1. Activists’ Panel
  2. Mary Ann Johnson, Rebecca Sive, Christine Riddiough, Anne Ladky, Joan Hall
  3. pp. 3-24
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  1. “To Fulfill an Ambition of [Her] Own”: Work, Class, and Identity in The Feminine Mystique
  2. Katherine Turk
  3. pp. 25-32
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  1. “The Happy Housewife Heroine” and “The Sexual Sell”: Legacies of Betty Friedan’s Critique of the Image of Women
  2. Elizabeth Fraterrigo
  3. pp. 33-40
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  1. The Feminine Mystique at Fifty
  2. Susan Levine
  3. pp. 41-46
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  1. Normalizing the “Variant” in The Ladder, America’s Second Lesbian Magazine, 1956–1963
  2. Elyse Vigiletti
  3. pp. 47-71
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  1. Undermining Identities in Johnny Blazes’ Check One Please: The Ambiguous Body as Feminist Performance Tool
  2. Kellyn Johnson
  3. pp. 72-87
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  1. Artist Statement
  2. Gail Thacker
  3. pp. 88-91
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  1. “We Are Extraordinarily Lucky to Be Living in These Times”: A Conversation with Grace Lee Boggs
  2. Karín Aguilar-San Juan
  3. pp. 92-123
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  1. Sensibility and Science: Motherhood and the Gendering of Knowledge in Two Mezzotints after Joseph Wright of Derby
  2. Louise Siddons
  3. pp. 124-151
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  1. Elizabeth Barton’s Claim: Feminist Defiance in Wolf Hall
  2. Robinson Murphy
  3. pp. 152-168
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  1. Constructing Radical Black Female Subjectivities: Survival Pimping in Austin Clarke’s The Polished Hoe
  2. Jennifer Thorington Springer
  3. pp. 169-191
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  1. Adagio
  2. J. Dee Cochran
  3. p. 192
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  1. Four Women on a Ptown Beach
  2. J. Dee Cochran
  3. p. 193
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  1. Editors’ Note
  2. Judy Tzu-Chun Wu
  3. pp. vii-viii
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  1. Introduction
  2. Joan Marie Johnson, Francesca Morgan, Michelle Nickerson
  3. pp. 1-2
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  1. Contributors
  2. pp. 218-225
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