1. Editors’ Page
  2. Stephanie G’Schwind, Donalde Revell
  3. pp. 1-2
  4. DOI: 10.1353/col.2015.0000
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  1. The Dying Game
  2. Erin Almond
  3. pp. 3-18
  4. DOI: 10.1353/col.2015.0013
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  1. Midterm
  2. Leslie Johnson
  3. pp. 19-39
  4. DOI: 10.1353/col.2015.0006
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  1. Strongwoman
  2. Mark Mayer
  3. pp. 40-57
  4. DOI: 10.1353/col.2015.0031
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  1. Storage
  2. Brenda Peynado
  3. pp. 58-71
  4. DOI: 10.1353/col.2015.0018
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  1. The Lost Years
  2. Patricia Foster
  3. pp. 72-85
  4. DOI: 10.1353/col.2015.0024
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  1. Ash Wednesday
  2. Linda Norton
  3. pp. 86-95
  4. DOI: 10.1353/col.2015.0029
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  1. Shock to the Heart, Or: A Primer on the Practical Applications of Electricity
  2. Katherine E. Standefer
  3. pp. 96-109
  4. DOI: 10.1353/col.2015.0036
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  1. The Painter’s Model
  2. Colleen Abel
  3. pp. 110-111
  4. DOI: 10.1353/col.2015.0022
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  1. Advanced Fantasies of the Cross-Bronx Expressway, and: Visionary Labors of the Astoria Pool
  2. Samuel Amadon
  3. pp. 112-113
  4. DOI: 10.1353/col.2015.0010
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  1. Codicil
  2. Atom Ariola
  3. p. 114
  4. DOI: 10.1353/col.2015.0003
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  1. From “Praise for the Male Body”, and: From “Praise for the Male Body”, and: To Hart Crane
  2. Dario Bellezza, Peter Covino
  3. pp. 116-118
  4. DOI: 10.1353/col.2015.0015
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  1. Easter
  2. Bruce Bond
  3. pp. 119-120
  4. DOI: 10.1353/col.2015.0008
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  1. Territory Quicker than the Map
  2. Maggie Colvett
  3. p. 121
  4. DOI: 10.1353/col.2015.0016
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  1. Change, and: Repetition
  2. Carl Dennis
  3. pp. 122-124
  4. DOI: 10.1353/col.2015.0028
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  1. Poem
  2. Sara Du Sablon
  3. p. 125
  4. DOI: 10.1353/col.2015.0035
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  1. Plato and the Clown
  2. Jean Hollander
  3. p. 126
  4. DOI: 10.1353/col.2015.0040
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  1. Late Autumn
  2. Benjamin Jones
  3. p. 127
  4. DOI: 10.1353/col.2015.0005
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  1. Private Booth
  2. Benjamin Landry
  3. pp. 128-129
  4. DOI: 10.1353/col.2015.0012
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  1. Night
  2. Joseph Lease
  3. pp. 130-134
  4. DOI: 10.1353/col.2015.0020
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  1. [prayer]
  2. Charlotte Lieberman
  3. pp. 135-136
  4. DOI: 10.1353/col.2015.0026
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  1. Over There
  2. Nina Lindsay
  3. p. 137
  4. DOI: 10.1353/col.2015.0033
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  1. Thou
  2. Joshua McKinney
  3. p. 138
  4. DOI: 10.1353/col.2015.0038
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  1. Romance for Switchbacks
  2. Lo Kwa Mei-En
  3. pp. 139-140
  4. DOI: 10.1353/col.2015.0002
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  1. Muscoskeletal
  2. Jennifer Militello
  3. p. 141
  4. DOI: 10.1353/col.2015.0009
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  1. Charismatic Deliverance
  2. Michelle Mitchell-Foust
  3. pp. 142-143
  4. DOI: 10.1353/col.2015.0017
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  1. Deposition
  2. Andrew Nance
  3. pp. 144-145
  4. DOI: 10.1353/col.2015.0023
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  1. Aubade
  2. Andrew S. Nicholson
  3. p. 146
  4. DOI: 10.1353/col.2015.0030
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  1. Silence Sounds Close to Branches
  2. John Palmer
  3. p. 147
  4. DOI: 10.1353/col.2015.0037
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  1. He of the Long Wait
  2. Jack Ridl
  3. p. 148
  4. DOI: 10.1353/col.2015.0001
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  1. Orchard
  2. Zach Savich
  3. p. 149
  4. DOI: 10.1353/col.2015.0007
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  1. Merely Bird and Bonnet
  2. Caitlin Scarano
  3. p. 150
  4. DOI: 10.1353/col.2015.0014
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  1. Vital Signs
  2. Roberta Senechal De La Roche
  3. p. 151
  4. DOI: 10.1353/col.2015.0021
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  1. Clarity, I, Flower, Water, and: From Green to Green, and: Time-Oasis
  2. Sohrab Sepehri, Jean Valentine, Kaveh Bassiri
  3. pp. 152-154
  4. DOI: 10.1353/col.2015.0027
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  1. The Lasts
  2. Julia Shipley
  3. p. 155
  4. DOI: 10.1353/col.2015.0034
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  1. April Proposals, and: Epithalamion for a Thirty-fifth Anniversary
  2. Kevin Stein
  3. pp. 156-157
  4. DOI: 10.1353/col.2015.0039
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  1. Interval
  2. William Stobb
  3. pp. 158-159
  4. DOI: 10.1353/col.2015.0004
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  1. The Last Tree
  2. Michael Trocchia
  3. p. 160
  4. DOI: 10.1353/col.2015.0011
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  1. Instructions for Sweet Sister on How to Make My Wedding Dress
  2. Meg Willing
  3. p. 161
  4. DOI: 10.1353/col.2015.0019
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  1. Demiurge
  2. Candice Wuehle
  3. pp. 162-163
  4. DOI: 10.1353/col.2015.0025
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  1. Contributor Notes
  2. pp. 164-169
  3. DOI: 10.1353/col.2015.0032
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