1. An Ode to Slow
  2. Judith Scherer Herz
  3. pp. 3-5
  4. DOI: 10.1353/esc.2015.0037
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  1. A Brief History of Speed/Evil Speed
  2. Glenn Deer
  3. pp. 6-7
  4. DOI: 10.1353/esc.2015.0012
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  1. Vignettes and Vines: Faster Seeing
  2. Jo Devereux
  3. pp. 8-11
  4. DOI: 10.1353/esc.2015.0017
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  1. A More Immediate Evil
  2. Andy Weaver
  3. pp. 12-13
  4. DOI: 10.1353/esc.2015.0022
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  1. Fast Analysis
  2. Brent Ryan Bellamy
  3. pp. 14-16
  4. DOI: 10.1353/esc.2015.0026
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  1. The Ethics of Speed-Space
  2. Grant Williams
  3. pp. 17-18
  4. DOI: 10.1353/esc.2015.0030
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  1. Capital’s Fastness as Sticking Point
  2. Carolyn Veldstra
  3. pp. 19-21
  4. DOI: 10.1353/esc.2015.0035
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  1. First, Offence
  2. Steven Bruhm
  3. pp. 22-25
  4. DOI: 10.1353/esc.2015.0010
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  1. Fearful Spaces: Thomas De Quincey’s Sino-Anginophobia
  2. Markus Poetzsch
  3. pp. 27-41
  4. DOI: 10.1353/esc.2015.0015
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  1. “At the end of everything”: Confession and Critique in Michel Tremblay’s Damnée Manon, Sacrée Sandra
  2. Myra Bloom
  3. pp. 43-64
  4. DOI: 10.1353/esc.2015.0020
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  1. Freely Revised and Edited: Anarchist Authorship in Jackson Mac Low’s The Stein Poems
  2. Dani Spinosa
  3. pp. 91-107
  4. DOI: 10.1353/esc.2015.0028
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  1. Finding Common Ground: Purposeful Disarticulation in the Poetry of Erin Mouré
  2. Shirley McDonald
  3. pp. 109-131
  4. DOI: 10.1353/esc.2015.0033
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  1. “Yours for the Revolution”: Communication and Identity in the Western Clarion
  2. David Buchanan
  3. pp. 133-164
  4. DOI: 10.1353/esc.2015.0008
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  1. Film and the Mechanization of Time in the Myth of the Great War Canon
  2. David Williams
  3. pp. 165-190
  4. DOI: 10.1353/esc.2015.0013
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  1. What is Living and What is Dead in the U.S. Declaration of Independence, or, National Treasure and the State of Public Texts
  2. Michael Epp
  3. pp. 191-208
  4. DOI: 10.1353/esc.2015.0018
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  1. Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s by Larissa Lai (review)
  2. Lily Cho
  3. pp. 209-211
  4. DOI: 10.1353/esc.2015.0023
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  1. Archibald Lampman: Memory, Nature, Progress by Eric Ball (review)
  2. Shelley Hulan
  3. pp. 211-214
  4. DOI: 10.1353/esc.2015.0027
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  1. Canadian Gothic: Literature, History, and the Spectre of Self-Invention by Cynthia Sugars (review)
  2. Jon Kertzer
  3. pp. 214-217
  4. DOI: 10.1353/esc.2015.0031
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  1. Wooden Os: Shakespeare’s Theatres and England’s Trees by Vin Nardizzi (review)
  2. Andrew Murphy
  3. pp. 220-222
  4. DOI: 10.1353/esc.2015.0011
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  1. Shakespeare in Québec: Nation, Gender, and Adaptation by Jennifer Drouin (review)
  2. Laura Schechter
  3. pp. 222-225
  4. DOI: 10.1353/esc.2015.0016
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  1. OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation ed. by Daniel Fischlin (review)
  2. Aneta Mancewicz
  3. pp. 226-228
  4. DOI: 10.1353/esc.2015.0021
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  1. The Strange and Dangerous Voyage of Captaine Thomas James: A Critical Edition ed. by Colleen M. Franklin (review)
  2. Jan Olesen
  3. pp. 229-232
  4. DOI: 10.1353/esc.2015.0025
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  1. Trans/acting Culture, Writing, and Memory: Essays in Honour of Barbara Godard ed. by Eva C. Karpinski etal (review)
  2. Julia Emberley
  3. pp. 233-234
  4. DOI: 10.1353/esc.2015.0029
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  1. Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870–1910 by Katharine Mitchell (review)
  2. Ioana Raluca Larco
  3. pp. 234-236
  4. DOI: 10.1353/esc.2015.0034
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  1. Corporate Character: Representing Imperial Power in British India, 1786–1901 by Eddy Kent (review)
  2. Nandi Bhatia
  3. pp. 236-239
  4. DOI: 10.1353/esc.2015.0009
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  1. Keepers of The Code: English-Canadian Literary Anthologies and the Representation of Nation by Robert Lecker (review)
  2. Robert David Stacey
  3. pp. 239-243
  4. DOI: 10.1353/esc.2015.0014
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  1. The Letterbooks of John Evelyn ed. by Douglas D.C. Chambers and David Galbraith (review)
  2. John Considine
  3. pp. 243-246
  4. DOI: 10.1353/esc.2015.0019
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  1. Introduction: #FSTVL
  2. Mark Simpson
  3. pp. 1-2
  4. DOI: 10.1353/esc.2015.0032
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