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In this Issue

Table of Contents

  1. Editors’ Page
  2. pp. 1-2
  3. DOI: https://doi.org/10.1353/col.2015.0059
  4. restricted access
  1. The Letician Age
  2. Yalitza Ferreras
  3. pp. 3-20
  4. DOI: https://doi.org/10.1353/col.2015.0066
  5. restricted access
  1. Homesteaders
  2. Elisabeth Hamilton
  3. pp. 21-39
  4. DOI: https://doi.org/10.1353/col.2015.0073
  5. restricted access
  1. I Am Faithful
  2. Jenny Irish
  3. pp. 40-53
  4. DOI: https://doi.org/10.1353/col.2015.0080
  5. restricted access
  1. Passing Through Needles: From After the Parade
  2. Lori Ostlund
  3. pp. 54-67
  4. DOI: https://doi.org/10.1353/col.2015.0044
  5. restricted access
  1. Counterclockwise
  2. Jennifer Anderson
  3. pp. 68-74
  4. DOI: https://doi.org/10.1353/col.2015.0050
  5. restricted access
  1. Blood And Stars
  2. Melissa Ferrone
  3. pp. 75-90
  4. DOI: https://doi.org/10.1353/col.2015.0056
  5. restricted access
  1. Namesake
  2. Mason Stokes
  3. pp. 91-107
  4. DOI: https://doi.org/10.1353/col.2015.0063
  5. restricted access
  1. Ode to Your First Cry: For Opeyemi
  2. D. M. Aderibigbe
  3. p. 108
  4. DOI: https://doi.org/10.1353/col.2015.0070
  5. restricted access
  1. Foam Party, and: Orange Alert
  2. Kazim Ali
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/col.2015.0077
  5. restricted access
  1. Transatlantic, and: Hijra
  2. Hala Alyan
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/col.2015.0041
  5. restricted access
  1. The Box, and: Check the Number on My Collar
  2. Lucy Anderton
  3. pp. 113-116
  4. DOI: https://doi.org/10.1353/col.2015.0048
  5. restricted access
  1. If the Vulture Chooses You, and: Leap Years
  2. Talvikki Ansel
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/col.2015.0054
  5. restricted access
  1. Incoming
  2. Kate Asche
  3. p. 120
  4. DOI: https://doi.org/10.1353/col.2015.0061
  5. restricted access
  1. Postcard, and: Postcard
  2. Joelle Biele
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/col.2015.0068
  5. restricted access
  1. Seven Keys: From A Teus Pés
  2. Ana Cristina César, Brenda Hillman, Helen Hillman
  3. p. 124
  4. DOI: https://doi.org/10.1353/col.2015.0075
  5. restricted access
  1. Ramble #11, and: Ramble #28
  2. Lauren Crux
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/col.2015.0082
  5. restricted access
  1. Flesh and Fingernail
  2. Victoria Estol, Seth Michelson
  3. p. 127
  4. DOI: https://doi.org/10.1353/col.2015.0046
  5. restricted access
  1. Reunion
  2. Javier Etchevarren, Jesse Lee Kercheval
  3. p. 128
  4. DOI: https://doi.org/10.1353/col.2015.0052
  5. restricted access
  1. Words Like Knives
  2. Paola Gallo, Adam Giannelli
  3. p. 129
  4. DOI: https://doi.org/10.1353/col.2015.0058
  5. restricted access
  1. From “John Henry Split My Heart”
  2. Andrew Grace
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/col.2015.0065
  5. restricted access
  1. The Night We Met
  2. Bradley Harrison
  3. p. 133
  4. DOI: https://doi.org/10.1353/col.2015.0072
  5. restricted access
  1. Bounty
  2. Chris Haven
  3. p. 134
  4. DOI: https://doi.org/10.1353/col.2015.0079
  5. restricted access
  1. [Untitled Day], and: Composition: Fringe Lichen: Tilde & Mãe
  2. Brenda Hillman
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/col.2015.0043
  5. restricted access
  1. Snow Angels, and: The Pine Barrens: A Sermon
  2. James Hoch
  3. pp. 139-141
  4. DOI: https://doi.org/10.1353/col.2015.0055
  5. restricted access
  1. From River House, and: From River House
  2. Sally Keith
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/col.2015.0062
  5. restricted access
  1. #29linesonblacknessforwhitepoetsandpoliceman
  2. Ruth Ellen Kocher
  3. p. 144
  4. DOI: https://doi.org/10.1353/col.2015.0069
  5. restricted access
  1. Inscription on a Page Torn from the County Register
  2. Brandon Kreitler
  3. p. 145
  4. DOI: https://doi.org/10.1353/col.2015.0076
  5. restricted access
  1. La Biennale: After Ruth Ellen Kocher
  2. Shayla Lawson
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/col.2015.0083
  5. restricted access
  1. I Want You to See Me and Convulse. Whatever You Were
  2. Danielle Pafunda
  3. p. 149
  4. DOI: https://doi.org/10.1353/col.2015.0053
  5. restricted access
  1. *, and: *
  2. Simon Perchik
  3. pp. 150-151
  4. DOI: https://doi.org/10.1353/col.2015.0060
  5. restricted access
  1. From “Understory”
  2. Craig Santos Perez
  3. pp. 152-154
  4. DOI: https://doi.org/10.1353/col.2015.0067
  5. restricted access
  1. Hospice
  2. Donald Platt
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/col.2015.0074
  5. restricted access
  1. The Students Celebrate a Basketball Championship
  2. Michael Pontacoloni
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/col.2015.0081
  5. restricted access
  1. Threnody with a Wren and a Skipping Rope, and: Sudden Stain
  2. Roger Reeves
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/col.2015.0045
  5. restricted access
  1. Thrush
  2. Freya Rohn
  3. p. 161
  4. DOI: https://doi.org/10.1353/col.2015.0051
  5. restricted access
  1. Breakwaters
  2. Laurie Sewall
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/col.2015.0057
  5. restricted access
  1. Songs in Late Summer
  2. Tess Taylor
  3. p. 168
  4. DOI: https://doi.org/10.1353/col.2015.0071
  5. restricted access
  1. Col-, and: Com-
  2. Barbara Tomash
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/col.2015.0078
  5. restricted access
  1. Contributor Notes
  2. pp. 171-177
  3. DOI: https://doi.org/10.1353/col.2015.0042
  4. restricted access