plo.2016.0023
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  1. The Lives of My Friends
  2. Stuart Dischell
  3. p. 31
  4. DOI: 10.1353/plo.2016.0037
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  1. Frequently Asked Questions: 7
  2. Camille Dungy
  3. p. 32
  4. DOI: 10.1353/plo.2016.0051
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  1. The Architect
  2. Stephen Dunn
  3. p. 33
  4. DOI: 10.1353/plo.2016.0066
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  1. Etheridge Knight’s “Feeling Fucked Up”
  2. Thomas Sayers Ellis
  3. p. 34
  4. DOI: 10.1353/plo.2016.0080
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  1. The Obscening of Engine Kreuter
  2. Kirby Gann
  3. pp. 35-50
  4. DOI: 10.1353/plo.2016.0003
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  1. Self-Portrait As Mango
  2. Tarfia Faizullah
  3. p. 51
  4. DOI: 10.1353/plo.2016.0017
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  1. Apocrypha of the Original Apple
  2. Jerzy Ficowski, Jennifer Grotz, Piotr Sommer
  3. pp. 52-53
  4. DOI: 10.1353/plo.2016.0031
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  1. Blue Skies, Nothing But Blue Skies
  2. Anne-Marie Fyfe
  3. p. 54
  4. DOI: 10.1353/plo.2016.0045
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  1. Blowjob
  2. Ross Gay
  3. p. 55
  4. DOI: 10.1353/plo.2016.0060
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  1. Wellfleet, Off-Season
  2. David Gewanter
  3. pp. 56-57
  4. DOI: 10.1353/plo.2016.0075
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  1. Canasta
  2. Reginald Gibbons
  3. p. 59
  4. DOI: 10.1353/plo.2016.0089
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  1. The Day with Both of Them
  2. Doreen Gildroy
  3. p. 60
  4. DOI: 10.1353/plo.2016.0012
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  1. Vanilla Cupcake Complaint
  2. Mark Halliday
  3. pp. 61-62
  4. DOI: 10.1353/plo.2016.0026
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  1. Super Moon
  2. Sarah Harwell
  3. p. 63
  4. DOI: 10.1353/plo.2016.0040
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  1. First Poem
  2. Robert Hass
  3. p. 64
  4. DOI: 10.1353/plo.2016.0055
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  1. The Arctic Vortex at Snooks Pond, 2014
  2. Brooks Haxton
  3. p. 65
  4. DOI: 10.1353/plo.2016.0070
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  1. Banks of a Canal
  2. Seamus Heaney
  3. p. 66
  4. DOI: 10.1353/plo.2016.0084
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  1. Social Eros and the Methods of the Baroque
  2. John Kleiner
  3. pp. 67-76
  4. DOI: 10.1353/plo.2016.0007
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  1. Meadow
  2. Tony Hoagland
  3. p. 77
  4. DOI: 10.1353/plo.2016.0021
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  1. The Singer
  2. James Hoch
  3. p. 78
  4. DOI: 10.1353/plo.2016.0035
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  1. Shank
  2. David Hutcheson
  3. p. 79
  4. DOI: 10.1353/plo.2016.0049
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  1. Psalm for Riding a Plane
  2. Mary Karr
  3. p. 80
  4. DOI: 10.1353/plo.2016.0064
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  1. Historical
  2. Christopher Kennedy
  3. p. 81
  4. DOI: 10.1353/plo.2016.0078
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  1. The Worst is Still to Come
  2. Philip Levine
  3. p. 82
  4. DOI: 10.1353/plo.2016.0001
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  1. Thermopylae
  2. Maurice Manning
  3. pp. 83-84
  4. DOI: 10.1353/plo.2016.0015
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  1. The A Man
  2. Kathryn Maris
  3. p. 85
  4. DOI: 10.1353/plo.2016.0029
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  1. Falling
  2. David Tomas Martinez
  3. p. 86
  4. DOI: 10.1353/plo.2016.0043
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  1. Waiting Room
  2. Donna Masini
  3. p. 87
  4. DOI: 10.1353/plo.2016.0058
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  1. Things That Break
  2. Jamaal May
  3. p. 88
  4. DOI: 10.1353/plo.2016.0073
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  1. To Have Light
  2. Nathan McClain
  3. p. 89
  4. DOI: 10.1353/plo.2016.0087
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  1. Emergency Maneuvers
  2. Taylor Koekkoek
  3. pp. 90-100
  4. DOI: 10.1353/plo.2016.0010
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  1. Yardsticks
  2. Michael McFee
  3. pp. 101-102
  4. DOI: 10.1353/plo.2016.0024
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  1. Exchange
  2. James McMichael
  3. p. 103
  4. DOI: 10.1353/plo.2016.0038
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  1. The Red Umbrella
  2. Christopher Merrill
  3. p. 104
  4. DOI: 10.1353/plo.2016.0052
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  1. The Poetry-Body
  2. Joseph Millar
  3. p. 105
  4. DOI: 10.1353/plo.2016.0067
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  1. Confessional
  2. Carol Moldaw
  3. p. 106
  4. DOI: 10.1353/plo.2016.0081
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  1. Night Café
  2. Honor Moore
  3. p. 107
  4. DOI: 10.1353/plo.2016.0004
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  1. For My Daughter
  2. Tomás Q. Morín
