1. Social Movements
  2. Linda Gordon
  3. pp. 2-6
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  1. Why History Matters
  2. Linda K. Kerber
  3. pp. 6-11
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  1. The So-What Question
  2. Alice Kessler-Harris
  3. pp. 12-16
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  1. History and Gender
  2. Joyce Antler
  3. pp. 16-21
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  1. A New World of Women and a New Language
  2. Thavolia Glymph
  3. pp. 21-26
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  1. Reflections
  2. Eileen Boris, Elizabeth Currans
  3. pp. 27-32
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  1. Transnational Complications: Reimagining Oroonoko and Women’s Collective Politics in the Empire
  2. Basuli Deb
  3. pp. 33-56
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  1. “Japanese Women Are Like Volcanoes”: Trans-Pacific Feminist Musings in Etsu I. Sugimoto’s A Daughter of a Samurai
  2. Karen Kuo
  3. pp. 57-86
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  1. Sex, Savagery, and the Woman Who Made Vaudeville Famous
  2. Kathleen B. Casey
  3. pp. 87-112
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  1. Audre Lorde’s Zami, Erotic Embodied Memory, and the Affirmation of Difference
  2. Anh Hua
  3. pp. 113-135
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  1. “Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement
  2. La Donna L. Forsgren
  3. pp. 136-159
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  1. Re-Membering Our Own Power: Occaneechi Activism, Feminism, and Political Action Theories
  2. Marshall Jeffries
  3. pp. 160-195
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  1. Artist Statement
  2. Laura Kina
  3. pp. 196-199
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  1. Kitchen Table c. 1970
  2. Catherine Jagoe
  3. pp. 200-216
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  1. Frontiers Turns Forty!
  2. Christine Keating, Guisela Latorre, Judy Tzu-Chun Wu
  3. pp. vii-viii
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  1. Introduction
  2. Nancy F. Cott
  3. pp. 1-2
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  1. Contributors
  3. pp. 217-222
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