  3. p. 108
  4. DOI: 10.1353/plo.2016.0018
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  1. We Have Reasons for Wanting to Mend the Known World:
  2. Michael Morse
  3. p. 109
  4. DOI: 10.1353/plo.2016.0032
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  1. Uptown Saturday Night
  2. John Murillo
  3. p. 110
  4. DOI: 10.1353/plo.2016.0046
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  1. Ode to the Glans
  2. Sharon Olds
  3. p. 111
  4. DOI: 10.1353/plo.2016.0061
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  1. Note to Self
  2. Katie Peterson
  3. pp. 112-113
  4. DOI: 10.1353/plo.2016.0076
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  1. Static, Frequency
  2. Emilia Phillips
  3. pp. 114-115
  4. DOI: 10.1353/plo.2016.0090
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  1. Walk Like a Man
  2. Soraya Palmer
  3. pp. 116-133
  4. DOI: 10.1353/plo.2016.0013
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  1. The Diarist
  2. Patrick Phillips
  3. p. 134
  4. DOI: 10.1353/plo.2016.0027
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  1. Body Knowledge
  2. Robert Pinsky
  3. p. 135
  4. DOI: 10.1353/plo.2016.0041
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  1. Poliomyelitis
  2. Stanley Plumly
  3. p. 136
  4. DOI: 10.1353/plo.2016.0056
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  1. Love in Vain
  2. Robert Polito
  3. p. 137
  4. DOI: 10.1353/plo.2016.0071
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  1. Astyanax
  2. Paisley Rekdal
  3. pp. 138-139
  4. DOI: 10.1353/plo.2016.0085
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  1. Feet
  2. Maurice Riordan
  3. p. 140
  4. DOI: 10.1353/plo.2016.0008
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  1. That Year
  2. David Rivard
  3. pp. 141-142
  4. DOI: 10.1353/plo.2016.0022
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  1. My Mother Addresses Everyone in the World
  2. J. Allyn Rosser
  3. pp. 143-144
  4. DOI: 10.1353/plo.2016.0036
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  1. Three Days Flu No Shower
  2. Michael Ryan
  3. p. 145
  4. DOI: 10.1353/plo.2016.0050
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  1. The Conductor
  2. Lloyd Schwartz
  3. pp. 146-147
  4. DOI: 10.1353/plo.2016.0065
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  1. In a Better Place
  2. Helen Schulman
  3. pp. 148-156
  4. DOI: 10.1353/plo.2016.0079
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  1. Cento for the Night I Said, “I Love You”
  2. Nicole Sealey
  3. p. 157
  4. DOI: 10.1353/plo.2016.0002
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  1. First Encounter
  2. Richard Sime
  3. p. 158
  4. DOI: 10.1353/plo.2016.0016
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  1. Raccoon
  2. Bruce Smith
  3. p. 159
  4. DOI: 10.1353/plo.2016.0030
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  1. Grudge
  2. Jason Sommer
  3. p. 160
  4. DOI: 10.1353/plo.2016.0044
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  1. Black Center
  2. Arthur Sze
  3. p. 161
  4. DOI: 10.1353/plo.2016.0059
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  1. Augusting
  2. Rosanna Warren
  3. p. 162
  4. DOI: 10.1353/plo.2016.0074
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  1. Another Life (Hawthornden, Midlothian)
  2. Joshua Weiner
  3. p. 163
  4. DOI: 10.1353/plo.2016.0088
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  1. Friends
  2. C. K. Williams
  3. p. 164
  4. DOI: 10.1353/plo.2016.0011
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  1. Two-Minute Film of the Last Tasmanian Tiger
  2. David Wojahn
  3. pp. 165-166
  4. DOI: 10.1353/plo.2016.0025
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  1. Solar Plexus
  2. Dean Young
  3. p. 167
  4. DOI: 10.1353/plo.2016.0039
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  1. Grow Animals
  2. Lynn Sloan
  3. pp. 168-176
  4. DOI: 10.1353/plo.2016.0053
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  1. About Alan Shapiro: A Profile
  2. Emilia Phillips
  3. pp. 177-179
  4. DOI: 10.1353/plo.2016.0068
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  1. About Tom Sleigh: A Profile
  2. Emilia Phillips
  3. pp. 180-182
  4. DOI: 10.1353/plo.2016.0082
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  1. The Promised Land and its Discontents: The Fiction of Joshua Cohen: A Look2 Essay
  2. Paul Scott Stanfield
  3. pp. 183-193
  4. DOI: 10.1353/plo.2016.0005
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  1. Alice Hoffman Prize for Fiction
  2. pp. 194-195
  3. DOI: 10.1353/plo.2016.0019
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  1. Editors’ Shelf: Book Recommendations from Our Advisory Editors
  2. pp. 196-197
  3. DOI: 10.1353/plo.2016.0033
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  1. Editors’ Corner: New Works by Our Advisory Editors
  2. p. 197
  3. DOI: 10.1353/plo.2016.0047
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  1. Introduction
  2. Alan Shapiro, Tom Sleigh
  3. p. x
  4. DOI: 10.1353/plo.2016.0054
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  1. Contributors’ Notes: Spring 2016
  2. pp. 197-210
  3. DOI: 10.1353/plo.2016.0062
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